In On Becoming a Novelist (Harper & Row, 1983), John Gardner raises the question of what the aspiring writer should study if he goes to college:
A good program of courses in philosophy, along with creative writing, can clarify the writer's sense of what questions are important . . . . There are obvious dangers. Like any other discipline, philosophy is apt to be inbred, concerned about questions any normal human being would find transparently ridiculous. [. . .] All human thought has its bullshit quotient, and professional thought about thought has more than most. Nevertheless, the study of philosophy, perhaps with courses in psychology thrown in, can give the young writer a clear sense of why our age is so troubled, why people of our time suffer in ways in which people of other times and places suffered. (93-94)
Gardner goes on to mention Nietzsche, Heidegger and Wittgenstein as philosophers it would be useful for the aspiring writer to know something about since the problems they discussed or helped cause are problems of "ordinary modern people." But what interests me at the moment is the way Gardner views philosophy.
