Saturday Night at the Oldies: Rock and Roll Apologetics

A curious sub-genre of meta-rock devoted to the defense of the devil's music.

The Showmen, It Will Stand, 1961 

Bob Seger, Old-Time Rock and Roll

But does it really "soothe the soul"? Is it supposed to?  For soul-soothing, I recommend the Adagio movement of Beethoven's Ninth Symphony. Adagio molto e cantabile.

Rolling Stones, It's Only Rock and Roll (but I Like It)

Electric Light Orchestra, Roll Over, Beethoven.  Amazingly good.  Roll over, Chuck Berry!

Danny and the Juniors, Rock and Roll is Here to Stay

Chuck Berry and Friends, Rock and Roll Music

Off-topic bonus cut:  The Chantels, Look in My Eyes, 1961.  YouTuber comment: "Emanating from the Heart Chakra. Something pop songs rarely do anymore. Feel it?" The popular music of this period had human meaning, coming from the heart and speaking to the heart, even when it passed over into schmaltz and sentimentality.

Saturday Night at the Oldies: Cool Tunes and More Mose

Ramsey Lewis Trio, The In Crowd

Dave Brubeck, Take Five

Corsairs, Smoky Places

Harry Nilsson, Everybody's Talkin'

B. B. King, Nobody Knows You When You're Down and Out 

Sam Cooke, Fool's Paradise

Thelonius Monk, In Walked Bud

Mose Allison, Your Mind's on Vacation

Mose Allison, I Don't Worry About a Thing

Mose Allison, Don't Get Around Much Anymore

Too cool for you? Try this.

Mose Allison, The Song is Ended

Saturday Night at the Oldies: October Jazz

The 15th already! October's a bird that flies too fast. Time herself's such a bird. I would freeze her flight, but not that of

Charley 'Bird' Parker, Ornithology

Jack Kerouac and Steve Allen, Charlie Parker

Kerouac and Allen, October in the Railroad Earth

Jack Kerouac, San Francisco

Mose Allison, Parchman Farm.

This one goes out to Tom Gastineau, keyboard man in our band Dudley Nightshade, who introduced me to Mose Allison in the late '60s. Tom went on to make it, more or less, in the music business. I caught Allison at The Lighthouse in Hermosa Beach, California, a couple or three times before I headed East in August of '73.  Heard him on the East Coast as well at a joint in Marblehead, Mass. with a girlfriend  I dubbed 'Springtime Mary'  which was Kerouac's name for his girlfriend Mary Carney.

Mose Allison, Young Man's Blues

Mose Allison, I Ain't Got Nothing but the Blues

Dave Brubeck, Blue Rondo al a Turk

Herbie Hancock, Watermelon Man

Bob Dylan’s Theme Time Radio Hour

Episode Thirty Two: Moon.  The harvest moon is big and bright these October nights.  

Informed commentary by a lover of and major contributor to musical Americana. Hear how much you've missed and how much young Bobby Zimmerman sopped up through long and cold Hibbing nights listening to the radio.

Around 50:00 Dylan commences reading  the Slim Gaillard passage from Kerouac's On the Road and then cues up a Gaillard number.

Saturday Night at the Oldies: Marital Advice

Before you even think of getting married, make sure you have plenty of money.

Then shop around.

Consider who will become your mother-in-law.

If you want to be happy,  don't worry too much about physical beauty. 

If she has a cheatin' heart, hit the road, Jack.

But then again you might be better off without a wife.

………………………..

Bonus cut: Lauro Nyro, Wedding Bell Blues

Saturday Night at the Oldies: September Songs

September's on the wane.  A transitional month leading from hot August to glorious October, Kerouac month in the MavPhil 'secular liturgy.'

Dinah Washington, September in the Rain

Rod Stewart, Maggie May. "Wake up Maggie, I think I got something to say to you/It's late September and I really should be back at school."

Carole King, It Might as Well Rain Until September

And while we have Miss King cued up, lend an ear to One Fine Day.

The 'sixties forever! We were young, raw, open, impressionable, experience-hungry; we lived intensely and sometimes foolishly.  We felt deeply, and suffered deeply. Youth has its truth. And our popular music put to shame the crap that came before and after. Or so we thought. And so we still think. Would I want to live though the 'sixties again? Hell no, I am having too good a time enjoying it memorially at a safe distance.  Youth has its truth, but if you can make it into old age with health and intellect intact, and a modicum of the lean green, you are winning the game. 

Django Reinhardt, September Song

George Shearing, September in the Rain

Walter Huston, September Song 

Van Morrison, September Night

Brothers Four, Try to Remember. I do remember when I was "a tender and callow fellow." 

Billie Holliday, September Song

Addendum

This from a London reader:

Thanks for linking to the George Shearing ‘September’. I had forgotten he grew up in London (in Battersea, just down the road from me). I love the Bird-like flights on the piano. Indeed I think he wrote ‘Lullaby of Birdland’. Another Londoner is Helen Shapiro who does a great version of ‘It might as well rain until September.’  Great alto voice, never made it in the US as far as I know. There is an  account of her conversion to Christianity here.

I was first hipped to Shearing by Kerouac who referred to him in On the Road.  I too love the 'Bird'-like flights on the piano. The allusion is to Charley 'Bird' Parker, also beloved of Kerouac.  Helen Shapiro is new to me, thanks. She does a great job with the Carole King composition.  Believe it or not, King's version is a demo. That's one hell of a demo. A YouTuber points out that Shapiro was not part of the 1964 'British Invasion.'  I wonder why.

Saturday Night at the Oldies: The Wall of Sound

No dark songs this Saturday Night. Some upbeat numbers to take our minds off the depredatory Left and their depredations. Here are some of my favorite Phil Spector productions.  It wouldn't have been the 'sixties without him. I avert my eyes from his later misadventures and remember him for his contributions to the Boomer soundtrack, than which, no doubt, no greater can be conceived.

Crystals, Uptown, 1962.

Crystals, He's a Rebel

Ronettes, Be My Baby

Crystals, Da Doo Ron Ron

Curtis Lee, Pretty Little Angel Eyes.

Great dance video. Curtis Edwin Lee, one-hit wonder, hailed from Yuma, Arizona.  He died at 75 years of age on 8 January 2015.  Obituary here. His signature number became a hit in 1961, reaching the #7 slot on the Billboard Hot 100. When I discovered that the record was produced by the legendary Phil Spector, I understood why it is so good.  After the limelight, Lee returned to Yuma for a normal life. This tune goes out to wifey, with love.  When I first espied those angel eyes back in '82, I had the thought, "Here she is, man, the one for you. Go for it!" And I did, and its been very good indeed. Forty years and counting.

Ben E. King, Spanish Harlem, 1960.

Crystals, Then He Kissed Me

Beach Boys, Then I Kissed Her. With a tribute to Marilyn M.

Paris Sisters, I Love How You Love Me, 1961.

Ronettes, Walkin' in the Rain

Saturday Night at the Oldies: Dark Songs for Dark Times

Buffalo Springfield, For What It's Worth

Bob Dylan, Subterranean Homesick Blues

Bob Dylan, It's Alright Ma (I'm Only Bleeding)

Barry McGuire, Eve of Destruction

Creedence Clearwater Revival, Bad Moon Rising

The Who, Won't Get Fooled Again

Rolling Stones, Gimme Shelter

Bob Dylan, Masters of War

Bob Dylan, Not Dark Yet. But it's getting there . . .

Saturday Night at the Oldies: ‘The King’ Dead 45 Years

Elvis Presley died on 16 August 1977, 45 years ago. We can't let this weekend pass without a few tunes in commemoration.

First a couple of 'Italian' numbers modeled, respectively, on O Sole Mio and Torna a Surriento

It's Now or Never

Surrender

Continuing in the romantic vein:

Can't Help Falling in Love.  A version by Andrea Bocelli. A woman for a heterosexual man is the highest finite object. The trick is to avoid idolatry and maintain custody of the heart.

A Gospel number:

Amazing Grace

From the spiritual to the secular:

Little Sister

Marie's the Name of his Latest Flame

Devil in Disguise. "Woman is man's devil." (Turkish proverb)

And then there was hokey stuff like this reflecting his time in the Army in Germany:

Wooden Heart

Marlene Dietrich, Muss i denn 

You Tuber comment:

I was taught this song, in German, by a lovely young woman. I was 21 years old. She was a bit younger in years but older in so many – – – so very many – – – ways. We had just finished a room-service breakfast in a sun-filled hotel room overlooking the Rhine in Koln (Cologne) in 1954. I was impatient to get dressed and leave. The song changed my mind. I never hear this song without thinking of that lovely morning. My tour was over. I left Germany 4 days later. I never saw or heard of her again.

Can't leave out the overdone and hyperromantic:

The Wonder of You. (Per mia moglie)

Out of time. Next stop: dinner with Dan Bongino.

Saturday Night at the Oldies: Outstanding Dylan Covers

Johnny Rivers, Positively Fourth Street.

Of all the versions of my recorded songs, the Johnny Rivers one was my favorite. It was obvious that we were from the same side of town, had been read the same citations, came from the same musical family and were cut from the same cloth. When I listened to Johnny’s version of “Positively 4th Street,” I liked his version better than mine. I listened to it over and over again. Most of the cover versions of my songs seemed to take them out into left field somewhere, but Rivers’s version had the mandate down — the attitude and melodic sense to complete and surpass even the feeling that I had put into it. It shouldn’t have surprised me, though. He had done the same thing with “Maybellene” and “Memphis,” two Chuck Berry songs. When I heard Johnny sing my song, it was obvious that life had the same external grip on him as it did on me. Bob Dylan , Chronicles

Mary Travers interviews Bob Dylan. Not a cover but interesting to the true Dylan aficionado.

Joan Baez, Hard Rain

Gary U.S. Bonds, From a Buick Six

Peter, Paul, and Mary, Too Much of Nothing

Arlo Guthrie, Percy's Song

Byrds, Chimes of Freedom

Jimi Hendrix, All Along the Watchtower

Stephen Stills, Ballad of Hollis Brown

McGuinn, Harrison, Clapton, Petty et al., My Back Pages 

Marianne Faithful, Visions of Johanna

But nothing touches the original. This is the bard at his incandescent best. Mid-'60s. Blonde on Blonde album.

More later. Time to rustle up some vittles for wifey, pour myself a stiff one and get tuned up for Bongino. Enjoy your Saturday night.

Saturday Night at the Oldies: Purgation of Memory and the Waters of Oblivion

So many of our memories should be allowed to sink forever beneath the waters of oblivion. But not all. Let's recall some songs about forgetting and water.

Bob Dylan and the Band, Too Much of Nothing

Say Hello to Valerie
Say hello to Vivian
Give them all my salary
On the waters of oblivion.

Doors, Soul Kitchen. "Learn to forget, learn to forget."

Bobby Rydell, Forget Him

Eric Clapton and Jeff Beck, Moon River

Henry Mancini, Moon River.  Video with shots of Rita Hayworth. YouTuber comment: indimenticabile Rita, stupenda Rita, vivi nei nostri ricordi, vivi nei nostri cuori. This was Jack Kerouac's favorite song.  Ellis Amburn, Subterranean Kerouac (St. Martin's 1998), p. 324:

One night he [Kerouac, during a 1962 visit to Lowell, Mass.] left a bar called Chuck's with Huck Finneral, a reedy, behatted eccentric who carried a business card that read: "Professional killer . . . virgins fixed . . . orgies organized, dinosaurs neutered, contracts & leases broken."  Huck's philosophy of life was: "Better a wise madness than a foolish sanity."  They drove to a friend's house in Merrimack, New Hampshire, and on the way, Jack sang "Moon River," calling it his favorite song.  Composed by Henry Mancini and Johnny Mercer, "Moon River" was the theme song of the popular Audrey Hepburn movie Breakfast at Tiffany's.  Sobbed by a harmonica, later swelling with strings and chorus, the plaintive tune's gentle but epic-like lyrics describe a dreamer and roamer not unlike Kerouac.

Indeed they do.  A restless dreamer, a lonesome traveller, a dharma seeker, a desolation angel passing through this vale of mist, a drifter on the river of samsara hoping one day to cross to the Far Shore. 

Chase Webster, Moody River

Saturday Night at the Oldies: Jimmy Elledge and Some Other One-Hit Wonders

Jimmy Elledge, Funny How Time Slips Away.  Born January 8, 1943 in Nashville, Elledge died June 10, 2012 after complications following a stroke.  The song, written by Willie Nelson, made the #22 slot on Billboard Hot 100 in 1961, and sold over one million copies. Elledge never had another hit. As a YouTube commenter points out, that does sound like Floyd Cramer tickling the ivories.  A great song.  I always thought it was a female singing.

Rosie and the Originals, Angel Baby, 1960.  Perfect for cruising Whittier Boulevard in your '57 Chevy on a Saturday night.  This one goes out to Tom Coleman.

Claudine Clark, Party Lights, 1962

Contours, Do You Love Me? 1962

Norma TanegaWalkin' My Cat Named 'Dog,' 1966.   A forgotten oldie if ever there was one.  If you remember this bit of vintage vinyl, one of the strangest songs of the '60s, I'll buy you a beer or a cat named 'dog.' One.

Bruce Channel, Hey! Baby, 1962

Barbara George, I Know, 1962

And now a couple more forgotten one-hit wonders who get almost no play on the oldies stations which is exactly why you need Uncle Wild Bill's Saturday Night at the Oldies:

Bob Luman, Let's Think About Livin'  Trivia question: The song contains references to three contemporary songs.  Name them.  And how quaint the reference to the fellow with the switch-blade knife.

Larry Finnegan, Dear One, 1962 

David Bowie?  Who's he?

UPDATE.   Dave B. tells me that I owe his wife Ronda a beer:

Yeah she remembered that song from the opening riff.
What a waste of a nice Gibson SG…

You are quite right, Dave: the girl is flailing at a Gibson SG standard.  Clapton, a.k.a 'God,' played them before switching over to Fender Strats.  I wanted an SG back around '67 or '68 but they were too much in demand.  So I 'settled' for  a Gibson ES 335 TD.  But then I did the dumbest thing I ever did a few years later.