Saturday Night at the Oldies: Americana

Buffy Sainte-Marie, I'm Gonna be a Country Girl Again

Hoyt Axton, Greenback Dollar

Nanci Griffith, Boots of Spanish Leather

16 Horsepower, Wayfaring Stranger

Stanley Bros., Rank Strangers

Bob Dylan, I am a Lonesome Hobo. Have you heard this version?

Bob Dylan, As I Went Out One Morning

Highwaymen, The City of New Orleans

Kenny Rogers, The Gambler

Buffy Sainte-Marie, Cod'ine

Bob Dylan, Only a Hobo, 1963

Highwaymen, Ghost Riders in the Sky

As the riders loped on by him
He heard one call his name
'If you wanna save your soul
From hell a-riding on our range
Then, cowboy change your ways today
Or with us you will ride
Trying to catch the devil's herd
Across these endless skies.'

‘Nuclear’ Thoughts on Dylan’s Birthday

We've gotten used to living under the Sword of Damocles:

One of its more famous [invocations] came in 1961 during the Cold War, when President John F. Kennedy gave a speech before the United Nations in which he said that “Every man, woman and child lives under a nuclear sword of Damocles, hanging by the slenderest of threads, capable of being cut at any moment by accident or miscalculation or by madness.”

We seem not too worried these days. If anything, the threat of nuclear war is greater now than it was in '61 and this, in no small measure, because we now have a doofus for POTUS. I shudder to think what would have become of us had Joey B. been president in October of 1962 during the Cuban Missile Crisis. People were worried back then, but now we have worse threats to worry about such as white supremacy and climate change.  In those days  people were so worried that they built fallout shelters. There was much discussion of their efficacy and of the mentality of their builders. Rod Serling provided memorable commentary in the Twilight Zone episode, The Shelter, that aired on 29 September, 1961.  

Thomas Merton, in his journal entry of 16 August 1961, his former contemptus mundi on the wane and his new-found amor mundi on the rise, writes  

The absurdity of American civil defense propaganda — for a shelter in the cellar –  "come out in two weeks and resume the American way of life."

. . . I see no reason why I should go out of my way to survive a thermonuclear attack on the U. S. A. It seems to me nobler and simpler to share, with all consent and love, in what is bound to be the lot of the majority . . . . (Vol. 4, 152)

In the entry of 31 May 1962 (Ascension Day), Merton reports that a friend

Sent a clipping about the Fallout shelter the Trappists at O. L. [Our Lady] of the Genesee have built for themselves. It is sickening to to think that my writing against nuclear war is regarded as scandalous, and this folly of building a shelter  for monks is accepted without question as quite fitting. We no longer know what a monk is. (Italics in original. Vol. 4, 222)

Now today is Bob Dylan's birthday. Born in 1941, he turns 82.  As you know, Merton, though born in 1915, was by the mid-'60s a big Dylan fan.  And so in honor of both of these acolytes of the '60s Zeitgeist, I introduce to you young guys  Dylan's Let Me Die in My Footsteps which evokes that far-off and fabulous time with as much authority as do Rod Serling and Tom Merton. A Joan Baez rendition. The Steep Canyon Rangers do an impressive job with it.

Dylan hails from Hibbing, Minnesota hard by the Canadian border near the Mesabi Iron Range. The young Dylan, old beyond his years, tells a tale from a woman's point of view in North Country Blues.

I have often wondered why there are so many Minnesotans where I live. Minnesota, gone 'woke,' is bleeding population. High taxes is one reason. Another is crime:

The second, and even more important reason I'm leaving Minnesota is that crime has destroyed much of what I used to enjoy in the Twin Cities. Up until a few years ago, I thought to avoid being a victim of violent crime all I needed to do was avoid being in the wrong place at the wrong time. But today in the metro area, every place could be the wrong place at any time of every day.

A few weeks ago, a resident of bucolic St. Anthony Park was shot dead outside his home at 7:30 a.m. on a Saturday. Car thefts are up 95% this year in Minneapolis, and carjackings, a crime seldom heard of before 2020, occur every week throughout the metro. At the recent Art-A-Whirl studio tour in northeast Minneapolis, a 70-year-old woman was sent to the hospital when she was randomly punched in the face as she crossed the street to go to a restaurant on a Friday evening.

Because of high crime, the downtown Minneapolis restaurants I used to enjoy are closing early or permanently. The Basilica Block Party is gone, and you couldn't pay me to attend the new Taste of Minnesota July 4th block party on Nicollet Mall after last year's July 4th mass shooting and private fireworks anarchy. Even the State Fair at night has become a risky proposition.

As Rep. Ilhan Omar asked recently, "What happens if I am killed?" But unlike her, I don't have armed security — instead, I have to rely on the police for protection. Yet Minneapolis remains more than 100 officers short of the minimum required by its charter, and the too-few applicants who do apply should be automatically rejected for bad judgment in wanting the job.

Again, contrast this with Southwest Florida, where the police ranks are full, the restaurants are open, and violent crime is still a rarity. It's a pretty easy decision to live in an area where I don't have to plan my exit from a concert as if I were leaving a Philadelphia Eagles home game wearing a Vikings jersey.

The last reason I'm leaving Minnesota is because of a lack of hope. I'm a realist, and realism tells me there's nothing more I can do to help prevent Minnesota's decline. Not only its declining public safety, but also its declining public schools, its hopelessly irrational light-rail transit system and its eroding future.

I know our current leaders won't solve these problems because they won't even acknowledge they exist. Minneapolis recently unveiled a new multimillion-dollar ad campaign to draw visitors into the city to "see what all the fuss is about" because "negative perceptions" have "overshadowed" the positive. Unfortunately for that campaign's credibility, the "fuss" on the day it was announced was about six people under the age of 18 shot in Brooklyn Center.

Do you like crime? Then vote Democrat early and often.

Blues for a Monday Afternoon

Lonnie Mack and Co.

Mack has been around a long time. I first picked up a guitar around the time this tune climbed the charts. "If I could only play like that!" Never got close. But I played in bands that got paid. If you get paid for doing something, then someone must think it's worth paying for. That's not saying much, but it's saying something. 

Saturday Night at the Oldies: Some Good Tunes from the ’70s

The '60s rule, of  course, since no decade in Anglospheric popular music was richer or more creative.  I say Anglospheric because great stuff came out of the U. K., Canada, and Australia. I don't know about New Zealand. But let's not ignore the cream of the '70s. 

Jackson Browne, The Pretender.  This great song  goes out to Darci M who introduced me to Jackson Browne. Darci was Lithuanian. Her mother told her, "Never bring an Italian home." So I never did meet the old lady. I never met any anti-Italian prejudice on the West coast whence I hail; the East is a different story.

Running on Empty. A great road song. There's nothing like the open road of the American West.

Gerry Rafferty, Right Down the Line

Baker Street. This was a big hit in the summer of '78. This one goes out to Charaine H and our road trip that summer.

Dave Mason, Only You Know and I Know

We Just Disagree

All Along the Watchtower (2013)

Roy Buchanan, Sweet Dreams

Patsy Cline, Sweet Dreams (1963) 

Orleans, Dance with Me

Still the One

Abba, Fernando. I first heard this in Ben's Gasthaus, Zaehringen, Freiburg im Breisgau ,' 76-'77.  This one goes out to Rudolf, Helmut, Martin, Hans, und Herrmann, working class Germans who loved to drink the Ami under the table.

Saturday Night at the Oldies: Starting, Stopping, Moving, and Grooving

These tunes in memory of my cat Zeno and the 'cat' he was named after, Zeno of Elea.

Sammy Davis, Jr., I Can't Get Started Bunny Berigan, 1937.

Don Gibson, I Can't Stop Loving You

Little Eva, Locomotion Eva was Carole King's housekeeper. Carole wrote her a song . . .

Sir Douglas Quintet, She's about a Mover (She's a body mover.)

Electric Flag, Groovin' is Easy

A contender for the greatest, tightest band of the '60s, featuring Mike Bloomfield on guitar, my second guitar hero. I saw him play at the Monterey Pop Festival in '67. The Jewish kid from an affluent Chicago suburb exemplifies cultural appropriation at its finest. His riffs derive from B. B. King but he outplays the King of the Blues.  Is that a racist thing to say? It can't be racist if it's true.

From Dylan's Down in the Groove album, Ugliest Girl in the World.  From racism to sexism. But it can't be sexist if it's true. For any X, it can't be X-ist if it is true.  Is it speciesist to say that man is the crown of creation, or to prefer human beings to robots? Humanity first!

Holy Saturday Night at the Oldies

First, six definite decouplings of rock and roll from sex and drugs.

Norman Greenbaum, Spirit in the Sky

Johnny Cash, Personal Jesus. This is one powerful song.

Clapton and Winwood, Presence of the Lord. 

Billy Preston, My Sweet Lord

George Harrison, Hear Me Lord

George Harrison, All Things Must Pass.  Harrison was the Beatle with depth. Lennon the radical, McCartney the romantic, Starr the regular guy.

Bonus cuts

Stanley Bros., Rank Strangers

Bob Dylan, Gospel Plow

Bob Dylan, See that My Grave is Kept Clean 

Bob Dylan, Father of Night

Iris Dement, Will the Circle be Unbroken?

Andrea Bocelli and Alison Krauss, Amazing Grace

Bob Dylan, Not Dark Yet

…………………………

JSO sends us to Will You Remember Me? by the Pine Box Boys. The dessicated soul of the secularist is incapable of understanding religion.  He thinks he will eradicate it. But religion, like philosophy, always buries its undertakers.

Saturday Night at the Oldies: Fools and Useful Idiots

These go out this April Fool's Day to all those who voted for Joey B and Kamala the Clown.  WTF were you thinking? You weren't. But most of you are 'nice people.'  Useful idiots are often very nice people. Would that being 'nice' were enough! 

The Who, Won't Get Fooled Again

Sam Cooke, Fool's Paradise

Ray Charles, I'm a Fool to Care

Johnny Winter, Be Careful with a Fool. Cultural appropriation by an albino!  White supremacy on stilts!

Beatles, The Fool on the Hill

Elvis Presley, A Fool Such as I

Ricky Nelson, Poor Little Fool.  Those "carefree devil eyes" will do it every time. 

Brenda Lee, Fool #1

The Shirelles, Foolish Little Girl

Ricky Nelson, Fools Rush In.  "Fools rush in/Where wise men never go/But wise men never fall in love/So how are they to know?" 

"Wise men say/Only fools rush in/ But I can't help/ Falling in love with you. Andrea Bocelli's live in Las Vegas version.

Elvin Bishop, Fooled Around and Fell in Love

Kingston Trio, Some Fool Made a Soldier of Me

Quicksilver Messenger Service, The Fool

Bill Evans, Foolish Heart

Connie Francis, Everybody's Somebody's Fool

Grateful Dead, Ship of Fools

"The fool who persists in his folly becomes wise" (William Blake)

Saturday Night at the Oldies: Coffee

Coffee DeadOctober 1st is International Coffee Day.  But we are still  in March. So I'm jumping the gun as one might do under the influence.  Herewith, some tunes in anticipatory celebration.  Not that I'm drinking coffee now: it's a morning and afternoon drink.  I am presently partaking of a potent libation consisting of 3/4 Tequila Añejo and 1/4 Aperol with a non-alcoholic St. Pauli Girl as chaser. Delicioso!

Ella Mae Morse, Forty Cups of Coffee

Cream, The Coffee Song

Johnny Cash and Ramblin' Jack Elliot, A Cup of Coffee

 

Commander Cody, Truck Drivin' Man.  This one goes out to Sally and Jean and Mary in memory of our California road trip nine years ago.   "Pour me another cup of coffee/For it is the best in the land/I'll put  a nickel in the jukebox/And play that 'Truck Drivin' Man.'"

Dave Dudley, Coffee, Coffee, Coffee

Calexico & Roger McGuinn, Another Cup of Coffee.  A good version of this old Dylan tune.

Mississippi John Hurt, Coffee Blues

Patricia Kaas, Black Coffee

Annette Hanshaw, You're the Cream in My Coffee, 1928

Johann Sebastian Bach, Coffee Cantata

What is wrong with people who don't drink or enjoy coffee?  They must not value consciousness and intensity of experience.  Poor devils! Perhaps they're zombies (in the philosophers' sense).

Patrick Kurp  recommends Rick Danko and Paul Butterfield, Java Blues, one hard-driving, adrenalin-enabling number which, in synergy with a serious cup of java will soon have you banging hard on all synaptic 'cylinders.'  

Chicory is a cheat.  It cuts it but doesn't cut it.

"The taste of java is like a volcanic rush/No one is going to stop me from drinking too much . . . ."

Warren Zevon, I'll Sleep When I'm Dead

Saturday Night at the Oldies: A Temporary Retreat into the Past; Back to the Fray Tomorrow

Freddy Fender, Cielito Lindo.  Tex-Mex version of a very old song.

Arizona's own Marty Robbins, La Paloma.  Another old song dating back to 1861. 

Barbara Lewis, Hello Stranger, 1963. 1963 was arguably the best of the '60s years for pop compositions. 

Emmylou Harris, Hello Stranger. Same title, different song.  This one goes out to Mary Kay F-D. Remember the Fall of 1980, Mary Kay? 

Get up, rounder/Let a working girl lie down/ You are rounder/And you are all out and down.

Carter Family version from 1939.

Joan Baez, Daddy, You've Been on My Mind. The voice of an angel, the words of a poet, and Bruce  Langhorne's guitar.

Joan Baez, It's All Over Now, Baby Blue. The voice of an angel, the words of a poet, and Langhorne's guitar.

Joan Baez, A Hard Rain's A Gonna Fall. The voice of an angel, the words of a poet, and Langhorne's guitar. The incredible mood of this version, especially the intro, is made by Langhorne and the bass of Russ Savakus, another well-known session player from those days. I've been listening to this song since '65 and it gives me chills every time. 

And now the fifteen-year-old is an old man of 73, and tears stream from his eyes for the nth time as he listens to this and we are once again on the brink of nuclear war as we were back in October of '62.  It'll be a hard rain indeed, should it fall. 

Carolyn Hester, I'll Fly Away.  Dylan on harp, a little rough and ragged. Langhorne on guitar? Not sure.

Joan Baez and her sister, Mimi Farina, Catch the Wind. Fabulous.

Joan Baez, Boots of Spanish Leather.  Nanci Griffith also does a good job with this Dylan classic. 

Betty Everett, You're No Good, 1963.  More soulful than the 1975 Linda Ronstadt version.

The Ikettes, I'm Blue, 1962. 

Lee Dorsey, Ya Ya, 1961.  Simplicity itself. Three chords. I-IV-V progression. No bridge.

Saturday Night at the Oldies: Ramblin’ Charles Adnopoz

At a book giveaway hereabouts the other day I did snag me a copy of Dave van Ronk's memoir, The Mayor of MacDougal Street. I'll have to dig into it one of these Saturday nights and pull out some tunes that you've never heard before.  In memory of the Mayor, here is his version of Joni Mitchell's "Both Sides Now." And here is his "Hang Me, Oh Hang Me."

David Dalton, Who is That Man? In Search of the Real Bob Dylan, Hyperion, 2012, p. 65:

As Dave van Ronk pointed out in his autobiography, many of the people involved in the first folk revival of the 1930s and '40s were Jewish — as were the folkies of the '60s. Van Ronk reasoned that for Jews, belonging to a movement centered on American traditional music was a form of belonging and assimilation.

[. . .]

"The revelation that Jack [Elliot] was Jewish was vouchsafed unto Bobby one afternoon at the Figaro," Van Ronk recalled.  "We were sitting around shooting the bull with Barry Kornfeld and maybe a couple of other people and somehow it came out that Jack had grown up in Ocean Parkway and was named Elliot Adnopoz.  Bobby literally fell off his chair; he was rolling around on the floor, and it took him a couple of minutes to pull himself together and get up again.  Then Barry, who can be diabolical in things like this, leaned over to him and just whispered the word 'Adnopoz' and back he went under the table."

Ramblin JackLacking as it does the proper American cowboy resonance, 'Elliot Charles Adnopoz' was ditched by its bearer who came to call himself 'Ramblin' Jack Elliot.'  Born in 1931 in Brooklyn to Jewish parents who wanted him to become a doctor, young Adnopoz rebelled, ran away, and became a protege of Woody Guthrie.  If it weren't for Ramblin' Jack, Guthrie would be nowhere near as well-known as he is today. 

 

Pretty Boy Floyd.  "As through this life you ramble, as through this life you roam/You'll never see an outlaw drive a family from their home."  No?  An example of the  tendency of lefties invariably to  take the side of the underdog regardless of whether right or wrong.  

Ramblin' Jack does a haunting version of Dylan's Just Like Tom Thumb's Blues.  It grows on you. Give it a chance. Here is a Dylan version with a good video. See if you can spot Phil Ochs.

Cigarettes and Whisky and Wild Women.  Take a lesson, kiddies.

Soul of a Man. 

Dylan's unforgettable,  Don't Think Twice. 

Here is Jack with Joan Baez, Leonard Cohen, Buffy Sainte Marie singing the beautiful, Passing Through.

At 1:41 Baez starts a great Dylan imitation.

Dylan on Baez. 

Saturday NIght at the Oldies: Ordinals and Cardinals > 10

I did zero to ten a few years back.  What songs can you think of that feature ordinals or cardinals greater than tenth or ten? Well, racking wracking my brains there's

Connie Stevens, Sixteen Reasons.  With footage from David Lynch, "Mulholland Drive."

Simon and Garfunkel, 59th Street Bridge Song. What a great song!  Slow down you hyperkinetic hustlers, you're moving too fast!

Cannibal and  the Head Hunters, Land of 1000 Dances.  This one goes out to Tom Coleman who probably danced to this at the El Monte Legion Stadium circa '65.  "Be there or be square!"

Question Mark and the Mysterians, 96 Tears.  Is that a Farfisa organ making that cheesy sound?  This one goes out to Colin McGinn.

Bobby Darin, 18 Yellow Roses

Cannonball Adderley, 74 Miles Away

Chicago, 25 or 6 to 4

Frank Zappa, Twenty Small Cigars

Tom Waits, Ol '55

Dr. Feelgood, Route 66.  Energetic and attitudinal.

Paul Simon, 50 Ways to Leave Your Lover

Paul Simon, English major, was a wee bit pretentious in some of his '60s songwriting. Case in point: Dangling Conversation. But I like it; if I didn't I wouldn't link to it.

And we spoke of things that matter
With words that must be said
Can analysis be worthwhile?
Is the theater really dead?

Billy Ward and the Dominoes, Sixty Minute Man.  Explicitly sexual. I don't need to explain to my sophisticated readers what 'rock and roll' means.  Some say this was the first R & R record. Others cites the following number. I myself take no position on this weighty question. 

Ike Turner, Rocket 88 The video features footage and 'legage' of 1950's sex kitten Bettie Page.

Beatles, When I'm 64

Dave Allen, Highway 61 Revisited. Ever hear this version? No you haven't, which is why you need Uncle Bill's Saturday Night at the Oldies.

Bob Dylan, Highway 61 Revisited

And no doubt more . . . 

Saturday Night at the Oldies: Weights and Measures

The Band, The Weight

The Byrds, Eight Miles High

The Rolling Stones, Moonlight Mile

The Who, I Can See for Miles

Cannonball Adderley, 74 Miles Away.  So titled because it is In 7/4 time.

Dave Brubeck, Take Five.  So titled because it is in 5/4 time.

Cream, Spoonful.  Heavy, man.

The Lovin' Spoonful, Six O'Clock

Gene Pitney, 24 Hours from Tulsa

Beach Boys, 409. With a four-speed manual tranny, dual quad carburetors (before fuel injection), positraction (limited slip differential), and 409 cubic inches of engine displacement.  Gas was cheap in those days.

Junior Brown Redneck Version with a little help from the Beach Boys

ZZ Top and Jeff Beck, 16 Tons.  Tennessee Ernie Ford's 1955 #1 version.

Justin Timberlake, et al., 500 Miles. (From Inside Llewyn Davis)

Bobby Bare, 500 Miles Away From Home

Lovin' Spoonful, Full Measure.  Undeservedly obscure.

Saturday Night at the Oldies: Sweet and Wholesome

I once asked a guy what he wanted in a woman. He replied, "A whore in bed, Simone de Beauvoir in the parlor, and the Virgin Mary on a pedestal."  An impossible trinity. Some just want the girl next door.

Bobby Darin, Dream Lover. With pix of Sandra Dee.

Audrey Hepburn, Moon River

Gogi Grant, The Wayward Wind, 1956. I'll take Lady Gogi over Lady Gaga any day.

Doris Day, Que Sera, Sera, 1956.  What did she mean? The tautological, Necessarily, what will be, will be? Or the non-tautologically fatalistic, What will be, necessarily will be? Either way, she died in May.

……………………….

Mendocino Joe writes to recommend Joan Baez, Fare Thee Well. Great song, great rendition, great video.  I seem to recall Dylan once opining that Joanie's voice is too good, too pure.  To my ear it is sometimes annoyingly shrill in the upper registers. But not in this wonderful version of Dylan's Farewell Angelina. Though not particularly sweet and wholesome, this eldritch version by the man himself better captures the magic of the  '60s for those of us who, open to the Zeitgeist, lived though them in their impressionable years.

Speaking of eldritch, this version of Blue Velvet by Lana del Rey suggests itself. I wouldn't bracket her with Sandra Dee or Doris Day.  

London Ed writes to express sadness that I did not mention "the passing of the great old man of pop," Burt Bacharach.  "Many choices of songs and arrangements but I will go for this.  Fine lush orchestral arrangement and lovely contralto from Diana Krall, who also plays a mean piano."

Ed has good taste. One of my Hal David-Burt Bacharach favorites is this number performed by Jackie de Shannon, mid-'sixties. Back to sweet and wholesome. Back story:

Co-songwriter Burt Bacharach revealed in his 2014 autobiography that this song had among the most difficult lyrics Hal David ever wrote, despite being deceptively simple as a pop hit. He explained that they had the main melody and chorus written back in 1962, centering on a waltz tempo, but it took another two years for David to finally come up with the lyric, "Lord, we don't need another mountain." Once David worked out the verses, Bacharach said the song essentially "wrote itself" and they finished it in a day or two.[2]

The song's success caught the two songwriters completely by surprise, since they were very aware of the controversy and disagreements among Americans about the Vietnam War, which was the subtext for David's lyrics. Bacharach has continuously used the song as the intro and finale for most of his live concert appearances well into the 2000s. (Wikipedia)

 

Remembering Harry Chapin

Excellent live version  here by the late Harry Chapin (1942-1981). I heard it the other day on the radio while driving and was reminded of what a great writer and performer he was.  The last verses are particularly moving:

And she walked away in silence,
It's strange, how you never know,
But we'd both gotten what we'd asked for,
Such a long, long time ago.

You see, she was gonna be an actress
And I was gonna learn to fly.
She took off to find the footlights,
And I took off for the sky.
And here, she's acting happy,
Inside her handsome home.
And me, I'm flying in my taxi,
Taking tips, and getting stoned,
I go flying so high, when I'm stoned.