Saturday Night at the Oldies: Underplayed/Forgotten Oldies

I'll reckon you haven't heard one of these in a righteous spell:

Betty Everett, You're No Good, 1963.  More soulful than the 1975 Linda Ronstadt version.
The Ikettes, I'm Blue, 1962.
Lee Dorsey, Ya Ya, 1961.  Simplicity itself. Three chords. I-IV-V progression. No bridge.
Paul Anka, A Steel Guitar and a Glass of Wine, 1962.
Carole King, Crying in the Rain, 1963.  The earnest girl-feeling of young Carole makes it better than the Everly Bros.' more polished and better executed version.   
Don Gibson, Sea of a Heartbreak.  A crossover hit from 1961.  It's a crime for the oldies stations to ignore this great song.
Ketty Lester, Love Letters, 1961.  Gets some play, but not enough.

Saturday Night at the Oldies: Gerry Rafferty

The Guardian obituary has him born on 16 April 1947 and dead on 4 January 2011.  I recall his smash Baker Street from the far-off and fabulous summer of 1978.  It came over the car radio in my quondam girl friend's Toyota  many times as we drove from Boston, Mass to Dayton, O to secure me an apartment there.  I hated leaving the Athens of America for the dreary Midwest, but I had landed a tenure-track job and one goes where the jobs are.  In retrospect, I was extremely lucky to get that job.  Was I the best of the 100 people who applied for it?  Not even I believe that.

Saturday Night at the Oldies: Memorable Instrumentals from the ’60s

Jorma Kaukonen's Embryonic Journey from The Jefferson Airplane's Surrealistic Pillow LP, 1967.

Bent Fabric, Alley Cat, 1962.

The Village Stompers, Washington Square, 1963.

Kenny Ball, Midnight in Moscow, 1962.

David Rose, The Stripper, 1962.

Acker Bilk, Stranger on the Shore, 1962.

Dick Dale and the Deltones, Misirlou, 1963. If surf music had a father, Dick Dale was the man.

The Chantays, Pipeline, 1963. A nice college boy effort, but the definitive version is the Dick Dale and Stevie Ray Vaughan cover.

Floyd Cramer, Last Date, 1960.

Michael Bloomfield, Albert's Shuffle, 1968.

Saturday Night at the Oldies: Some Christmas Tunes

Leon Redbone and Dr. John, Frosty the Snowman
Beach Boys, Little St. Nick.  A rarely heard alternate version.
Ronettes, Sleigh Ride
Elvis Presley, Blue Christmas
Charles Brown, Please Come Home for Christmas
Wanda Jackson and the Continentals, Merry Christmas Baby
Chuck Berry, Run Rudolph Run
Eric Clapton, Cryin' Christmas Tears
Judy Collins, Silver Bells
Ry Cooder, Christmas in Southgate
Bob Dylan, Do You Hear What I Hear?

Who could possibly follow Dylan's growl except

Tom Waits, Silent Night.  Give it a chance.  

Saturday Night at the Oldies: Dion DiMucci

DionThe guy has amazing staying power, and at 72 he still looks and sounds damn good in live performances.  Saw him on Huckabee's show the other night.  Plays a mean blues guitar.  Said something like, "You need to marry a girl who will take you to heaven."  Good advice; men need no assistance moving in the opposite direction.  Every red-blooded American male can relate to his signature number, The Wanderer,  which rose to the number #2 slot this December 50 years ago.  The song may be superficial, but the man is not.  He managed to negotiate the snares of stardom and wander back to the faith of his childhood via a Protestant detour thanks mainly to his religious experiences:

 

I was the first rock and roll artist signed to Columbia Records and naturally, expectations ran high. No expense was spared and no excuses accepted. This was the big time. I was getting $100,000 a year guaranteed — whether I sold a record or not. “Ruby Baby” and “Donna the Primadonna” were a great down payment: they went Top 5.

Still, even with that success, I was at an all time mental and spiritual bottom. Out of depression, we moved to Miami, looking for a fresh start. There, I would have the surprise of my life: I got to see God work through my father-in-law, Jack. Jack helped fan into flames the gift of God that was in me through the laying on of hands at my confirmation. I said a prayer one night there in Jack’s home: “God I need your help.” I was delivered from the obsession to drink and drug; it was just lifted off me like a weight. On that day, April 1, 1968, I became aware of God’s power, even before

I became aware of His reality.

I entered a spiritual-based 12-step program and grew in these disciplines. Six months later, at the age of 28, I released one of the biggest records of my career — “Abraham, Martin and John.” It became an anthem.

But my biggest moment was to come. On December 14, 1979, I went out jogging, like I did every morning. It was a time when I could be alone with my thoughts — thinking about the past, thinking about the future. There was a lot going on in me then, a mid-life crisis, or something. My emotions were everywhere. In the middle of that confusion, all I could pray was “God, it would be nice to be closer to you.” That’s all it took.

I was flooded with white light. It was everywhere, inside me, outside me — everywhere. At that moment, things were different between me and God. He’d broken down the wall. Ahead of me, I saw a man with His arms outstretched. “I love you,” He said. “Don’t you know that? I’m your friend. I laid down My life for you. I’m here for you now.” I looked behind me, because I knew I’d left something behind on that road. Some part of me that I no longer wanted. Let the road have it; I didn’t need it anymore.

God changed my life that morning, and things have never been the same.

Rest of the story here.  Finally, here he is with the Belmonts in a tune from 1960 that is ignored by the oldies stations.  I heard it from the radio of a  '56 Ford when I was ten and I loved it.  My mother hated it.

 

Remembering George Harrison

It is hard to believe, but George Harrison died ten years ago, last Sunday. All Things Must Pass is one of his best songs, from the album of the same name, released 27 November 1970. The album got a lot of play by me and my housemates in December of that year.  41 years later, I find the song even more moving.  Whatever you say about the '60s — and 1970 was the last year of the '60s — the music of that era had a depth that was entirely lacking in the popular music of preceding decades. Or can you think of a counterexample?

Saturday Night at the Oldies: Tim Hardin

What ever happened to Tim Hardin? Well, he died, in 1980, of a heroin overdose.  But he left us some memorable songs. These are my favorites.

Lady Came From Baltimore

Reason to Believe

Black Sheep Boy  If you love me, let me live in peace/Please understand/ That the black sheep can wear the golden fleece/And hold a winning hand.

If I Were a Carpenter

Red Balloon This is a Small Faces cover, but good.

Jack Ruby’s Carousel Club

John Fitzgerald Kennedy was shot down in the streets of Dallas, Texas on this day in 1963.  Yes, I remember exactly where I was and exactly what I was doing when I heard the news.  But I won't bore you with that. Here are Part One and Part Two of a couple of interesting video clips about Jack Ruby who shot Lee Harvey Oswald who shot JFK.

He Was a Friend of Mine, the Byrds' tribute to JFK.  Based on a traditional song, here sung by Dylan, and here by Dave van Ronk.