Saturday Night at the Oldies: Dion DiMucci

DionThe guy has amazing staying power, and at 72 he still looks and sounds damn good in live performances.  Saw him on Huckabee's show the other night.  Plays a mean blues guitar.  Said something like, "You need to marry a girl who will take you to heaven."  Good advice; men need no assistance moving in the opposite direction.  Every red-blooded American male can relate to his signature number, The Wanderer,  which rose to the number #2 slot this December 50 years ago.  The song may be superficial, but the man is not.  He managed to negotiate the snares of stardom and wander back to the faith of his childhood via a Protestant detour thanks mainly to his religious experiences:

 

I was the first rock and roll artist signed to Columbia Records and naturally, expectations ran high. No expense was spared and no excuses accepted. This was the big time. I was getting $100,000 a year guaranteed — whether I sold a record or not. “Ruby Baby” and “Donna the Primadonna” were a great down payment: they went Top 5.

Still, even with that success, I was at an all time mental and spiritual bottom. Out of depression, we moved to Miami, looking for a fresh start. There, I would have the surprise of my life: I got to see God work through my father-in-law, Jack. Jack helped fan into flames the gift of God that was in me through the laying on of hands at my confirmation. I said a prayer one night there in Jack’s home: “God I need your help.” I was delivered from the obsession to drink and drug; it was just lifted off me like a weight. On that day, April 1, 1968, I became aware of God’s power, even before

I became aware of His reality.

I entered a spiritual-based 12-step program and grew in these disciplines. Six months later, at the age of 28, I released one of the biggest records of my career — “Abraham, Martin and John.” It became an anthem.

But my biggest moment was to come. On December 14, 1979, I went out jogging, like I did every morning. It was a time when I could be alone with my thoughts — thinking about the past, thinking about the future. There was a lot going on in me then, a mid-life crisis, or something. My emotions were everywhere. In the middle of that confusion, all I could pray was “God, it would be nice to be closer to you.” That’s all it took.

I was flooded with white light. It was everywhere, inside me, outside me — everywhere. At that moment, things were different between me and God. He’d broken down the wall. Ahead of me, I saw a man with His arms outstretched. “I love you,” He said. “Don’t you know that? I’m your friend. I laid down My life for you. I’m here for you now.” I looked behind me, because I knew I’d left something behind on that road. Some part of me that I no longer wanted. Let the road have it; I didn’t need it anymore.

God changed my life that morning, and things have never been the same.

Rest of the story here.  Finally, here he is with the Belmonts in a tune from 1960 that is ignored by the oldies stations.  I heard it from the radio of a  '56 Ford when I was ten and I loved it.  My mother hated it.

 

Remembering George Harrison

It is hard to believe, but George Harrison died ten years ago, last Sunday. All Things Must Pass is one of his best songs, from the album of the same name, released 27 November 1970. The album got a lot of play by me and my housemates in December of that year.  41 years later, I find the song even more moving.  Whatever you say about the '60s — and 1970 was the last year of the '60s — the music of that era had a depth that was entirely lacking in the popular music of preceding decades. Or can you think of a counterexample?

Saturday Night at the Oldies: Tim Hardin

What ever happened to Tim Hardin? Well, he died, in 1980, of a heroin overdose.  But he left us some memorable songs. These are my favorites.

Lady Came From Baltimore

Reason to Believe

Black Sheep Boy  If you love me, let me live in peace/Please understand/ That the black sheep can wear the golden fleece/And hold a winning hand.

If I Were a Carpenter

Red Balloon This is a Small Faces cover, but good.

Jack Ruby’s Carousel Club

John Fitzgerald Kennedy was shot down in the streets of Dallas, Texas on this day in 1963.  Yes, I remember exactly where I was and exactly what I was doing when I heard the news.  But I won't bore you with that. Here are Part One and Part Two of a couple of interesting video clips about Jack Ruby who shot Lee Harvey Oswald who shot JFK.

He Was a Friend of Mine, the Byrds' tribute to JFK.  Based on a traditional song, here sung by Dylan, and here by Dave van Ronk.

Saturday Night at the Oldies: Ambulo Ergo Sum

Dionne Warwick, Walk On By
Leroy Van Dyke, Walk On By.  Same title, different song.
Patsy Cline, Walkin' After Midnight
Rooftop Singers, Walk Right In
Everly Brothers, Walk Right Back
Four Seasons, Walk Like a Man
Ventures, Walk Don't Run
Johnny Cash, I Walk the Line
Ronnettes, Walkin' in the Rain
Left Banke, Walk Away Renee
Nancy Sinatra, These Boots are Made for Walkin'
Robert Johnson, Walkin' BluesClapton's version.  Rory Gallagher's version.

Jimmy Rogers, Walkin' By Myself

Bob Dylan Albums Ranked From Worst to Best

A plausible ranking!  Blonde on Blonde is numero uno as it should be.  Bob's debut album, Bob Dylan (1962), comes in at only 26th place.  Admittedly, this album was Dylan before he was Dylan, but I would have ranked it higher. 

In the '60s I argued that there was and could be no such thing as a bad Dylan album.  Then I was a fanatic, now I am but a fan. 

"Ah, but I was so much older then, I'm younger than that now."

Saturday Night at the Oldies: Marie/Maria/Mary

Beautiful names celebrated in song.

Elvis Presley, Marie's the Name of His Latest Flame
Bob Dylan, Absolutely Sweet Marie  By the way, this certified Dylanologist can attest that in the first line it is 'railroad GAUGE,' not 'railroad gate.'  'Gauge' is a measure of the width of the track; that's what our boy can't jump.
Bachelors, Marie

R. B. Greaves, Take a Letter, Maria

Jimi Hendrix, The Wind Cries 'Mary'
The Association, Along Comes Mary  I only just now fully appreciated these amazing lyrics.

Stevie Ray Vaughan, Mary Had a Little Lamb

And finally Mary takes Marty Robbins back after his tryst with the Devil Woman.

Saturday Night at the Oldies: Kerouac’s Favorite Song

Ellis Amburn, Subterranean Kerouac (St. Martin's 1998), p. 324:

One night he [Kerouac, during a 1962 visit to Lowell, Mass.] left a bar called Chuck's with Huck Finneral, a reedy, behatted eccentric who carried a business card that read: "Professional killer . . . virgins fixed . . . orgies organized, dinosaurs neutered, contracts & leases broken." Huck's philosophy of life was: "Better a wise madness than a foolish sanity." They drove to a friend's house in Merrimack, New Hampshire, and on the way, Jack sang "Moon River," calling it his favorite song. Composed by Henry Mancini and Johnny Mercer, "Moon River" was the theme song of the popular Audrey Hepburn movie Breakfast at Tiffany's. Sobbed by a harmonic, later swelling with strings and chorus, the plaintive tune's gentle but epic-like lyrics describe a dreamer and roamer not unlike Kerouac.

Indeed they do. A restless dreamer, a lonesome traveler, a dharma seeker, a desolation angel passing through this vale of tears & mist, a pilgrim on the via dolorosa of this dolorous life, a drifter on the river of samsara hoping one day to cross to the Far Shore. Here is another version of the tune with some beautiful images.

Another 'river' song in the same plaintive vein is Pat Boone's Moody River from 1961. 

Saturday Night at the Oldies: Pattie Boyd as Muse

A musician needs a muse.  George Harrison and Eric Clapton found her in Pattie Boyd.  Here are five of the best known songs that she is said to have inspired.  If you don't love at least four of these five, you need a major soul adjustment.

Something
Isn't it a Pity?
Wonderful Tonight
Layla  (The best part starts at 3:13 the poignancy of which still rends my soul the way it did over 40 years ago)
Bell Bottom Blues  ("If I could choose a place to die, it would be in your arms . . . .")

Pattie boyd

 

‘Surely’

A device of literary bluster.  When one is unsure about something, or sure about what one has no right to be sure about, one writes 'surely.'  Example:  "Vallicella links to Dinah Washington here. But surely Peggy Lee's version is better. A voice like no other, and the little piano break at 1:13 is exquisite."

I confess to using 'surely and 'of course' promiscuously.

Saturday Night at the Oldies: Midnight and Other Hours of the Day

Benny Goodman, One O'Clock Jump
Lovin' Spoonful, Six O'Clock 
Maria Muldaur, Midnight at the Oasis
Eric Clapton, After Midnight
Thelonious Monk, Round Midnight
Jack Kerouac, Old Angel Midnight
Headswim, Old Angel Midnight
Patsy Cline, Walkin' After Midnight
Rolling Stones, Midnight Gambler
Allman Bros., Midnight Rambler
B. B. King, Stevie Ray Vaughn and Etta James,  Midnight Hour

The Vogues, Five O'Clock World
Blind Boy Fuller, Ten O'Clock Peeper
Eric Clapton and B. B. King, Three O'Clock Blues
Skip James, Four O'Clock Blues
The Gods, Eight O'Clock in the Morning