Saturday Night at the Oldies: Days of the Week

Melina Mercouri, Never on Sunday

Mamas and Papas, Monday, Monday

Marianne Faithfull,  Ruby Tuesday.  Moodier than the Stones' original.  She does a great version of Dylan's Visions of Johanna. But nothing touches the original. It moves me as much as it did back in '66.  YouTuber comment: "An early morning cup of coffee, smoking a fattie, listening to this insane genius . . . does it get any better? And if so, how?"

Simon and Garfunkel, Wednesday Morning 3 AM

Donovan, Jersey Thursday

Easybeats, Friday on My Mind

Sam Cooke, Another Saturday Night

Saturday night is many a Fool's Paradise.  Take a lesson, muchachos

Tom Waits, The Ghosts of Saturday Night.  One of the best by this latter-day quasi-Kerouac.

Bonus cut: Jerry Lee Lewis, Lonely Weekend

Saturday Night at the Oldies: Route 66

Route 66Jack Kerouac in a letter from 17 January 1962: "Everybody is making money off my ideas, like those "Route 66" TV producers, everybody except me . . . ." (Selected Letters 1957-1969, ed. Charters, Viking 1999, p. 326; see also p. 461 and pp. 301-302.) 

Here is the Nelson Riddle theme music from the TV series.  And here is part of an episode from the series which ran from 1960-1964.  George Maharis bears a striking resemblance to Jack, wouldn't you say? And notice Maharis is riding shotgun.  Kerouac wasn't a driver.  Neal Cassady was the driver.

Neal at the Wheel

Now dig Bobby Troup.  Chuck Berry, the Rolling StonesDr. Feelgood,  and others have covered the tune. The version by Asleep at the Wheel is especially good.

 

Saturday Night at the Oldies: Winning and Losing

Hank Williams, You Win Again, 1952.  Jerry Lee Lewis' 1979 interpretation. Flashy, but lacks the authenticity of the original.

Emmy Lou Harris, If I Could Only Win Your Love

Allman Bros., Win, Lose or Draw

Beatles, You're Gonna Lose that Girl

Beatles, I'm a Loser

Hank Williams, Lost Highway

So boys don't you start your ramblin' around/ On this road of sin are you sorrow bound/ Take my  advice or you'll curse the day/ You started rollin' down that lost highway.

Marty Robbins, Born to Lose

Steely Dan, Rikki Don't Lose that Number.   Great guitar solo.  It starts at 2:56.

New Lost City Ramblers, If I Lose, I Don't Care

Brenda Lee, Losing You

Saturday Night at the Oldies: Varia

Marlene Dietrich, Die Fesche Lola. 'Fesche' means something like smart, snazzy.

Ich bin die fesche Lola, der Liebling der Saison!
Ich hab' ein Pianola zu Haus' in mein' Salon
Ich bin die fesche Lola, mich liebt ein jeder Mann
doch an mein Pianola, da laß ich keinen ran!

Kinks, Lola. From the days when 'tranny' meant transmission.  

Marlene Dietrich, Muss I Denn

Elvis Presley, Wooden Heart 

Lotte Lenya, September Song

Lotte Lenya, Moon of Alabama

Doors, Roadhouse Blues

Bette Midler, Mambo Italiano.  Video of Sophia Loren.

Saturday Night at the Oldies: Philosophical Justification for a Drink or Two

From time to time  it is perhaps appropriate that we should relax a little the bonds that tether us to the straight and narrow.  A fitting apologia for a bit of indulgence and even overindulgence  is found in Seneca, On Tranquillity of Mind, XVII, 8-9, tr. Basore:

At times we ought to reach even the point of intoxication, not drowning ourselves in drink, yet succumbing to it; for it washes away troubles, and stirs the mind from its very depths and heals its sorrow just as it does certain ills of the body; and the inventor of wine is not called the Releaser [Liber, Bacchus] on account of the license it gives to the tongue, but because it frees the mind from bondage to cares and emancipates it and gives it new life and makes it bolder in all that it attempts. But, as in freedom, so in wine there is a wholesome moderation.

Sed ut libertatis ita vini salubris moderatio est.

. . .

Yet we ought not to do this often, for fear that the mind may contract an evil habit; nevertheless there are times when it must be drawn into rejoicing and freedom, and gloomy sobriety must be banished for a while.

Scotch  bourbon  beerAmos Milburn, One Scotch, One Bourbon, One Beer

The Champs, Tequila.  Arguably unique in that its lyrics consist of exactly one trisyllabic word.

Electric Flag, Wine.  Great video of the late Mike Bloomfield and his Gibson Les Paul in their prime, at the Monterey Pop Festival, 1967.  Definitive proof that a Jew can play the blues. Cultural appropriation at its finest. We all could profit from more cultural appropriation, blacks especially. Think what they could learn from the kike, the chink, and the honkey, not to mention the dago, the guinea, the greaseball, and the wop. 

Canned Heat, Whisky-Headed Woman.

Tommy McClennan, Whisky-Headed Woman, 1939

Doors, Whisky Bar

Buck Owens, Cigarettes, Whisky, and Wild, Wild Women

Cigarettes are a blot on the whole human race
A man is a monkey with one in his face
So gather 'round friends and listen to your brother
A fire on one end, a fool on the other.

Ramblin' Jack Elliot's version

What are you drinking? I'm having me a Whisky Highball, classic, and simplicity itself: ginger ale and your favorite whisky. Mine tonight is Canada Dry ginger ale and Jim Beam bourbon.  

Addendum 9/16

David G. writes,

Back when I was working for Google and making crap loads of money, I started sampling high-end bourbon and scotch. Maybe I'm just not a connoisseur, but in my judgement, although some of the 12-year-old Glen's were marginally better than Jack Daniels, none of the bourbons were, and there were several high-end whiskeys that were noticeably worse than Jack, so now that I'm poor, I really don't mind going back to my old friend Jack.

Also, as I'm sure you are aware, you can't post a list of songs on the internet and not have someone tell you you missed some. One you probably know:

EmmyLou Harris, Two More Bottles of Wine

and one you probably don't, unless you follow local Arizona bands:

Roger Clyne and the Peacemakers, Jack vs. Jose.

Jack is good enough for me, too, and so is Jose Cuervo Gold, and if you are mixing these bad boys, not with each other mind you, but with, say, ginger ale or tonic water respectively, then there is no call to shell out for the top-shelf hooch which is outrageously overpriced. You don't always get what you pay for.  If a snob challlenges your judgment, Dave, arrange a blind taste test.

Fratello Pepito recommends The Four Deuces, White Port Lemon Juice, 1956.

Saturday Night at the Oldies: Fred Neil

Fred NeilRemember Fred Neil?  One of the  luminaries of the '60s folk scene,  he didn't do much musically thereafter.  Neil is probably best remembered  for having penned 'Everybody's Talkin' which was made famous by Harry Nilsson as the theme of Midnight Cowboy.  Here is Neil's version. Nilsson's rendition.

Another of my Fred Neil favorites is "Other Side of  This Life."  Here is Peter, Paul, and Mary's version.

And it's been a long long time since I last enjoyed That's the Bag I'm In.

I've Got a Secret. YouTuber comment: "Why were the sixties so special and important? Fred Neil, for one." But why were they so special to us and not others? In part because we were raw, open to experience, and full of the painful & passionate intensity of youth.

The reclusive Neil died in 2001 at the age of 64.  Biography here.

Saturday Night at the Oldies: One Hit Wonders, 1963

Some, not all. The ones I like.

The Exciters, Tell Him An incredibly tight and energetic live version.

Vince Guaraldi Trio, Cast Your Fate to the Wind

Cascades, Rhythm of the Rain

Rebels, Wild Weekend. Garage band guitar work. Great period photos. Nostalgia city.

Jan Bradley, Mama Didn't Lie

Johnny Cymbal, Mr. Bassman

Ray Baretto, El Watusi

Kyu Sakamoto, Sukiyaki

Los Indios Tabajares, Maria Elena. A standard dating from 1932. YouTuber comment: intramontabile, magica, fantastica, semplicemente fantastica!

Doris Troy, Just One Look. Great tune, arrangement, and delivery.

Randy and the Rainbows, Denise. Great photos of Jack Kennedy.

Kai Winding, More

Jaynetts, Sally Go Round the Roses. This one goes out to Sally S. I'm thinking about you, Sal.

Barry and the Tamerlanes, I Wonder What She's Doing Tonight.  I know what she's doing tonight. She's in the living room watching TV while I drink Tequila and prowl the vasty deeps of YouTube in search of one-hit wonders from 1963.

Robin Ward, Wonderful Summer

Bill Pursell, Our Winter Love

The Singing Nun, Dominique

Saturday Night at the Oldies: Sweet and Wholesome

I once asked a guy what he wanted in a woman. He replied, "A whore in bed, Simone de Beauvoir in the parlor, and the Virgin Mary on a pedestal."  An impossible combo. Some just want the girl next door.

Bobby Darin, Dream Lover. With pix of Sandra Dee.

Audrey Hepburn, Moon River

Gogi Grant, The Wayward Wind, 1956. I'll take Lady Gogi over Lady Gaga any day.

Doris Day, Que Sera, Sera, 1956.  What did she mean? The tautological, Necessarily, what will be, will be? Or the non-tautologically fatalistic, What will be, necessarily will be? Either way, she died in May.

Saturday Night at the Oldies: Fathers and Fatherhood

Harry Chapin, Cat's in the Cradle. The best song about fatherhood I am aware of. Bond with your son when he's five. Wait till he's 50 and he won't give you the time of day. Harry Chapin was a major talent who died young.  Here is his great Taxi. We Boomers are damned lucky to have the greatest popular music soundtrack of any generation.

What Happened to Harry Chapin?

Emmylou Harris, To Daddy

Arizona's own Marty Robbins, That Silver-Haired Daddy of Mine. The old Gene Autry tune from the '30s. 

Joan Baez, Daddy, You've Been on My Mind. The great Dylan song slightly modified. Not addressed to a literal father, you understand. At :40, the girl depicted is not Joan Baez but Suze Rotolo, Dylan's first New York girlfriend. How do I know that? Because I am a self-certified Dylanologist from way back.

Shep and the Limelites, Daddy's Home, 1961. Anyone who prefers rap crap to this has a hole in his soul.

Rivingtons, Papa Oom Mow Mow. Stretching a bit. 

James Brown, Papa's Got a Brand New Bag, 1965

Horace Silver, Song for My Father, 1964

Hank Williams, I'm a Long Gone Daddy

No, I am not going to link to Alan Sherman, Hello Mudda, Hello Faddah, 1963.

Frank Zappa, Hungry Freaks, Daddy, 1966

Paul Peterson, My Dad. To end on a 'wholesome' if schmaltzy note.  

Saturday Night at the Oldies: Bob Dylan Turned 78 Yesterday

DylanHe has been called "rock's greatest songwriter."  A  better description is "America's greatest writer of popular songs." Bar none.  We can discuss the criteria later, and consider counterexamples.     His earliest four or five albums are not in the rock genre.  I'll permit quibbling about #5, Bringing It All Back Home (1965), but Bob Dylan (1962), The Freewheelin' Bob Dylan (1963) , The Time's They Are A'Changin' (1964), and Another Side of Bob Dylan (1964) are better classified as folk, not that they sit all that comfortably in this niche.

These early albums are studded with lasting contributions to Americana. This is music with meaning that speaks to the mind and the heart.  No Rat Pack crooner Las Vegas lounge lizard stuff here. Two lesser-known compositions both from The Times They Are a'Changin' (1964):

The Ballad of Hollis Brown   Performed by Stephen Stills.

North Country Blues.  Written from the point of view of a woman and so appropriately sung by the angel-throated Joan Baez.

D. A. Pennebaker on the making of Don't Look Back.  I saw it in '67 when it first came out.  I just had to see it, just as I just had to have all of Dylan's albums, all of his sheet music, and every article and book about him. I was a Dylan fanatic.  No longer a fanatic, I remain a fan.

May he die with his boots on.  It ain't dark yet, but it's gettin' there. When his 30th album Time Out of Mind came out in 1997, over twenty years ago now, I was amazed to discover that Dylan could still tap back into that magic mood he achieved in the mid-60s.

Sometimes my burden is more than I can bear
It's not dark yet, but it's getting there.
 
I was born here and I'll die here, against my will
I know it looks like I'm movin' but I'm standin' still
Every nerve in my body is so naked and numb
I can't even remember what it was I came here to get away from
Don't even hear the murmur of a prayer
It's not dark yet, but it's getting there.

Sinatra is supposed to have said that a pro is one who can play it the same way twice.  (Where?) Dylan rarely plays it the same way twice. Here is a version of "Just Like a Woman" which is lyrically and in other minor ways different from the Blonde on Blonde version.  

Dave Bagwill recommends this outstanding extended version (Freewheelin' outake 2, 1962) of "The Ballad of Hollis Brown." Move over, Stephen Stills! The harp fills don't quite make it, however, in this minor-keyed tune.

Saturday Night at the Oldies: Sounds of the Southwest

IMG_0338Calexico, Alone Again Or

A great cover of Love's version from '67.

Ry Cooder, Paris, Texas

Ry Cooder, He'll Have to Go

A curiously satisfying Tex-Mex re-do of the old Jim Reeves crossover hit

Ry Cooder, Yellow Roses

Spade Cooley, Detour

'Spade Cooley' has got to be one of the most politically incorrect names of all time.  I remember seeing his Western swing show on KTLA, Channel 5, in the late '50s, early '60s' at my Uncle Ray's place.  Cooley was a real piece of work.  

Above, a view of the Arizona open road from the cockpit of my 2013 Jeep Wrangler. 

Old Crow Medicine Show, Sweet Amarillo.  Dylan wrote it.

Marty Robbins messes with the wicked Felina in El Paso and comes to an untimely end.

Dean Martin is down and out in Houston

A lonely soldier cleans his gun and dreams of Galveston

A slacker standing on a corner in Winslow, Arizona spies a girl in a flatbed Ford.

Johnny Rivers heads East via Phoenix and Albuquerque.

IMG_0336From Tucson to Tucumcari, Tehachapi to Tonopah, this sojourner of the American night has driven every kind of rig that's ever been made.

Ed Farrell writes, "The Little Feat version of I'm Willin is a good one.  But my favorite version will probably remain the one done by Seatrain circa 1970–which was the standard road song for Sierra climbing trips in late high school/college.  Seatrain never really took off as a band but their musicianship was quite good though their style was difficult to pigeonhole."

That is a good version, indeed better than Little Feat's.  There were a lot of great bands back in the day that never really made it.  Another is Fever Tree.  I remember hearing them circa '68 live at a club called The Kaleidoscope  in Hollywood or West L. A.  Give a careful listen to The Sun Also Rises.

Ed also recommends Seatrain's version of the Carole King composition, Creepin' Midnight.  Produced by George Martin.

Finally, please take a look at Ed's spectacular photography.

Saturday Night at the Oldies: Ohio Songs

Today being the 49th anniversary of the Kent State shootings, we kick things off with 

Crosby, Stills, Nash and Young, Ohio This one goes out to my old Ohio friend, Bill Marvin who attended Kent State.

Bill Monroe and Doc Watson, The Banks of the Ohio

Joan Baez with Jerry Garcia, The Banks of the Ohio, 1981

Phil Ochs, Boy in Ohio, 1970.  Underrated and largely forgotten, but not by this '60s veteran. Rest in peace, Phil.

Randy Newman, Dayton, Ohio 1903

Bruce Springsteen, Youngstown

Randy Newman, Burn On. An allusion to the Cuyahoga River catching on fire?

The Band, Look Out Cleveland

Ian Hunter, Cleveland Rocks

Saturday Night at the Oldies: Render unto Caesar . . .

Render unto Caesar the things that are Caesar's . . .

Have you stateside readers settled accounts with the Infernal Revenue Service?  If yes, order up one scotch, one bourbon, and one beer and enjoy this live version of Taxman  featuring Harrison and Clapton.  Stevie Ray Vaughan's blistering version

. . . and render unto God the things that are God's.

Herewith, five definite decouplings of rock and roll from sex and drugs.

Norman Greenbaum, Spirit in the Sky

Johnny Cash, Personal Jesus. This is one powerful song.

Clapton and Winwood, Presence of the Lord. Why is Clapton such a great guitarist? Not because of his technical virtuosity, his 'chops,' but because he has something to say.

George Harrison, My Sweet Lord

George Harrison, All Things Must Pass. Harrison was the Beatle with depth.  Lennon was the radical, McCartney the romantic, and Ringo the regular guy.

Good YouTuber comment: "Immortal song, even if all things must pass . . . " 

Saturday Night at the Oldies: Burdens, Loads, Weights, and Weltschmerz

Rolling Stones, Beast of Burden

Jackson Browne, The Load Out

The Band, The Weight

Allman Bros., Not My Cross to Bear

ZZ Top, Got Me Under Pressure

Tom Waits, Shiver Me Timbers. The clue to the meaning of this great song lies in the reference to Jack London's Martin Eden.

Bob Dylan, Not Dark Yet

Shadows are falling, and I've been here all day
It's too hot to sleep, and time is running away
Feel like my soul has, turned into steel
I've still got the scars, that the sun didn't heal
There's not even room enough, to be anywhere

It's not dark yet, but it's getting there

Well, my sense of humanity, has gone down the drain
Behind every beautiful thing, there's been some kind of pain
She wrote me a letter, and she wrote it so kind
She put down in writing, what was in her mind
I just don't see why I should even care

It's not dark yet, but it's getting there

Well, I've been to London, and I've been to gay Paris
I've followed the river, and I got to the sea
I've been down on the bottom, of a world full of lies
I ain't lookin for nothing, in anyone's eyes
Sometimes my burden is more than I can bear

It's not dark yet, but it's getting there

I was born here, and I'll die here, against my will
I know it looks like I'm moving, but I'm standing still
Every nerve in my body, is so naked and numb
I can't even remember what it was, I came here to get away from
Don't even hear a murmur of a prayer

It's not dark yet, but it's getting there

BONUS CUT: It's All Over Now, Baby Blue. I've loved this song since I first heard it in '65.  I'll let the YouTubers gush for me.