Saturday Night at the Oldies: Lawrence Auster on Dylan

Auster  LawrenceI was surprised, but pleased, to see that the late Lawrence Auster, traditionalist conservative, photo to the left, 1973, had a deep appreciation and a wide-ranging knowledge of Dylan's art.  Born in 1949, Auster is generationally situated for that appreciation, and as late as '73 was still flying the '60s colors, if we can go by the photo, but age is at best only a necessary condition for digging Dylan.  Auster's Jewishness may play a minor role, but the main thing is Auster's attunement to Dylan's particularism.  See the quotation below.  Herewith, some Dylan songs with commentary by Auster.

The Band, I Shall Be Released.  Auster comments:

This Dylan song can seem amorphous and mystical in the negative sense, especially as it became a kind of countercultural anthem and meaningless through overuse. But the lyrics are coherent and profound, especially the first verse:

They say everything can be replaced
They say every distance is not near
But I remember every face
Of every man who put me here.

The modern world tells us that everything is fungible, nothing is of real value, everything can and should be replaced—our spouse, our culture, our religion, our history, our sexual nature, our race, everything. It is the view of atomistic liberal man, forever creating himself out of his preferences, not dependent on any larger world of which he is a part. The singer is saying, No, this isn’t true. Things have real and particular values and they cannot be cast off and replaced by other things. And, though we seem to be distant, we are connected. I am connected to all the men, the creators and builders and poets and philosophers, and my own relatives and friends, who have come before me or influenced me, who created the world in which I live.

Most LIkely You'll Go Your Way (And I'll Go Mine)

First off, some comments of mine on the video which accompanies the touched-up Blonde on Blonde track.  The video is very cleverly constructed, providing a synopsis of milestones in Dylan's career.  The first girl the guy with the acoustic guitar case is walking with is a stand-in for Suze Rotolo, the girl 'immortalized' on the Freewheelin' Bob Dylan album cover.  But now we see the pair from the back instead of from the front.  She is replaced by a second girl representing Joan Baez.  (Dylan's affair with Baez helped destroy his relationship with Rotolo.) Then the guy gets into a car and emerges on the other side with an electric guitar case.  This signifies Dylan's going electric in '65 at the Newport Folk Festival, a change  which enraged the die-hard folkies and doctrinaire leftists who thought they owned Dylan as a mouthpiece for their views.    A quick shot of a newspaper in a trash can with the headline "Dylan Goes Electric" appears just in case you missed the subtlety of the auto entry-exit sequence.  After that we see a downed motorcycle representing Dylan's motorcycle accident, an event that brings to a close  the existentialist-absurdist-surrealist phase of the mid-60s trilogy, Bringing It All Back Home, Highway 61 Revisited, and Blonde on Blonde.  After the accident Dylan is further from the mind and closer to the earth.  Dylan the psychedelically deracinated returns to his roots in the Bible and Americana with John Wesley Harding. The girl in the brass bed is an allusion to "Lay Lady Lay" ("lay across my big brass bed") from the Nashville Skyline album.  Dylan then coalesces with the man in black (Johnny Cash), and steps over and through the detritus of what remains of the hippy-trippy 60s and into the disco era, his Christian period, marked by the 1979 Slow Train Coming and a couple of subsequent albums, his marriage to a black back-up singer, and on into the later phases of the life of this protean bard on never-ending tour.

Here is what Auster has to say about the song:

By the way, that’s the first time I’ve seen “judge” rhymed with “grudge” since Bob Dylan’s “Most Likely You Go Your Way (And I’ll Go Mine),” from Blonde on Blonde. Here’s the recording.

Dylan’s lyric (not for the first time) is pretty appropriate to our situation:

Well the judge
He holds a grudge
He’s gonna call on you.
But he’s badly built
And he walks on stilts
Watch out he don’t fall on you.

There is now on the U.S. Supreme Court an intellectually sub-par Puerto Rican woman whose entire career has been essentially founded on a grudge against whites, a judge who makes her pro-Hispanic, anti-white agenda an explicit element in her judging. “The judge, she holds a grudge.”

Sotomayor is not the first of that kind, however. Another Supreme Court sub-competent, Thurgood Marshall, openly stated to one of his colleagues that the philosophy behind his judging was that “It’s our [blacks’] turn now.”

Spanish Harlem Incident.  (From Another Side of Bob Dylan)  Auster's take:

Thinking about the murder of motivational speaker and “positive, loving energy” guru Jeff Locker in East Harlem this week, where he had been pursuing an assignation with a young lady not his wife but got himself strangled and stabbed to death in his car by the damsel and her two male accomplices instead, I realized that this is yet another contemporary event that Bob Dylan has, in a manner of speaking, got covered. Here is the recording and below are the lyrics of Dylan’s 1964 song, “Spanish Harlem Incident,” where the singer, with his “pale face,” seeks liberating love from an exotic dark skinned woman, and is “surrounded” and “slayed” by her. The song reflects back ironically on the Jeff Locker case, presenting the more poetical side of the desires that, on a much coarser and stupider level, led Locker to his horrible death. By quoting it, I’m not making light of murder, readers know how seriously I take murder. But when a man gets himself killed through such an accumulation of sin and gross folly, a man, moreover, whose New Agey belief in positive energy and transformative love apparently left him unable to see the obvious dangers he had put himself in, there is, unavoidably, a humorous aspect to it.

SPANISH HARLEM INCIDENT

Gypsy gal, the hands of Harlem
Cannot hold you to its heat.
Your temperature is too hot for taming,
Your flaming feet are burning up the street.
I am homeless, come and take me
To the reach of your rattling drums.
Let me know, babe, all about my fortune
Down along my restless palms.

Gypsy gal, you’ve got me swallowed.
I have fallen far beneath
Your pearly eyes, so fast and slashing,
And your flashing diamond teeth.
The night is pitch black, come and make my
Pale face fit into place, oh, please!
Let me know, babe, I’m nearly drowning,
If it’s you my lifelines trace.

I’ve been wonderin’ all about me
Ever since I seen you there.
On the cliffs of your wildcat charms I’m riding,
I know I’m ‘round you but I don’t know where.
You have slayed me, you have made me,
I got to laugh halfways off my heels.
I got to know, babe, ah, when you surround me,
So I can know if I am really real.

 There's more.  Next week, if I feel like it. 

Stalin the Bookman

Here is a review of Geoffrey Roberts, Stalin's Library: A Dictator and his Books. Excerpts:

He was also an avid reader. Roberts’s book begins as an analysis of the personal library Stalin left behind, scattered around his various dachas and offices. It comprised some 25,000 volumes, covering a wide range of subjects including Marxism, political and military history, economics, biographies and classic works of Russian literature. Some surviving books have found their way into the archives, to be studied by scholars for insights into the dictator’s mind.

But this is no dry examination of dusty texts. Roberts takes us through Stalin’s life and shows how his reading molded his actions. Books transformed the bright seminary student into a ferocious revolutionary, prepared to sacrifice family, friends and a vast array of enemies — capitalists, kulaks, fellow Bolsheviks, imperialists, Trotskyist deviationists and millions of ordinary Soviet citizens — on the altar of his rigid dogmas.

[. . .]

Roberts emphasizes throughout that Stalin was an intellectual, whose firm belief in Marxism was grounded in a deep study of the subject; that his actions, however cruel, cynical and misguided, stemmed from the conviction that he was building the world’s first socialist state, which would be a model for the rest of humanity. By insisting on Stalin’s seriousness, and his profound faith in Marxism as modified by Lenin and the experience of revolution in Russia, Roberts perhaps downplays the fearful cost in human suffering involved. As a result, the book can seem to gloss over the gruesome awfulness of Soviet society — not to mention the serious mistakes for which Stalin was personally responsible, including his refusal to believe that his ally Hitler would attack him until he actually did.

The Babbitts of the world heap scorn upon philosophy because it "bakes no bread," to which my stock reply is: "Man does not live by bread alone." Matthew 4:4 has Jesus saying as much, and continuing, "but by every word that proceeds from the mouth of God."  While not disagreeing with Christ's words, this philosopher says that man does not live by bread alone but also by ideas the implementation of some of which will ameliorate and the implementation of others of which will devastate, securing  bread for some and denying it to others.

Ideas matter. They matter most when they are enmattered by men of power who bring them from the heaven of ideas to this  grubby earth of blood, sweat, and tears. Whether they work weal or woe will depend on their truth, assuming that there is truth in William James' dictum that the true is the good by way of belief.

But why should (the knowledge of) truth be conducive to human flourishing? Must it be? This is an important and unavoidable question, one that itself testifies to the importance of ideas. I mention it only to set it aside. For now.

Addendum (4 March 2022). Dmitri D. comments:

The book review (and the book "Stalin's library" if the review is accurate) is a complete nonsense. Stalin desperately wanted to appear as intellectual but he never was one. He indeed read a lot, but was a terrible student judged by his seminary grades and intellectuals who knew him closely. He executed his private philosophy tutor among hundreds of thousands of others.
 
Here is a quote from an old guard Bolshevik from Wikipedia's article on Jan Sten, Stalin's executed tutor:
 
Hardly anyone knew Stalin better than Sten. Stalin, as we know, received no systematic education. He struggled to understand philosophical questions, without success. And then, in 1925, he called in Jan Sten, one of the leading Marxist philosophers of that time, to direct his study of Hegelian dialectics. Sten drew up a program of study for Stalin and conscientiously, twice a week, dinned Hegelian wisdom into his illustrious pupil. Often he told me in confidence about these lessons, about the difficulties he, as a teacher, was having because of his student's inability to master the material of Hegelian dialectics. Jan often dropped in to see me after a lesson with Stalin, in a depressed and gloomy state, and despite his naturally cheerful disposition, he found it difficult to regain his equilibrium…The meetings with Stalin, the conversations with him on philosophical matters, during which Jan would always bring up contemporary political problems, opened his eyes more and more to Stalin's true nature, his striving for one-man rule, his crafty schemes and methods…As early as 1928, in a small circle of his personal friends, Sten said: "Koba [a nickname for Stalin] will do things that will put the trials of Dreyfus and Beilis in the shade."
 

Dust and Ashes

Vanitas 2"Remember, man, thou art dust and unto dust thou shalt return." Memento, homo, quia pulvis es et in pulverem reverteris. This warning, from the Catholic liturgy for Ash Wednesday, is based on Genesis 3, 19: In sudore vultus tui vesceris pane, donec revertaris in terram de qua sumptus es: quia pulvis es et in pulverem reverteris.

Luther's German:  Im Schweiße deines Angesichts sollst du dein Brot essen, bis daß du wieder zu Erde werdest, davon du genommen bist. Denn du bist Erde und sollst zu Erde werden.

Douay-Rheims: "In the sweat of thy face shalt thou eat bread till thou return to the earth out of which thou wast taken: for dust thou art, and into dust thou shalt return."

How real can we and this world be if in a little while we all will be nothing but dust and ashes?

The typical secularist is a reality denier who hides from the unalterable facts of death and impermanence.  This is shown by his self-deceptive behavior: he lives as if he will live forever and as if his projects are meaningful even though he knows, at a level deeper than his self-deception,  that he won't and that they aren't.  If he were to face reality he would have to be a nihilist.  That he isn't shows that he is fooling himself.

More here.

You Are Going to Die.

Christopher Hitchens has been dead for over ten years now.  In Platonic perspective, what no longer exists never truly existed.  So here we have a man who never truly existed but who denied the existence of the self-existent Source of his own ephemeral quasi-existence. Curious.

On the still life: A meatless skull in the gathering darkness, the candle having just gone out, life's flame having gone to smoke, unable to read, with no need for food. The globe perhaps signifies the universality of the skull owner's predicament and fate.

Another Advantage of Old Age

The abandoning of your vices becomes easier as they abandon you.

The mechanism of flight of the vices of the flesh is powered by the mortal coil's decline, which is why the old man out for spiritual gain should rejoice, not rue, his libido on the wane. 

The old man, unlike the young, has a good shot at freedom from lust's subornation even in the decadent West if freedom he wants, the wanting standing in inverse relation to the subornation.

Thus, a good man, though a slave, is free; but a wicked man, though a king, is a slave. For he serves, not one man alone, but, what is worse, as many masters as he has vices.  (St. Augustine, City of God)

Are You Clumsy? The Paradox of the Smashed Vase

I'm not, but you might be.

Suppose you inadvertently knock over a priceless vase, smashing it to pieces. You say to the owner, "There's no real harm done; after all it's all still there." And then you argue:

1) There is nothing to the vase over and above the ceramic material that constitutes it.

2) When the vase is smashed, all the ceramic material that constitutes it remains in existence.

Therefore

3) The vase remains in existence after it is smashed.

"I don't owe you a penny!"

Adapted from Nicholas Rescher, Aporetics, U. of Pittsburgh Press, 2009, p. 91.

The above may serve as an introduction to the problem of the composition of material artifacts and to Peter van Inwagen's strange thesis that such items do not exist. See Van Inwagen's Denial of Artifacts.

Saturday Night at the Oldies: Some 1940’s Proto-Rock

Freddie Slack and Will Bradley Trio (1940), Down the Road A Piece.

If you like to boogie woogie, I know the place.
It's just an old piano and a knocked out bass.
The drummer man's a guy they call Eight Beat Mack.
And you remember Doc and old "Beat Me Daddy" Slack.

Man it's better than chicken fried in bacon grease
Come along with me, boys, it's just down the road a piece.

Ella Mae Morse (1945), The House of Blue Lights.  Shows that 'square' and 'daddy-o' and 'dig' were already in use in the '40s.  I had been laboring under the misapprehension that this patois first surfaced in Beat/Beatnik circles in the '50s.

The Meaning of ‘Liberal’ in South Africa

David Benatar, The Fall of the University of Capetown (Politicsweb Publishing, 2021, p. v, emphasis added):

Whereas in the United States it [the word 'liberal'] is often used as a term of opprobrium by those on the right to refer to those on the (or their!) left, in South Africa it is regularly used as a pejorative term by those on the far left in a way that connotes 'right-winger.' Real [classical] liberals are neither on the far right nor the far left of the political spectrum. They are liberals because they support (individual) liberty. This goes hand in hand with non-racialism, and tolerance of views one dislikes.  Liberalism also requires toleration of practices that are either harmless or which harm only those who consent to them. These liberal ideals tend to be antithetical  to those on the ends of the political spectrum. Indeed, both the right and the left have more in common with one another than either would like to admit. It is sometimes difficult to distinguish them.

I call my brand of conservatism American conservatism. I take it to include a sizable admixture of what Benatar calls real and what I call classical liberalism. American conservatism is neither a far right nor a far left position. As I envisage it, American conservatism rejects all of the following: integralism, and indeed any system that attempts to impose by state power a substantive conception of the good for man; alternative right race-based white nationalism; libertarianism with its overemphasis on the economic; all forms of socialism and leftism.

I have various posts that fill in some of the details. I'll find them later, perhaps.  It's Saturday night and time for a drink.  

What the Hell?

Just as Biden and his supporters are disasters for the USA, Bergoglio and his supporters are disasters for the RCC. 'Twould appear that all of the institutions of the West are in dire need of fumigation. See here:

But Pope Francis appears to have scotched that possibility. “No one can exclude themselves from the Church,” he insisted, “we are all saved sinners.” Even those, he adds, “who have denied the faith, who are apostates, who are the persecutors of the Church, who have denied their baptism.  

Yes, these too. All of them. The blasphemers, all of them. We are brothers. This is the communion of saints. The communion of saints holds together the community of believers on earth and in heaven…the saints, the sinners, all.

What are we to make of this? Surely, one asks, he cannot have meant to include unrepentant sinners in the Kingdom of Heaven? That those who deliberately take themselves to Hell, choosing an eternity of loss rather than the joys of Heaven, are nevertheless still members of the Communion of Saints? This is not Catholic doctrine, and no one, not even the Pope of Rome, can make it so by saying so.