Schmuck means penis in Yiddish
Ornament in German.
You see the link?
Category: Poetry
Spend It Now or Pass It On?
The quality of his heirs
Must give pause
To him whose loot
Is slated for their jaws.
A rather more classical meditation on this theme we find in Horace.
Quis scit an adiciant hodiernae crastina summae
tempora di superi?
Cuncta manus avidas fugient heredis, amico
quae dederis animo.
Who knows if Jove who counts our score
Will toss us in a morning more?
What with your friend you nobly share
At least you rescue from your heir. (Samuel Johnson)
Who know if the gods above will add the hours of tomorrow
to the total of today?
Whatever you give to your own dear self will escape
the greedy hands of your heir. (David West)
Who knows if heav’n will give to-morrow’s boon
To this our daily pray’r?
The goods you take to keep your soul in tune,
Shall scape your greedy heir. (Christopher Smart)
Seventeen-Syllable Sketches
Be
Between phony formality
And false familiarity
Be.
Pulp, p. 152
Aim low
Don't try
To sleep in your own bed at night
Is success enough.
Bukowski
Too degraded
To be called effete
His droppings were poems
Nonetheless
Meat Wheel
Meat wheel rolling
Ever voiding
Hopes of mortals
Moiling
In the Void.
Maker of Gravemakers
Born to die
Lupine Road
1922
Wolf to girls
Who make graves.
Forgetful Troglodyte
The bridge bum forgot
The shirt he stole
Which I found
And wore to Geneva.
Animation
You are alive!
So not just body.
Mystery of animation!
Universalia ante rem
Same shape
Different size.
Two Tabasco bottles
On the window sill.
Don Colacho’s Aphorisms
If you value aphorisms, do not miss these specimens from a master. Example:
Poetry rescues things by reconciling matter and spirit in the metaphor.
Permit me a quibble. There are poets who eschew metaphor in favor of metonymy, Bukowski, for example. If you protest that he is not a 'real poet,' I won't put up much of a fight.
Theodore Roethke’s “Dolor”
Variations on a Theme
Life's a bitch
And then you die.
Life is a bitch. And then you die?
No: Life is a joyous adventure. And then you die. (Ed Abbey, Confessions, p. 325)
Life's a beach
And then you dive.
Life's a beach? Which?
Sonova Beach.
Life's a bitch
But I'm married to one. (Redneck bumpersticker)
Life's a bitch
But I found my niche.
Arbor Vitae
Life's a beech
And I found my niche.
Life's a beach
My Anscombe's found her Geach.
Philip Larkin Reads “Aubade”
Reading by Larkin. A reading by another, with text. This is a great poem!
Herder on the Dream of Life
Ein Traum, ein Traum ist unser Leben
Auf Erden hier.
Wie Schatten auf den Wolken schweben
Und schwinden wir.
Und messen unsre trägen Tritte
Nach Raum und Zeit;
Und sind (und wissen's nicht) in Mitte
Der Ewigkeit . . .
Johann Gottfried Herder
My loose translation:
A dream, a dream is our life
Here upon the earth.
In a sea of shadows we drift and disappear
Like whitecaps on the surf.
Our sluggish steps we measure
By space and temporality;
Moving in the midst (though we know it not)
Of eternity . . .
A Poem by Robert Dodsley (1703-1764)
From The Oxford Book of Short Poems, eds. Kavanagh and Michie, OUP 1985, p. 100:
Song
Man's a poor deluded bubble,
Wandering in a mist of lies,
Seeing false, or seeing double,
Who would trust to such weak eyes?
Yet, presuming on his senses,
On he goes, most wondrous wise:
Doubts of truth, believes pretences,
Lost in error lives and dies.
To Brandeis Girl
I gave you my love
You handed it back
A letter unread.
You said,
"It was wrongly addressed
To being-in-love
And not to me."
You were wrong about that.
I loved love, but you too.
You should have handed it back
Without explanation.
Better a brute refusal
Than a refusal rationalized
Badly.
With that I began to take a hard-eyed look at you
The cataracts of love lasered to bits
Your faults swam into view
And our love was soon a dead letter.
Non-Nature-Themed Haiku
Haiku Grammar Lament
Into desuetude
Falls the subjunctive mood
Along with the hyphen.
Haiku Commentary on Marx's 11th Thesis on Feuerbach
The Marxist Nowhere Man
Attempts to change
What he does not understand.
Anti-Commie Haiku
Utopic heads in fog,
They broke real eggs
For an unreal omelet.
9/11 Haiku
Nihilist numbskulls
Virgins in brain,
Topple a tower with a plane.
Kerouac October Quotation #9: Mexico City Blues 228th Chorus
My Angelic Wife
One indicator of her angelicity is her support of my chess activities — in stark contrast to the wives of two acquaintances both of whose 'better' halves destroyed their chess libraries in fits of rage at time spent sporting with Caissa. "Hell hath no fury like a woman scorned," wrote old Will.
I'm no bard, but here's my ditty in remembrance of my two long lost Ohio chess friends:
Forget that bitch
And dally with me.
Else I'll decimate
Your library.
Poetry as a God Substitute?
From the mail:
Thanks for your blog. It deals with matters of real interest (…using the word 'interest' in its original sense of 'it matters'). [From Latin inter esse, which is suggestive.]
Perhaps you could elaborate on something you mentioned in your (very funny) post on some aphorisms of Wallace Stevens:
After one has abandoned a belief in god, poetry is that essence which takes its place as life's redemption. What a paltry redemption! It would be better to say that there is no redemption than to say something as silly as this. Learn to live with the death of God, my friend! Don't insert a sorry substitute into the gap. Don't try to make a religion of what is only a dabbling in subjective impressions. Compare John Gardner, "Fiction is the only religion I have . . . ." (On Writers and Writing, p. xii.)
I doubt you are saying that poetry, perhaps even all art, ‘is only a dabbling in subjective impressions’ because to say that Greek tragedy, for example, is only a dabbling in subjective impressions would surely be saying something even sillier than what Wallace Stevens says. Moreover, you mention that you have ‘nothing against art properly chastened and subordinated to the ultimate dominatrix, Philosophia’. So what did you mean?
Lastly, are there any books of literary criticism/aesthetics you think are especially worthwhile? It seems that apart from Plato and Aristotle, the best treatment of it outside of poets’ letters and journals is Jacques Maritain’s ‘Creative Intuition in Art and Poetry’.
Best wishes, and keep up the great work.
Thanks for the response. It would indeed be absurdly silly to maintain that all of poetry is "only a dabbling in subjective impressions." But note that the context is critical commentary on certain aesthetic aphorisms of the distinguished American poet Wallace Stevens (1879-1955). Wallace is the focus of my interest in that post and no one else. And my focus is not on his poetry but on certain aesthetic (and thus philosophical) observations of his about poetry and art in general.
What I am objecting to in the passage you quote above, and quite strenuously, is the notion that poetry, especially Stevens' sort of poetry, could be an adequate substitute for God, or that belief in poetry could adequately substitute for belief in God. To my mind that is silly, absurdly silly. And Wallace's talk of redemption in this context makes a joke of the quest for genuine redemption. No one who understands what the religious yearning for redemption and salvation is all about could trivialize it in such a way as to suggest that the writing or reading of poetry could satisfy it. That's ridiculous. Imagine a naked Jew standing before a grave he was forced to dig himself, about to be shot down by a Nazi SS officer. Imagine telling him that redemption from meaningless suffering is to be had from the poems of Wallace Stevens.
What I'm saying is: be honest and don't misuse words. You cannot plug the gap caused by the death of God (Nietzsche) by putting some paltry idol in its place. Poetry in Stevens' style would be such a paltry ersatz. Better nihilism than idolatry. The death of God is an 'event' of rather more significance than the discovery that Russell's celestial teapot has been destroyed by an asteroid. The death of God, as Nietzsche well understood, has grave and far-reaching consequences. Knock out the celestial teapot and nothing of moment changes. The death of God is the death of truth and meaning. Everything changes.
As for your question about lit crit recommendations, I'd have to think about it.
Sans Souci
The renter builds no equity
In exchange his abode is sans souci.
Me I'd rather own something real
And leave it to my stoicism to adjust how I feel.
