Category: Poetry

Schiller contra Schmitt

Freude, Schöner Götterfunken,
Tochter aus Elysium,
Wir betreten feuer-trunken,
Himmlische, dein Heiligtum!
Deine Zauber binden wieder,
Was die Mode streng geteilt;
Alle Menschen werden Brüder,
Wo dein sanfter Flügel weilt.

Joy! A spark of fire from heaven,
Daughter from Elysium,
Drunk with fire we dare to enter,
Holy One, inside your shrine.
Your magic power binds together,
What we by custom wrench apart,
All men will emerge as brothers,
Where you rest your gentle wings.

Full text of Schiller's Ode to Joy, in German and English, here. 
Relevant portion of the final movement of Beethoven's Ninth Symphony.

Shakespeare on Lust

Sonnet 129: Th'expense of spirit in a waste of shame
 
Th' expense of spirit in a waste of shame
Is lust in action; and till action, lust
Is perjured, murd'rous, bloody, full of blame,
Savage, extreme, rude, cruel, not to trust,
Enjoyed no sooner but despisèd straight,
Past reason hunted; and, no sooner had
Past reason hated as a swallowed bait
On purpose laid to make the taker mad;
Mad in pursuit and in possession so,
Had, having, and in quest to have, extreme;
A bliss in proof and proved, a very woe;
Before, a joy proposed; behind, a dream.
    All this the world well knows; yet none knows well
    To shun the heaven that leads men to this hell.

    

Related:
 
 
Like a Moth to the Flame.  A sermon of sorts on romantic folly. Jean van Heijenoort plays the moth, Anne-Marie Zamora the flame. The moth dies.

Word of the Day: Triolet

Here:

An eight-line stanza having just two rhymes and repeating the first line as the fourth and seventh lines, and the second line as the eighth. See Sandra McPherson’s “Triolet” or “Triolets in the Argolid” by Rachel Hadas. 

Return
 
The taste is strong as ever,
figs and cheese and wine.
I recall each savor;
the taste is strong as ever,
even if it will never
be quite so fresh again.
The taste is strong as ever,
figs and cheese and wine.
……………………
 
I will now try to write a triolet.
 
Hooked
 
The ancient lures entice me still,
Property, pelf, and power.
Even if against my will,
The ancient lures entice me still.
Despite advancing age and wisdom's rise,
Their grip on me is unreleasing.
The ancient lures entice me still,
Property, pelf, and  power.
…………………………
 
But I'm no poet, and I know it, so there's no way I could blow it.

My Angelic Wife

One indicator of her angelicity is her support of my chess activities — in stark contrast to the wives of two acquaintances both of whose 'better' halves destroyed their chess libraries in fits of rage at their time spent sporting with Caissa.

"Hell hath no fury like a woman scorned," wrote old Will.

I'm no bard, but here's my ditty in remembrance of my two long lost Ohio chess friends:

   Forget that bitch
   Dally with me.
   Else I'll destroy
   Your library.

A Little Learning

by Alexander Pope

A little learning is a dangerous thing ;
Drink deep, or taste not the Pierian spring :
There shallow draughts intoxicate the brain,
And drinking largely sobers us again.
Fired at first sight with what the Muse imparts,
In fearless youth we tempt the heights of Arts ;
While from the bounded level of our mind
Short views we take, nor see the lengths behind,
But, more advanced, behold with strange surprise
New distant scenes of endless science rise !
So pleased at first the towering Alps we try,
Mount o’er the vales, and seem to tread the sky ;
The eternal snows appear already past,
And the first clouds and mountains seem the last ;
But those attained, we tremble to survey
The growing labours of the lengthened way ;
The increasing prospect tires our wandering eyes,
Hills peep o’er hills, and Alps on Alps arise !

17 Syllables

All seek pleasure.
Your measure, however,
Is the type of it
You seek.

Originally I wrote:

All seek pleasure.
Your measure, howsoever,
Is the pleasure 
You seek.

Which is  better? The original sounds better, but is less clear.

Jack Kerouac on Robert Lax

During his years of unsuccess, when he was actually at his purest and best, an "unpublished freak," as he describes himself in a late summer 1954 letter to Robert Giroux, living for his art alone, Kerouac contemplated entering a monastery: "I've become extremely religious and may go to a monastery before even before you do." [. . .] "I've recently made friends in a way with Bob Lax and I find him sweet — tho I think his metaphysics are pure faith. Okay, that's what it's supposed to be." (Selected Letters 1940-1956, ed. Charters, Penguin 1995, p. 444.)

And then on pp. 446-448 we find an amazing 26 October [sic!] 1954 letter to Robert Lax packed with etymology and scholarly detail which ends:

I'm no saint, I'm sensual, I cant resist wine, am liable to sneers & secret wraths & attachment to imaginary lures before my eyes — but I intend to ascend by stages & self-control to the Vow to help all sentient beings find enlightenment and holy escape from sin and stain of life-body itself [. . .] but thank God I'm a lazy bum because of that repose will come, in repose the secret, and in the secret: Ceaseless Ecstasy.

"Nirvana, as when the rain puts out a little fire."

See you in the world,

Jack K.

For information on the enigmatic hermit Robert Lax (1915-2000) , see here

Robert Lax: A Life Slowly Lived is especially good. Excerpts:

One of the touchstone words in Lax’s spiritual vocabulary was “waiting”. By this he meant being still, standing one’s ground, knowing one’s ground, but never quite knowing the reality of what was awaited, longed for. In his volume 33 Poems, recently reissued by New Directions, he puts it this way:

Wake up & wait. Lie down & wait. Sit up again & wait. All in the dark now. No way of telling day from night. Do I expect to hear a voice? See a light? A dim one? A bright one? See a face? I sit up. I’m alert. Do I know what to expect? [2]

“What you see,” said Paul Spaeth, keeper of the Lax archive at St Bonaventure, “is the opposite of what can be called social action. What you see is a slowing down and waiting on God. Very much in keeping with the monastic tradition. Also very similar to the Buddhist tradition of moment to moment mindfulness.”

Ad Reinhardt, Thomas Merton, Robert Lax

Robert Lax with his two close friends: Thomas Merton (middle) and the abstract painter, Ad Reinhardt (left). Photograph courtesy of the Thomas Merton Center © Bellarmine University

Unlike his friend Thomas Merton, the Trappist poet and author who shared Lax’s interest in Buddhism and brought his name to the world in The Seven Storey Mountain, [3] Lax never lived a life of structured monasticism. A Jewish convert to Catholicism, he built for himself an interior monastery, within which he wrote, prayed, contemplated, and received many visitors: poets, painters, writers (he’d been friends with the legendary abstract artist, Ad Reinhardt, and with Jack Kerouac), and spiritual seekers.  “Lax can be thought of as a mystic,” said his biographer Michael N. McGregor, who nevertheless refrained from using that word in his book Pure Act: The Uncommon Life of Robert Lax. [4] He shared his subject’s aversion to the superficiality of labels. He wanted readers to come to their own conclusions about who he was, what he was.

Steve Georgiou, a seeker from California and author of The Way of the Dreamcatcher, a book of dialogues with Lax, remembers their walks down to Skala, the Patmos harbour. “He would walk with a slow roll like the roll of a boat. He would take his meditative steps, encouraging you to slow down yourself and feel the actual experience of walking”. [5]

For Lax, there was no seam between walking, praying, writing. All experiences were to be fully absorbed, integrated into a life fully lived. Once Georgiou saw his friend writing a single word – “river” – over and over. He asked him why. “I want to live with the word for a while,” Lax said.

one word at a time.
I believe
I believe
that all people
should stop their fight;
I believe that one should
blow a whistle or
sing or play
on the
lute [6]

A is A: Monism Refuted

This from The Collected Poems and Epigrams of J. V. Cunningham, Swallow Press, 1971, p. 118, epigram #47:

This Monist who reduced the swarm
Of being to a single form,
Emptying the universe for fun,
Required two A's to think them one.

Notes

1. The title is Cunningham's own.

2. Poetic license extends to use-mention confusion.

3. It was over at Patrick Kurp's place that I first made the acquaintance of Mr. Cunningham.

4. Note the poetically pleasing addition by the author of his name to the title of his collection.

5. My copy of Cunningham's collection, a well-made hard bound, acquired via Amazon, is a Mount Mary College (Milwaukee, Wisconsin) library discard.  There is no evidence that it is a second copy.  How naïve of me to think that libraries ought to be permanent repositories of high culture.  But the folly of reliably liberal librarians redounds to the benefit of the bookman.

6. Philosophically, the trick is to uphold the supreme truth that all is indeed One while accommodating the manifest and non-illusory plurality of things and persons. 

Cunningham J. V.

Recognition, Attention, William Wordsworth, and Samuel Alexander

As social animals we have a legitimate need for recognition by others. This need is not a mere desire for attention. Parents and teachers harm a child when they dismiss the legitimate need for recognition and respect as a bid for attention. A child so maligned may father a man who is more monster than man. 

……………………..

"The child is father of the man" is from William Wordsworth's 1802 poem, "My Heart Leaps Up."

My Heart Leaps Up

My heart leaps up when I behold
A rainbow in the sky:
So was it when my life began;
So is it now I am a man;
So be it when I shall grow old,
Or let me die!
The Child is father of the Man;
And I could wish my days to be
Bound each to each by natural piety.

My allusion to Wordsworth above extends, and some will say, 'distorts,'  the meaning of his "The Child is Father of the Man." 

I learned the phrase "natural piety" from Samuel Alexander, but now I see where Alexander found it.

Samuel Alexander, Space, Time, and Deity, vol. II, Gloucester, Mass.: Peter Smith, 1979, (originally published in 1920), p. 46:

The higher quality emerges from the lower level of existence and has its roots therein, but it emerges therefrom, and it does not belong to that lower level, but constitutes its possessor a new order of existent with its special laws of behaviour.  The existence of emergent qualities thus described is something to be noted, as some would say, under the compulsion of brute empirical fact, or, as I would prefer to say in less harsh terms, to be accepted with the "natural piety" of the investigator.  It admits no explanation.

If, however, the emergent entities admit of no explanation, if their emergence is a brute fact, then claims of emergence are open to the 'poof' objection.  It would appear to be rather unbecoming of a hard-assed physicalist to simply announce that such-and-such has emerged when he can offer no explanation of how it has emerged.  If interactionist dualists are supposed to be embarrassed by questions as to how mind and body interact, then emergentists are in a similar boat.

That being said, "natural piety" is a beautiful phrase.