Plato – Page 3 – Maverick Philosopher

Plato’s Cave and the Garden of Eden

This is a revised entry from over five years ago. I re-post it to solicit the comments of the Opponent and anyone else who can provide some enlightenment. I am not a theologian, but theology is far too important to be left to professional theologians.

……………..

An archeologist who claimed to have uncovered the site of Plato's Cave would be dismissed as either a prankster or a lunatic. There never was any such cave as is described in the magnificent Book VII of Plato's Republic. And there never were any such cave-dwellers or goings-on as the ones described in Plato's story. And yet this, the most famous allegory in the history of philosophy, gives us the truth about the human condition. It lays bare the human predicament in which shadow is taken for substance, and substance for shadow, the truth-teller for a deceiver, and the deceiver for a truth-teller.

The reader may have guessed where I am going with this. If the allegory of the Cave delivers the truth about the human predicament despite its falsity when taken literally as an historical narrative, the same could be true for the stories in the Bible. No reasonable person nowadays could take Genesis as reporting historical facts. To take but one example, at Genesis 3, 8 we read that Adam and Eve, after having tasted of the forbidden fruit, "heard the sound of the Lord God walking in the Garden . . . ." Taken literally, this implies that God has feet. But if he has feet was he shod on that day or not? If shod, what was his shoe size? 10 1/2? Obviously, nothing can have feet without having feet of a determinate size! And given that the original parents heard God stomping around, then he had to be fairly large: if God were the size of a flea, he wouldn't have made any noise. If God were a physical being, why couldn't he be the size of a flea or a microbe? The answer to these absurdities is the double-barreled denial that God is a physical being and that Genesis is an historical account. I could give further examples. (And you hope I won't.)

This is why the deliverances of evolutionary biology do not refute the Fall. (I grant that said deliverances refute some doctrines of the Fall, those doctrines that posit an original pair of humans, without animal progenitors, from whom the whole human race is descended.) Indeed, it is quite unintelligent to think that the Fall can be refuted from biology. It would as stupid as to think that the truths about the human condition that are expressed in Plato's famous allegory can be negated or disconfirmed by the failure of archeologists to locate the site of Plato's Cave, or by any physical proof that a structure like that of Plato's Cave is nomologically impossible.

And yet wasn't that what Jerry Coyne, the University of Chicago biologist, was quoted as maintaining?

Earlier I quoted John Farrell quoting biologist Jerry Coyne:

I’ve always maintained that this piece of the Old Testament, which is easily falsified by modern genetics (modern humans descended from a group of no fewer than 10,000 individuals), shows more than anything else the incompatibility between science and faith. For if you reject the Adam and Eve tale as literal truth, you reject two central tenets of Christianity: the Fall of Man and human specialness.

I suppose this shows that the wages of scientism are (topical) stupidity.

Addenda

1. I said that the Allegory of the Cave "gives us the truth about the human condition." Suppose you disagree. Suppose you think the story provides no insight into the human condition. My point goes through nonetheless. The point is that the truth or falsity of the story is unaffected by empirical discoveries and nondiscoveries. Anthropological and archeological investigations are simply irrelevant to the assessment of the claims being made in the allegory. That, I hope, is perfectly obvious.

2. There is another point that I thought of making but did not because it struck me as too obvious, namely, that the Allegory of the Cave is clearly an allegory, and is indeed explicitly presented as such in Chapter VII of the Republic (cf. 514a et passim), whereas the Genesis account is neither clearly an allegory, nor explicitly presented in the text as one. But that too is irrelevant to my main point. The point is that biological, anthropological, and geological investigations are simply irrelevant for the evaluation of what Genesis discloses or purports to disclose about the human condition. For example, at Gen 1, 26 we are told that God made man in his image and likeness. That means: Man is a spiritual being. (See my post Imago Dei) Obviously, that proposition can neither be established nor refuted by any empirical investigation. The sciences of matter cannot be expected to disclose any truths about spirit. And if, standing firm on the natural sciences, you deny that there is anything other than matter, then you fall into the easily-refuted mistake of scientism. Furthermore, Genesis is simply incoherent if taken as presenting facts about history or facts about cosmology and physical cosmogenesis. Not only is it incoherent; it is contradicted by what we know from the physical sciences. Clearly, in any conflict between the Bible and natural science, the Bible will lose.

The upshot is that the point I am making about Genesis cannot be refuted by adducing the obvious difference between a piece of writing that presents itself as an allegory and a piece of writing that does not. Plato's intention was to write an allegory. The authors of Genesis presumably did not have the intention of writing an allegory. But that is irrelevant to the question whether the stories can be taken as reporting historical and physical facts. It is obvious that Plato's story cannot be so taken. It is less obvious, but nonetheless true, that the Genesis story cannot be so taken. For if you take it as historical reportage, then it is mostly false or incoherent, and you miss what is important: the spiritual, not the physical, meaning.

The Opponent writes:

I have been telling the Maverick Philosopher here about Benjamin Sommer’s theory of divine fluidity, which is one solution to the problem of anthropomorphic language in the Hebrew Bible. The problem is not just Genesis 1:26 (‘Let us make humankind in our image, according to our likeness’) but also Genesis 3:8 ‘They heard the sound of the Lord God walking in the garden at the time of the evening breeze’. Can God be a man with feet who walks around the garden leaving footprints? As opposed to being a pure spirit? The anthropomorphic conception is, in Maverick’s opinion ‘a hopeless reading of Genesis’, and makes it out to be garbage. ‘You can’t possibly believe that God has feet’.

Yet Benjamin Sommer, Professor of Bible and Ancient Semitic Languages at the Jewish Theological Seminary, proposes such a literal and anthropomorphic interpretation. As he argues (The Bodies of God and the World of Ancient Israel), if the authors of the Hebrew Bible had intended their anthropomorphic language to be understood figuratively, why did they not say so? The Bible contains a wide variety of texts in different genres, but there is no hint of this, the closest being the statement ofDeuteronomy 4.15 that the people did not see any form when the Ten Commandments were revealed at Sinai.

My response is as follows.

The Opponent, following Sommer, asks: " if the authors of the Hebrew Bible had intended their anthropomorphic language to be understood figuratively, why did they not say so?" This rhetorical question is grammatically interrogative but logically declarative: it amounts to the declaration that the authors did intend their crudely anthropomorphic language to be taken literally because they didn't say otherwise. This declaration, in turn, is a telescoped argument:

The authors did not say that their language was to be taken figuratively;

ergo

Their language is to be taken literally.

The argument, however, is plainly a non sequitur. It therefore gives me no reason to change my view.

Besides, it is preposterous to suppose that the creator of the the physical universe, "the heavens and the earth," is a proper part of the physical universe. Since that is impossible, no intelligent reading of Genesis can take the creator of the universe to be a bit of its fauna. Presumably, God gave us the intelligence to read what is obviously figurative as figurative.

And if one takes the Bible to be divine revelation, then it is natural to assume that God is using the authors to get his message across. For that to occur, the authors needn't be terribly bright or apprised of the variety of literary tropes. What does it matter what the authors intended? Suppose they intended talk of man being made in the divine image and likeness to be construed in some crassly materialistic way. Then they failed to grasp the profound spiritual truth that they, willy nilly (nolens volens), were conveying.

3. The mistake of those who think that biology refutes the Fall is the mirror-image of those benighted fundamentalists and literalists who think that the Fall 'stands or falls' with the historical accuracy of tales about original parents, trees, serpents, etc. The opposing groups are made for each other. The scientistic atheist biologist attacks a fundamentalist straw man while the benighted fundamentalist knocks himself out propping up his straw man. Go at it, boys! The spectacle is entertaining but not edifying.

Plato on Thales and the Thracian Maid

Paul Manata reminded me of the source of the story about Thales and the servant girl from Thrace.

"Thales was studying the stars and gazing into the sky, when he fell into a well, and a jolly and witty Thracian servant girl made fun of him, saying that he was crazy to know about what was up in the heavens while he could not see what was in front of him beneath his feet." (Theaetetus 174a)

I checked the reference and Paul got it right. He was inspired to provide the quotation upon reading my 'bad drivers' post below.

The whole context surrounding 174a is just marvellous, but then so is all of Plato. As Ralph Waldo Emerson once wrote, "Philosophy is Plato, and Plato philosophy." (I'd better check the quotation!)

Addendum

Sed Contra sends this from Aristotle's Politics:

The story goes that some people reproached Thales for being poor, on the grounds that it showed his philosophy was useless. But because of his knowledge of the stars, he realized there would be a bumper crop of olives in the following year. So, while it was still winter, he raised a little money and used it to secure all the olive presses in Miletus and Chios for future lease. He got them at a low rate because no one bid against him. When the olive season came, and the demand for olive presses was suddenly very heavy, he was able to sub-lease them at whatever rate he chose. He made a lot of money, thereby showing that philosophers could easily become wealthy if they wished, but that this is not something they care much about. (I.11 1259a)

Socratic Reflections on Election Day

Excellent

Sunday Morning Sermon: Awareness of Death as Cure for Existential Drift

Our tendency is to drift through life. If life is a sea, too many of us are rudderless vessels, at the mercy of the prevailing winds of social suggestion. Death in its impending brings us up short: it forces us to confront the whole of one's life and the question of its meaning. Death is thus instrumentally good: it demands that we get serious. To face it is to puncture the illusion that one has all the time in the world.

You might be dead before nightfall. In what state would you like death to find you?

East and West, death has served as the muse of philosophy and of existential seriousness.

Plato on Trump

Channeled through Andrew Sullivan.

I Feel a Little Guilty . . .

. . . at deriving so much intellectual stimulation from the events of the day. It is fascinating to watch the country fall apart. What is a calamity for the citizen, however, is grist for the philosopher's mill. Before he is a citizen, the philosopher is a "spectator of all time and existence" in a marvellous phrase that comes down to us from Plato's Republic (486a). And if the philosopher is an old Platonist who has nearly had his fill of the Cave and its chiaroscuro, he is ever looking beyond this life, and while in no rush to bid it a bittersweet adieu, is not affrighted at the coming transition either. The owl of Minerva spreads its wings at dusk. The old Platonist owl lives by the hope that the dusk of death will lead to the Light, a light unmixed with darkness.

National decline is not just grist for the philosopher's mill, however; it is also perhaps a condition of understanding as Hegel suggests in the penultimate paragraph of the preface to The Philosophy of Right:

When philosophy paints its grey on grey, then has a shape of life grown old. By philosophy's grey on grey it cannot be rejuvenated but only understood. The owl of Minerva spreads its wings only at the falling of the dusk.

Daughter of Jupiter, Minerva in the mythology of the Greeks is the goddess of wisdom. And the nocturnal owl is one of its ancient symbols. The meaning of the Hegelian trope is that understanding, insight, wisdom arise when the object to be understood has played itself out, when it has actualized and thus exhausted its potentialities, and now faces only decline.

When a shape of life has grown old, philosophy paints its grey on grey. The allusion is to Goethe's Faust wherein Mephisto says

Grau, teurer Freund, ist alle Theorie,
Und grün des Lebens goldner Baum.

Grey, dear friend, is all theory
And green the golden tree of life.

Philosophy is grey, a "bloodless ballet of categories" (F. H. Bradley) and its object is grey — no longer green and full of life. And so philosophy paints its grey concepts on the grey object, in this case America on the wane. The object must be either dead or moribund before it can be fully understood. Hegel in his famous saying re-animates and gives a new meaning to the Platonic "To philosophize is to learn how to die."

In these waning days of a great republic, the owl of Minerva takes flight. What we lose in vitality we gain in wisdom.

The consolations of philosophy are many.

On the other hand, it ain't over until it's over, and as citizens we must fight on, lest our spectatorship of all time and existence suffer a premature earthly termination. The joys if not the consolations of philosophy are possible only in certain political conditions. We are not made of the stern stuff of Boethius though we are inspired by his example.

Simone Weil in the Light of Plato: Notes on Phaedo 83

To understand Simone Weil, one must understand her beloved master, Plato. So let's interpret a passage from the Phaedo dialogue, and then compare it to some statements of Weil.

At Stephanus 83a we read, "…the perceptions of the eye, and the ear, and the the senses are full of deceit." (tr. F. J. Church) The point is presumably not that the senses are sometimes nonveridical, but that they tie us to a world that is not ultimately real, and that distracts us from the one that is. From the context it is clear that the point is not epistemological but axiological and ontological. It is not that the senses are unreliable, whether episodically or globally, in respect of the information they provide us about an external world of spatiotemporal particulars. They are reliable enough in providing us such information. The point is rather that the senses deceive us into conferring high value on what is of low value, and into taking as ultimately real what is derivatively real.

It would be a mistake, therefore, to read the passage as an anticipation of the modern problematic of the external world from Descartes to Kant to G. E. Moore and beyond. The problem is not how we can come to have knowledge of an external world given that what is immediately given are only our ideas and representations, ideas and representations the contents of which would be the same whether or not there is an external world. The point is much deeper. The Platonic inquiry calls into question, not human knowledge of a physical world taken to be ultimately real, but the reality and importance of the physical world itself as correlate of the outer senses.

On the same page of the dialogue, we read that ". . . nothing which is subject to change has any truth." 'Truth' is here used ontically as equivalent to 'being' or 'real existence.' The mutable is not ultimately 'true' or ultimately real. Why not? Because it is subject to change. The idea is not that the mutable is a mere illusion, but that it lacks plenary reality, and that lacking full reality it lacks plenary value. I should add that what lacks plenary reality and value cannot play for us a soteriological role.

There are thus four ancient themes here, each of which is contested by the moderns qua moderns and the contemporaries qua contemporaries. There is the idea that impermanence argues relative unreality. There is the levels-of-reality theme which I most recently discussed in connection with John Anderson back in January. There is the theme of the intertwinement of reality and value which finds expression much later in the history of thought in the scholastic slogan ens et bonum convertuntur (being and good are convertible) which I take to mean that what is is good just in virtue of its being and in the measure that it possesses being, and that what is good is good in virtue of its being and in the measure that it possesses being. Thus things in themselves are not axiologically neutral such that their value predicates are subjectively imposed; it is rather the case that things in themselves in their mind-independent reality are good because they are and in the measure that they are. Finally, there is the theme that our salvation is bound up with our knowledge of what is ultimate real and thus ultimately good. This knowledge has ultimate truth and it is this truth that sets us free.

One who can sympathize with these four themes has Platonic intuitions. I suggest that any arguments one develops in support of these four theses will be no more than articulations of these deep intuitions or spiritual insights which one either has or does not have, depending, to allude to Fichte's famous saying, on what kind of person one is. (. . .was für eine Philosophie man wähle, hängt … davon ab, was man für ein Mensch ist.)"What sort of philosophy one chooses depends on the sort of human being one is." (Thus a superficial fellow like Rudolf Carnap or David Stove is, predictably, a miserable positivist.)

A little farther down, around the middle of St. 83, we read, ". . . when the soul of any man feels vehement pleasure or pain, she is forced at the same time to think that the object, whatever it be, of these sensations is the most distinct and the truest, when it is not." Plato's point is not that the senses deceive us about what is really there in the sense world, but that the senses deceive us into thinking that the sense world is a world of true being or ultimate reality. Compare the allegory of the cave in the Republic.

To find reality the soul must "gather herself together" and "stand aloof from the senses" using them "only when she must . . . ." Pleasure and pain, desire and fear (aversion) must be avoided since they pin the soul to the body, and by pinning it to the body, pin it to the changeful world of sense. Inner purification and meditation, by which the soul "gathers herself together," are necessary for the philosopher's approach to the Real. The true philosopher aims at a separation of the soul from the body, and so must not fear death. We fear death because we love the body and its pleasures.

We now turn to some statements by Weil. The following three paragraphs stand under the heading Profession of Faith which begins her Draft for a Statement of Human Obligations:

There is a reality outside the world, that is to say, outside space and time, outside man's mental universe, outside any sphere whatsoever that is accessible to human faculties.

Corresponding to this reality, at the centre of the human heart, is the longing for an absolute good, a longing which is always there and is never appeased by any object in this world.

Another terrestrial manifestation of this reality lies in the absurd and insoluble contradictions which are always the terminus of human thought when it moves exclusively in this world.

The first statement conveys the Platonic conviction that ultimate reality is beyond the world of sense. But Weil goes beyond Plato and deeper into mysticism by holding that the reality beyond the sense world is inaccessible to human faculties. At St. 84, Plato has Socrates say that (intuitive) reason is the faculty whereby we contemplate what is "true and divine and real."

The second statement conveys the Platonic thought that the soul's longing can never satisfied by any sense object.

The third statement suggests a way of arguing that the sense world cannot be ultimate: if we take it to be such we land among insoluble aporiai.

Thomas Merton on Plato’s Phaedo

Thomas Merton, Journals, vol. 4, p. 57 (10 October 1960):

The superb moral and positive beauty of the Phaedo. One does not have to agree with Plato, but one must hear him. Not to listen to such a voice is unpardonable, it is like not listening to conscience or nature.

Absolutely right.

Plato’s Great Inversion

Our long-time friend Horace Jeffery Hodges kindly linked to and riffed upon my recent quotage of a bit of whimsicality from the second volume of J. N. Findlay's Gifford lectures. So here's another Findlay quotation for Jeff's delectation, this time from Plato and Platonism: An Introduction (Times Books, 1978):

It is not here, we may note, our task to defend Plato's Great Inversion, the erection of instances into ontological appendages of Ideas rather than the other way round. It is only our task to show what this inversion involves, and that it does dispose of many powerful arguments. For despite much talk of the concretely real and of what we can hold in our hands, it is plain that nothing so much eludes us or evades us as the vanishing instances which surround us or which go on in us. Even our friends leave nothing in our hands or our minds, but the characteristic patterns on which we can, alas, only ponder lovingly when as instances they are dead, and we ourselves and our whole life of care and achievement leave nothing behind but the general memory of what we did and were. (23)

My esteemed teacher's poetic prose may have got the better of him in that last sentence redolent as it is of an old man's nostalgia. For it is not only Findlay's characteristic patterns once so amply instantiated here below that I now ponder lovingly, but the actual words he wrote, many of them printed, some of them hand-written, that strikingly singular voluminous flow of Baroque articulation so beautifully expressive of a wealth of thoughts. In his books, I have the man still, and presumably at his best, even if he himself, long dead as an instance, has made the transcensive move from the Cave's chiaroscuro to the limpid light wherein he now, something of a Platonic Form himself, beholds the forma formarum, the Form of all Forms.

You will be forgiven if you think my poetic prose has gotten the better of me.

Roberto Rosselini’s Socrates

It was my good fortune to happen across Rosselini's Socrates the night before last, Good Friday night, on Turner Classic Movies. From 1971, in Italian with English subtitles. I tuned in about 15 minutes late, but it riveted my attention until the end. It is full of excellent, accurate dialog based on the texts of Plato that record Socrates' last sayings and doings. I was easily able to recognize material from the Platonic dialogues Euthyphro, Apology, Crito, and the immortal Phaedo. The dialog moves fast, especially in Italian, and near the end it was difficult to read the fast moving subtitles through eyes filled with tears.

One ought to meditate on the fact that the two greatest teachers of the West, and two great teachers of humanity, Socrates and Jesus, were unjustly executed by the State. This is something contemporary liberals, uncritical in their belief in the benevolence of government, ought especially to consider.

My eyes glued to the TV, I was struck by how Socratic my own attitude toward life and death is. Death is not to be feared, but is to be prepared for and embraced as a portal to knowledge. It is the ultimate adventure for the truth seeker. It is not unreasonable to suppose that it is such a portal even though we cannot know it to be so in this life. There is no dogmatism in the Socratic wisdom: its incarnation does not claim to know here what can only be known, if it will be known, there. He is an inquirer, not an ideologue defending an institutional status quo. The point of the arguments recorded in the Phaedo, and partially rehearsed in the movie, is to persuade sincere truth seekers of the reasonableness of the philosopher's faith, not to prove what cannot be proven, and especially not to benighted worldlings who care little about truth, smug worldlings whose hearts and minds have been suborned by their love of power and money and the pleasures of the flesh.

His friends want the seventy-year-old philosopher to escape and have made preparations. But what could be the point of prolonging one's bodily life after one has done one's best and one's duty in a world of shadows and ignorance that can offer us really nothing in the end but more of the same? This vale of soul-making is for making souls: it cannot possibly be our permanent home. (Hence the moral absurdity of transhumanism which is absurd technologically as well.) Once the soul has exhausted the possibilties of life behind the veil of ignorance and has reached the end of the via dolorosa through this vale of tears then it is time to move on, to nothingness or to something better.

Or perchance to something worse? Here is where the care of the soul here and now comes in. Since the soul may live on, one must care for it: one must live justly and strive for the good. One must seek the knowledge of true being while there is still time lest death catch us unworthy, or worthy only of annihilation or worse.

Socrates' life was his best argument: he taught from his Existenz. He taught best while the hemlock was being poured and his back was to the wall. His dialectic was rooted in his life. His dialectic was not cleverness for the classroom but wisdom for the death chamber.

Whether his life speaks to you or not depends on the kind of person you are, in keeping with Fichte's famous remark to the effect that the philosophy one chooses depends on the sort of person one is.

Does it matter whether Socrates existed and did the things attributed to him in the Platonic writings? I don't see that it does. What alone matters is whether a person here and now can watch a movie like Rossellini's and be moved by it sufficiently to change his own life. What matters is the Idea and the Ideal.

What matters is whether one can appropriate the Socratic message for oneself as Johann Gottlieb Fichte did in this very Socratic passage from The Vocation of Man (LLA, 150):

Should I be visited by corporeal suffering, pain, or disease, I cannot avoid feeling them, for they are accidents of my nature ; and as long as I remain here below, I am a part of Nature. But they shall not grieve me. They can only touch the nature with which, in a wonderful manner, I am united, not my self, the being exalted above all Nature. The sure end of all pain, and of all sensibility to pain, is death; and of all things which the mere natural man is wont to regard as evils, this is to me the least. I shall not die to myself, but only to others ; to those who remain behind, from whose fellowship I am torn: for myself the hour of Death is the hour of Birth to a new, more excellent life.

To Doctor Empiric

When men a dangerous disease did 'scape
Of old they gave a cock to Aesculape
Let me give two, that doubly am got free
From my disease's danger, and from thee.

Ben Jonson (1753?-1637) from Epigrams and Epitaphs (London: Faber and Faber, 1977), p. 27.

At the very end of the Phaedo, having drunk the hemlock, Socrates is reported by Plato as saying to Crito, "I owe a cock to Asclepius; do not forget to pay it." (tr. F. J. Church) Asclepius is the Greek god of healing. Presumably, Socrates wanted to thank the god for his recovery from the sickness of life itself.

Nietzsche comments at the the beginning of "The Problem of Socrates" in The Twilight of the Idols:

Concerning life, the wisest men of all ages have judged alike: it is no good. Always and everywhere one has heard the same sound from their mouths — a sound full of doubt, full of melancholy, full of weariness of life, full of resistance to life. Even Socrates said, as he died: "To live — that means to be sick a long time: I owe Asclepius the Savior a rooster." (tr. W. Kaufmann)

Via Platonica Versus Via Aristotelis

I have spoken more than once of the fruitful tension between Athens (philosophy) and Jerusalem (Biblical revelation). But there is also a tension, and it is also a fruitful one, within Athens. It is depicted, if such a thing can be depicted at all, in Raphael's School of Athens. Take a gander at the close-up below. Plato points up, Aristotle, the younger man, points down. The Forms are, in a manner of speaking, up yonder in a topos ouranos, in a heavenly place; his star pupil would, again in a manner of speaking, bring them down to earth. In a terminology I do not wholly endorse, Plato is an extreme, while Aristotle is a moderate, realist.

The vitality of the West is due, in part, to the fruitful tension between Athens and Jerusalem. And much of the vitality of philosophy derives from the fruitful tension between the Platonic and Aristotelian ways of thinking, not just as regards the problem of universals, but on a wide range of issues.

Callicles Anticipates De Sade

At Gorgias 492, tr. Helmbold, the divine Plato puts the following words into the mouth of Callicles:

     A man who is going to live a full life must allow his desires to
     become as mighty as may be and never repress them. When his
     passions have come to full maturity, he must be able to serve them
     through his courage and intelligence and gratify every fleeting
     desire as it comes into his heart.

[. . .]

     The truth, which you claim to pursue, Socrates, is really this:
     luxury, license, and liberty, when they have the upper hand, are
     really virtue, and happiness as well; everything else is a set of
     fine terms, man-made conventions, warped against nature, a pack of
     stuff and nonsense!

Now let us consider what the decidedly undivine Marquis de Sade has Mme. Delbene say in Julliette or Vice Amply Rewarded:

. . . I am going to dismiss this equally absurd and childish obligation which enjoins us not to do unto others that which unto us we would not have done. It is the precise contrary Nature recommends, since Nature's single precept is to enjoy oneself, at the expense of no matter whom. But at our leisure we shall return to these subjects; for the nonce, let's now put our theories into practice and, after having demonstrated that you can do everything without committing a crime, let's commit a villainy or two to convince outrselves that everything can be done. (p. 30, emphasis in original, tr. Casavini)

From the cover: "abridged but unexpurgated from the original five-volume work especially for the adult reader." In other other words, the good stuff, i.e., the philosophy, has been cut, but the 'adult matter' remains. I get a kick out of this use of 'adult' — but that's another post.

What It Takes To Be a Man

Plato, Phaedrus 249: "to be a man one must understand the content of a general term."

R. M. Hare on Plato

Here.