Saturday Night at the Oldies: A Baker’s Dozen Road Songs Plus One

Entangled deep in the psyche of every true American is a deep love of the open road.  Here are some tunes to be enjoyed while seated at the helm of a solid chunk of Detroit iron, while 'motorvatin' over some lonesome desert highway in the magic west of buttes and mesas, with four on the road, one in the hand, and the other wrapped around a fine cigar or a cup of steaming java.

Woody Guthrie, Hard Travelin'.  Hank Williams, Lost Highway.  Spade Cooley, Detour.  Leonard Cohen, Passing Through.  Bob Dylan, Highway 51 Blues.  Robert Johnson, Crossroad Blues.  Eric Clapton, Crossroads. Nelson Riddle, Route 66.  Chuck Berry, Get Your Kicks on Route 66.  Johnny Cash, I've Been Everywhere.  The Doors, Roadhouse Blues.  Johnny Cash, Highway 61 Revisited.  Bob Dylan, Highway 61 Revisited.

Steve Allen and Jack Kerouac, A reading from On the Road.

Saturday Night at the Oldies II: Three Suicide Songs

You're getting a double dose this Saturday, muchachos — to make up for last Saturday.  These go out to S.S. Slim.  We begin on a humorous note with James Darren's hit from 1961, Goodbye Cruel World.  And then to a rather more somber number of the same name by Pink Floyd.  But neither can hold a candle to Tom Waits, Shiver Me Timbers.

Leavin' my family, I'm leavin' my friends
My body's at home but my heart's in the wind
Where the clouds are like headlines on a new front page sky
Tears are salt water and the moon's full and high

And I know Martin Eden is gonna be proud of me
Many before me who've been called by the sea
To be up in the crow's nest and singin' my say
And shiver me timbers I'm a-sailin' away

The fog's liftin' and the sand's shiftin' and I'm driftin' on out
Ol' Captain Ahab ain't got nothin' on me
So come on and swallow me, don't follow me, I'll travel alone
Blue water's my daughter an' I'm skippin' like a stone

And please call my missus and tell her not to cry
My goodbye is written by the moon in the sky
And nobody knows me, I can't fathom my stayin'
And shiver me timbers, I'm a-sailin' away

The fog's liftin' and the sand's shiftin' and I'm driftin' on out
Ol' Captain Ahab ain't got nothin' on me
So come on and swallow me, don't follow me, I'll travel alone
Blue water's my daughter an' I'm skippin' like a stone

And I'm leavin' my family, and I'm leavin' my friends
My body's at home but my heart's in the wind
Where the clouds are like headlines on a new front page sky
And shiver me timbers, I'm a-sailin' away.

Saturday Night at the Oldies: Running on St. Valentine’s Day

My training over and my carbo-loading done, I am now in the psych-up phase for tomorrow's Lost Dutchman marathon.  Will I be able to go the distance?  At the outset, I'll Take It Easy but then Take It to the Limit.  I will have no trouble with the first 20 miles, but the last 10 K I will be Running on Empty.  Question is whether I will be Willin' to keep on movin'?

And while we're on the running them, let's not forget Del Shannon's Runaway, Roy Orbison's Running Scared, and Dion DiMucci's Runaround Sue.  And then there's that Crystals number the refrain of which sounds like 'They do run, run.'

And tomorrow  being St Valentine's Day, three for my wife.  An old Sam Cooke number, a lovely Shirelles tune, and my favorite from the Seekers.

Saturday Night at the Oldies: It’s Not All Sex and Drugs

Here are my six favorite broadly religious songs in the rock/pop genre.  Clapton & Winwood, In the Presence of the Lord.  And now three by the 'philosophical' Beatle.  (If Ringo Starr is the 'regular guy' Beatle, and Paul McCartney the 'romantic' Beatle, and John Lennon the 'radical' Beatle, then George Harrison is the 'philosophical/religious' Beatle.  My Sweet Lord.  All Things Must Pass.  Give Me Love.

And now two by the protean Bob Dylan.  Father of Night.  Gotta Serve Somebody.

Finally, two powerful anti-drug songs.  Hoyt Axton, The Pusher. Steppenwolf version from "Easy Rider."  Buffy Sainte- Marie, Codeine.

Saturday Night at the Oldies: ‘Sunny’ Songs

Last time the theme was 'rainy' songs.  To balance things out, here are some 'sunny' songs.  Donovan, To Try For the Sun.  Forgot what a great tune that is.  Might have been the mid-60's since I last heard it.  And then there's the moody Sunny Goodge Street by the same artist.  The Beatles, Here Comes the Sun. 

Jimi Hendrix, Third Stone From the Sun from his first album.  A bit of psychedelia from '67.  It's good to see that Mose Allison is still at it, at age 83.  Here is his quirky verson of "You Are My Sunshine."  I used to catch Mose at The Lighthouse in Hermosa Beach, California, at the end of the '60s.  Johnny Cash and Bob Dylan try to do a duet of the same song.  If you can't stomach either of those versions, there is always Doris Day.

Cream, Sunshine of Your Love.  Bobby Hebb, Sunny (1966).  I had to reach my long arm far back into the musty mausoleum of moldy oldies for this Benny Goodman and Peggy Lee version of the old standard, The Sunny Side of the Street (1941). 

Finally, The Sun Also Rises, a tune that I heard in 1968 and have had in my head for four decades but haven't heard again until just now. For the last 42 years I have been trying without success to remember the name of the band and locate the tune.  'Fever Tree' it is, an obscure group that I heard together with Canned Heat at an L.A. club in '68.  If you remember them, I'll buy you a beer. 

Saturday Night at the Oldies: The Rain Theme

Desert rain Here in the Zone and elsewhere in the West we are getting a much-needed soaking. And that puts me in mind of my favorite rain songs. 

Fire and Rain is particularly appropriate for California: first the wildfires strip the land of vegetation, then the rains come and bring on mudslides.  Didn't James Taylor have an album called Mudslide Slim

Dee Clark, Raindrops.  Cascades, Rythm of the Rain (1963). 

The Beatles' Rain 'blew my mind' back in '66.

And of course there is the lovely Gordon Lightfoot composition, Early Morning Rain, here performed in 1966 by PP&M.  Dylan's version is also very nice.

Speaking of America's troubadour, we cannot omit his Hard Rain, written in 1962 during the Cuban Missile Crisis.  Dylan was a great writer of topical songs because he knew how to make them poetic and not too obvious.

Rainy Day Women #12 & 35?  Dylan's worst song.  Doesn't deserve a link.  But his "Buckets of Rain" (from Blood on the Tracks) is another story.  Here is Maria Muldaur's version.  Remember her?  And Dave van Ronk's.

How Joan Baez Got Politicized

Dylan baez David Hajdu, Positively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Farina and Richard Farina, 2001, p. 147:

Dylan nestled his guitar on his lap and began strumming a C chord in three-quarter time. He repeated it until the small room hushed, then he slid into the opening of "With God on Our Side." By the end of the song's nine verses, Joan Baez was no longer indifferent to Bob Dylan or irked by his crush on her sister Mimi. She was startled by the music she heard and fascinated with the fact that the enigma in the filthy jeans had created it. "When I heard him sing 'With God on Our Side,' I took him seriously," said Joan. "I was bowled over. I never thought anything so powerful could come out of that little toad. It was devastating. 'With God on Our Side' is a very mature song. It's a beautiful song. When I hear that, it changed the way I thought of Bob. I realize that he was more mature than I thought. He even looked a little better." Social consciousness as an aphrodisiac? [. . .]

Dylan played a few more of his topical songs, including "The Death of Emmett Till," "A Hard Rain's a-Gonna Fall," and "Masters of War." They astounded Spoelstra, who had not kept up with his old Village cohort's development as a songwriter, and they seemed to overwhelm Baez. (In one interview, Baez recalled "The Death of Emmett Till," not "With God on Our Side," as the Dylan song that changed her view of him and prompted her to take up protest music; "I was basically a traditional folksinger," she said. "I was not 'political' at that time. When I heard 'Emmett Till' I was knocked out. It was my first political song. That song turned me into a political folksinger."

Saturday Night at the Oldies: There But For Fortune

OCHS

Tonight's episode is in memory of my grade school classmate Vincent Regan who languishes in prison for his part in a brutal rape and murder.  He belongs in prison for the rest of his life, and I don't believe that "there but for fortune go you or I."  But fortune, genetics, and environment have some imponderable roles to play in our behavior.  Thus the liberal point of view represented in tonight's selection deserves consideration.

Phil Ochs (1940-1976) was a major player in the '60s folk scene who died by his own hand in 1976.  Nowadays he is perhaps best remembered as the author of "There But For Fortune."  The haunting beauty of the song comes out best in this Joan Baez renditionHere is a live clip of Ochs singing his song in 1967 at The Bitter End.

 

 

 

 

Show me the prison, show me the jail  
Show me the prisoner whose life has gone stale
And I'll show you young  land with so many reasons why
That there but for fortune,  go you or I

Show me the alley, show me the train
Show me the hobo who sleeps out in the rain
And I'll show you young man with so many reasons why
There but for fortune, go you or  I — you or I.

Show me the whiskey stains on the floor
Show me the drunkard as he stumbles out the door
And I'll show you  young land with so many reasons why
There but for fortune, go you or  I — you or  I.

Show me the country where the bombs had to fall
Show me the ruins of the buildings once so tall
And I'll show you young land with so many reasons why
That there but for fortune, go you and I – you and I.

What’s Wrong with Kitsch and Sentimentality?

April Stevens' and Nino Tempo's version of  Deep Purple  became a number one hit in 1963. I liked it when it first came out, and I've enjoyed it ever since. A while back I happened to hear it via Sirius satellite radio and was drawn into it like never before. But its lyrics, penned by Mitchell Parish, are pure sweet kitsch:

Saturday Night at the Oldies: My Darling Clementine

MyDarlingClementine1946 Saw this 1946 movie once again last night.  A heavily fictionalized version of the shootout at the O. K. Corral, it stars Victor Mature as Doc Holliday, Henry Fonda as Wyatt Earp and Walter Brennan as Old Man Clanton.  The Mexican cutie's name is 'Chihuahua.'  They don't make 'em like this anymore.

Now enjoy the song from 1884 in both of its versions together with the lyrics.  The second version features the oft-omitted last verse in which the singer, having lost his Clementine to a drowning, finds solace with her little sister.