Saturday Night at the Oldies: September Songs

But first the absolute best version of Dylan's From a Buick Six just to get your blood up. But now that Gary U. S. Bond is in the house, here is Twist, Twist, Senora with a trio of 1940s dancing girls. New Orleans, live, with Jeff Beck.

…………………..

September ends.  A transitional month leading from hot August to glorious October, Kerouac month in the MavPhil 'liturgy.'

Dinah Washington, September in the Rain

Rod Stewart, Maggie May. "Wake up Maggie, I think I got something to say to you/It's late September and I really should be back at school."

Carole King, It Might as Well Rain Until September

Frank Sinatra, September of My Years

George Shearing, September in the Rain

Walter Huston, September Song 

This from a London reader:

Thanks for linking to the George Shearing ‘September’. I had forgotten he grew up in London (in Battersea, just down the road from me). I love the Bird-like flights on the piano. Indeed I think he wrote ‘Lullaby of Birdland’. Another Londoner is Helen Shapiro who does a great version of ‘It might as well rain until September’ https://www.youtube.com/watch?v=De0_zZ7qQDA. Great alto voice, never made it in the US as far as I know. 

I was first hipped to Shearing by Kerouac who referred to him in On the Road.  I too love the 'Bird'-like flights on the piano. The allusion is to Charley 'Bird' Parker, also beloved of Kerouac.  (Kerouac month hereabouts starts Monday.) Helen Shapiro is new to me, thanks. She does a great job with the Carole King composition.  Believe it or not, King's version is a demo. That's one hell of a demo. A YouTuber points out that Shapiro was not part of the 1964 'British Invasion.'  I wonder why.

UPDATE (9/30).

Jim Soriano recommends Try to Remember — which I had forgotten.

UPDATE (10/2)

Mark Anderson introduces me to Big Star, September Gurls. Nice clangy, jangling guitar work reminiscent of the Byrds and some Beatle cuts.  Wikipedia article.  Which Beatle cuts?

Well, Rain is one, And Your Bird Can Sing is another.  Wow! I forgot how good these songs are.

Saturday Night at the Oldies: Dion DiMucci


DionThe guy has amazing staying power, and in his 70s he still looks and sounds damn good in live performances.  Here he is in 2004 singing I Wonder Why.

How can an old man still sing a heart-felt Teenager in Love?  Because some of us old men still have young yearning hearts.

In an interview he said something like, "You need to marry a girl who will take you to heaven."  Good advice; men need no assistance moving in the opposite direction. 

Every red-blooded American male of a certain age can relate to his signature number, The Wanderer, which rose to the number #2 slot in 1961. Wikipedia:

Dion said of "The Wanderer":[2]

At its roots, it's more than meets the eye. "The Wanderer" is black music filtered through an Italian neighborhood that comes out with an attitude. It's my perception of a lot of songs like "I'm A Man" by Bo Diddley or "Hoochie Coochie Man" by Muddy Waters. But you know, "The Wanderer" is really a sad song. A lot of guys don't understand that. Bruce Springsteen was the only guy who accurately expressed what that song was about. It's "I roam from town to town and go through life without a care, I'm as happy as a clown with my two fists of iron, but I'm going nowhere." In the Fifties, you didn't get that dark. It sounds like a lot of fun but it's about going nowhere.

The song may be superficial in its nonchalant machismo, but the man is not.  He managed to negotiate the snares of stardom and wander back to the faith of his childhood via a Protestant detour thanks mainly to his religious experiences:

I was the first rock and roll artist signed to Columbia Records and naturally, expectations ran high. No expense was spared and no excuses accepted. This was the big time. I was getting $100,000 a year guaranteed — whether I sold a record or not. “Ruby Baby” and “Donna the Primadonna” were a great down payment: they went Top 5.

Still, even with that success, I was at an all time mental and spiritual bottom. Out of depression, we moved to Miami, looking for a fresh start. There, I would have the surprise of my life: I got to see God work through my father-in-law, Jack. Jack helped fan into flames the gift of God that was in me through the laying on of hands at my confirmation. I said a prayer one night there in Jack’s home: “God I need your help.” I was delivered from the obsession to drink and drug; it was just lifted off me like a weight. On that day, April 1, 1968, I became aware of God’s power, even before I became aware of His reality.

I entered a spiritual-based 12-step program and grew in these disciplines. Six months later, at the age of 28, I released one of the biggest records of my career — “Abraham, Martin and John.” It became an anthem.

But my biggest moment was to come. On December 14, 1979, I went out jogging, like I did every morning. It was a time when I could be alone with my thoughts — thinking about the past, thinking about the future. There was a lot going on in me then, a mid-life crisis, or something. My emotions were everywhere. In the middle of that confusion, all I could pray was “God, it would be nice to be closer to you.” That’s all it took.

I was flooded with white light. It was everywhere, inside me, outside me — everywhere. At that moment, things were different between me and God. He’d broken down the wall. Ahead of me, I saw a man with His arms outstretched. “I love you,” He said. “Don’t you know that? I’m your friend. I laid down My life for you. I’m here for you now.” I looked behind me, because I knew I’d left something behind on that road. Some part of me that I no longer wanted. Let the road have it; I didn’t need it anymore.

God changed my life that morning, and things have never been the same.

Rest of the story hereHere he is not with the Belmonts but with some female back-up singers in a tune from 1960 that is ignored by the oldies stations.  I heard it from the radio of a  '56 Ford when I was ten and I loved it.  My mother hated it.

Recently, Dion has been digging back into the roots of rock and roll. 

If I had Possession over Judgment Day. Robert Johnson did it first in 1936.  A Clapton version.

Who Do You Love

Nadine

UPDATE 9/22.  Vito Caiati writes,

I loved your post on Dion, who grew up in the same neighborhood, the Belmont Avenue section of the Bronx, and parish, Our Lady of Mount Carmel (I was born next door to the church), as me. When I was entering my teens, he was already a success, and my girl cousins were crazy about him.  He was sometimes spotted driving some sporty car, which was enough to send them into ecstasy.  Many of my male cousins shared his early views on religion: "Catholicism seemed suited for old women and sissies. Real men didn’t need it." I was an oddity, since I took it so seriously.  His story of finding faith is moving. He ended up in a good place.

And now we know why the Belmonts we so-called.

As for religion, I am always surprised at how readily and uncritically people accept the superficially plausible view that religion continues to exist only because of old ladies, children, sissies, and the crafty priests who get hold of gullible children and stuff their heads with superstitious lore in order to keep afloat their organizational hustle.

I am reminded of Jesse Ventura who some years ago offered that "Religion is for the weak."  Many took umbrage and contradicted him.  

But of course he was right. Religion is for the weak. Ventura merely failed to note the obvious: we are all weak and need help that we cannot provide for ourselves.

I develop the thought in Is Religion for the Weak?

Saturday Night at the Oldies: Cats

Before we get on to tonight's feature presentation, a little tribute to John McCain. Here he is in Bomb Iran. But the old neocon needs a history lesson. The Regents did it first, in 1961, before the Beach Boys covered it in '65. The Regents in their dotage, live. "I tried Peggy Sue, but I knew she wouldn't do."

……………………….

Loving Spoonful, Nashville Cats, 1966. They's playin' since they's babies.

Harry Chapin, Cat's in the Cradle. For you fathers out there. Bond with your son when he's five. Wait till he's 50 and he won't give you the time of day. Harry Chapin was a major talent who died young.  Here is his great Taxi. We Boomers are damned lucky to have the greatest popular music soundtrack.

What Happened to Harry Chapin?

Tokens, The Lion Sleeps Tonight, 1961 

Bent Fabric, Alley Cat, 1962. Bent fabric can be said to have a kink  in it. Therefore,

Kinks, Phenomenal Cat

Tom Jones, What's New Pussycat? 1965. 

Norma Tanega, Walkin' My Cat Named 'Dog.' The queen of the one-hit wonders?

Mongo Santamaria, El Pussycat. If you remember this one, I'll buy you a pussyhat and a watermelon. While we have Mongo Santamaria cued up, here is his rather better-known Watermelon Man, muchachos.

Buck Owens, Tiger by the tail. This one goes out to Kathy P.

Stray Cats, Stray Cat Strut

Sue Thompson, Paper Tiger, 1965. This one's for Barack "Red Line" Obama.

Elton John, Honky Cat, 1972

Robert Petway, Catfish Blues, 1941.  An influential song in the history of the blues.  

Rooftop Singers, Tom Cat.  From those far-off and fabulous hootenanny days. 

UPDATE (9/16). 

Mendocino Joe wisely recommends Ring-Tail Tom.

UPDATE (9/17),

Monterey Tom, displaying good taste, as usual, reminds me of Laura Nyro's Tom Cat Goodbye.

Saturday Night at the Oldies: The Brown-Eyed Girls

Summer subsides once again into the sweetness of September.

Judy Collins, Cravings: How I Conquered Food, Doubleday 2017, pp. 112-113:

. . . and writing Albert Grossmann that no, I did not want to join a trio of women he was bent on calling the Brown-Eyed Girls. He had put Peter, Paul and Mary together, telling me that I was the fallback choice if Mary hadn't worked out. Albert saw how I was struggling and didn't think I could make it on my own, hence the trio idea. It was to be me, Judy Henske and Jo Mapes. He told me he would get me brown contacts, his idea of a joke — Henske had brown eyes and Mapes and I would have to get brown contacts. I had agreed hastily — after all, he had made Peter, Paul and Mary into an international franchise. Now I changed my yes to a no. I would go it on my own, no matter what. I was going to do it my way or die trying.

Way to go, Judy. You pulled it off and beat your addictions as well.

Judy Collins, Both Sides Now.  Wonderful. My favorite version, however, is that of Dave van Ronk and the Hudson Dusters.

Judy Collins, Someday Soon

Judy Collins, Amazing Grace

HenskeJudy Henske, High Flying Bird

Judy Henske, Any Day Now

Judy Henske, Till the Real Thing Comes Along

Jo Mapes, You Were on My Mind. Beautiful, but takes a little getting used to if you are coming at it from the We Five hit version. Ian and Sylvia have a great version

Jo Mapes, No One to Talk My Troubles To 

 

Bonus cut: Iris Dement and friends, Will the Circle be Unbroken. Wow.

Saturday Night at the Oldies: Destinations and How to Get There

Music-travel

I got 'em all. How about you?

Graphic credit. HT: Ingvarius Maximus of Alhambra

Gladys Knight and the Pips, Night Train to Georgia

Monkees, Last Train to Clarksville

Led Zeppelin, Stairway to Heaven

AC/DC, Highway to Hell

Eagles, Hotel California

Wilbert Harrison, Kansas City

The Bonny Banks O' Loch Lomond

James Taylor, Carolina in my Mind

Eddie Money, Two Tickets to Paradise

Steve Miller Band, Fly Like an Eagle

Grateful Dead, Casey Jones

Johnny Horton, The Battle of New Orleans

Brewer and Shipley, One Toke Over the Line 

Dave Dudley, Six Days on the Road 

Beatles, Yellow Submarine

Ramblin' Tommy Scott, She'll Be Coming Around the Mountain When She Comes

Peter, Paul and Mary, Puff the Magic Dragon

Saturday Night at the Oldies: Help

Canned Heat, Help Me.

"Help me consolate my weary mind." I love that 'consolate.' Alan 'Blind Owl' Wilson at his best.  I saw him and the boys at the Kaleidoscope in Hollywood in 1968.  Wilson was a tortured soul and ended up a member of the 27 Club. He quit the sublunary sphere on 3 September 1970.

Aficionados of that time and place will want to read Canned Heat: The Twisted Tale of Blind Owl and the Bear.

Johnny Cash, Help Me.

Beach Boys, Help Me, Rhonda

Hank Williams, I Can't Help it If I'm Still in Love with You 

Ringo Starr, With a Little Help from My Friends

Elvis Presley, Can't Help Falling in Love

Highwaymen, Help Me Make it Through the Night

Joni Mitchell, Help Me

Hank Locklin, Please Help Me, I'm Falling

Here is Skeeter Davis' answer to Hank.

Saturday Night at the Oldies: The Worst Song and Singer Ever?

Yoko Ono. The only thing good about it is that it lasts only 44 seconds. YouTuber comment: "Sounds like a cat, with its nuts trapped in a vice."

Warzone is less awful, but still crap.  

Paul McCartney's comment: Get back, Jojo (Yoko), get back to where you once belonged. Go home.  Wikipedia:

In an interview in Playboy magazine in 1980, Lennon described "Get Back" as "… a better version of 'Lady Madonna'. You know, a potboiler rewrite." Lennon also said that "there's some underlying thing about Yoko in there", saying that McCartney looked at Yoko Ono in the studio every time he sang "Get back to where you once belonged."[7]

Saturday Night at the Oldies: Shortest Album Cut Ever

Michael Bloomfield, Easy Rider, 53 seconds. Or do you know of anything shorter?

UPDATE (8/5). London Ed knows of something shorter:

Depends what US meaning of ‘cut’ is, I am reading it as ‘track’. Contender for shortest track is "A Concise British Alphabet – Pt. 1" at 10 seconds by British 1960s psychedelic band The Soft Machine, from their second album. They were named of course from the eponymous book by William Burroughs, an old mate of Kerouac, as I am sure you know.

Yes, cut = track. And yes, I knew whence the band acquired its name.

The British pronounce ‘z’ as ‘zed’ which clearly confused the YouTube commenters.

Right. So if you want to show that you are in the know, pronounce his name D. Zed Phillips and not D. Zee Phillips. Here is an interesting tidbit: Dale Tuggy Avoids D. Z. Phillips.

On your earlier point about millennials and Trotsky I tried this out on daughter and partner. True, they hadn’t heard of either Trotsky or Lenin, though they had heard of Stalin (‘obviously’). I explained about the complicated relationship between Trotsky and the Bolsheviks, not forgetting the ice pick incident. This means they don’t know about Trotskyism (‘the strategy of a revolutionary class to continue to pursue its class interests independently and without compromise, despite overtures for political alliances, and despite the political dominance of opposing sections of society’) or Marxist-Leninism.

I am surprised that your daughter and her partner hadn't heard of Lenin. When I ask people about Lenin they hear the name as 'Lennon.' Has your daughter heard of John Lennon?  It is hard to believe, but we are coming up on the 38th anniversary of his assassination — if that term is appropriately applied to a famous musician.  He was gunned down on the night of December 8, 1980 outside his digs in New York City.  A student of mine in those days was so distraught that she called me in the middle of the night to report the news.

You know the story. Mark David Chapman, having read J. D. Salinger's Catcher in the Rye, didn't much like phonies. Chapman decided that Lennon was a phony and so had to be shot.  Fame is vastly overrated and we who are obscure should take satisfaction in our status.

Trotskyism was pretty much the official doctrine of the UK Left in my day. Perhaps even now, given Corbyn’s call for the ‘complete rehabilitation’ of Leon Trotsky. And if you haven’t heard of Lenin, you probably haven’t heard of Marxist-Leninism. Thus the importance of history. On the other hand millennials are about 40 years younger than us. Trotksy was born 1879, so how much do we know of revolutionaries born 40 years before him, i.e. in 1839? Perhaps Georges Clemenceau who was active in the Paris Commune of 1870, but then most of us remember him not as a revolutionary but as a famous French Prime Minister.

But I do have to correct you on one point, dear Ed.  As I wrote in Trotsky's Misguided Faith,

Contrary to some accounts, it was not an ice pick that Ramon Mercader drove into Trotsky's skull, but a climber's ice axe. 

I am sure both are available for purchase in London town assuming your Muslim mayor hasn't banned them. You can find pictures on the Internet and see the difference.

UPDATE 2 (8/5). Ed Farrell sends us to Paul Geremia, Don't You Leave Me Here, which clocks in at 39 seconds, beating my Bloomfield selection by 14 seconds.

Saturday Night at the Oldies: Time

The problems associated with time are the toughest there are. I need a break from breaking my head against them.  I'm nursing a Jack and Coke and on the prowl for some 'timely' tunes.

Chad and Jeremy, Yesterday's Gone

New Christy Minstrels, Today

Beatles, Tomorrow Never Knows. "Turn off your mind, relax, and float downstream . . . " This one goes out to Vlastimil V.

Bob Seger, Old Time Rock and Roll

Chicago, Does Anybody Know What Time it is?

Cyndi Lauper, Time After Time

Billie Holliday, As Time Goes By

Glen Campbell, By the Time I Get to Phoenix

Beatles, Any Time at All

Beatles, Things We Said Today

Allman Bros., Ain't Wastin' Time No More

Marty Robbins, Cryin' Time

Bob Dylan, The Times They Are a' Changin'

The line it is drawn
The curse it is cast
The slowest one now will later be fast
As the present now will later be past
The order is rapidly fading
The first one now will later be last
For the times they are a'changin'.

If this anthem's Biblical lines  move you then you were not only in the 'sixties, but of the 'sixties.

Sea of a Heartbreak

I've loved the great Don Gibson crossover number all my life ever since first hearing it in 1960 over one of the Southern California pop stations, probably KFWB 980 on the AM band. 

Here is a very creditable live cover by one Joe Brown which I have just now heard for the first time. But nothing touches or ever will touch the original.

Saturday Night at the Oldies: Nonsense Titles and Lyrics

I'm a serious man, as serious as cancer some would say. But it's Saturday night, a night on which I allow myself a drink or two and some nostalgic indulgence.  Tonight, the unseriousness of nonsense titles and lyrics.

The Rivingtons, Papa Oom Mow Mow

The Trashmen, The Bird is the Word. It is not about Bird's Opening. A partial rip-off of the Rivingtons. Cultural appropriation?

Shirley Ellis, The Nitty Gritty 

Shirley Ellis, The Name Game, long version. You didn't know there was a long version? Another reason you need my blog.

The Crystals, Da Doo Ron Ron 

Captain Beefheart, Abba Zaba. I'd like to see a transcription of these lyrics. California's Mojave desert can do some strange things to your head.

Manfred Mann, Doo Wah Diddy Diddy

Arthur "Blind" Blake, Diddy Wah Diddy, 1929.  Very nice guitar work. "I wish someone would tell me what 'Diddy Wah Diddy' means."

Zap diddy wah diddy

Little Richard, Tutti Frutti

The Chips, Rubber Biscuit, 1956

Beatles, Ob-La-Di Ob-La-Da

Eric Clapton, Hootchie Kootchie Man. This one goes out to Ed Buckner.  Solo starts at 2:45. Cultural appropriation at its finest.

Saturday Night at the Oldies: An Appeal to Obstructionist Democrats

Wilbert Harrison, Let's Work Together.  Canned Heat cover. The original beats all covers.

Youngbloods, Get Together

Jackie De Shannon, Put a Little Love in Your Heart This one goes out to Maxine Waters.  You reap what you sow. Sow the wind, reap the whirlwind.

Jackie De Shannon, What the World Needs Now is Love. Love trumps hate, Nancy Pelosi.

And while we've got this cutie (Jackie, not Nancy!) cued up: When you Walk in the RoomNeedles and PinsBette Davis Eyes. Kim Carnes' 1981 version was a drastically re-arranged cover.