Saturday Night at the Oldies: Weather Conditions

Earl Scruggs and Friends, Foggy Mountain Breakdown

Ella Fitzgerald, Misty. Beats the Johnny Mathis version. A standard from the Great American Songbook.

Jimi Hendrix, Purple Haze. Not from the Great American Songbook. And presumably not about weather conditions.  'Scuse me while I kiss the sky? Or: 'Scuse me while I kiss this guy?

Cream, Sunshine of Your Love

Tom Waits, Emotional Weather Report

Art Garfunkel and James Taylor, Crying in the Rain. Written by Carole King and popularized by the Everly Bros.

Ramblin' Jack Elliot, Blue Eyes Crying in the Rain. Written by Fred Rose and performed by Roy Acuff in the '40s.

Now my hair is turned to silver
All my life I've loved in vain
I can see her star in heaven
Blue eyes cryin' in the rain.

Someday when we meet up yonder
We'll stroll hand in hand again
In a land that knows no parting
Blue eyes crying in the rain.

Allman Bros., Blue Sky

Kansas, Dust in the Wind

Eric Clapton, Let It Rain

Dave van Ronk and the Hudson Dusters, Clouds ("Both Sides Now").  This beautiful version by "The Mayor of MacDougal Street" goes out to Oregon  luthier Dave Bagwill who I know will appreciate it. Judy Collins made a hit of it. And you still doubt that the '60s was the greatest decade for American popular music?  Speaking of the greatest decade, it was when the greatest writer of American popular songs, bar none, Bob Dylan, made his mark. Some generational chauvinism is justified! 

Joan Baez, A Hard Rain's A Gonna Fall Could Johnny Mercer write a song like this?

Eva Cassidy, Over the Rainbow. Another old standard from the Great American Songbook.

Tom Waits, On a Foggy Night

Rolling Stones, She's a Rainbow

Dan Fogelberg, Rhythm of the Rain

Cascades, Rhythm of the Rain. The original.

Dee Clark, Raindrops. Manny Mora:

"Raindrops" is a 1961 song by the American R&B singer Dee Clark. Released in April of that same year, this ballad peaked at position 2 on the Hot 100 and at position 3 on the R&B chart.  [. . .]

Clark's biggest hit was also his last. [. . .]

Clark had a brief revival in 1975 when his song "Ride a Wild Horse" became a surprise Top 30 hit in the UK Singles Chart, becoming his first chart hit in the UK since "Just Keep It Up." Afterwards, Clark performed mostly on the oldies circuit. By the late 1980s, he was in dire straits financially, living in a welfare hotel in Toccoa, Georgia. Despite suffering a stroke in 1987 that left him partially paralyzed and with a mild speech impediment, he continued to perform until his death on December 7th 1990, in Smyrna, Georgia, from a heart attack at the age of 52. His last concert was with the Jimmy Gilstrap Band at the Portman Lounge in Anderson, South Carolina.

Dave Bagwill sends us to a clip in which Dave van Ronk talks a bit about the days of the "Great American Folk Scare" and then sings his signature number, "Green, Green, Rocky Road."

Saturday Night at the Oldies: Songs with ‘When” in the Title

B. B. King, Nobody Knows You when You're Down and Out

John Fogerty, When Will I Be Loved?  This cover of the old Everly Bros. tune is now my favorite.

Beach Boys, When I Grow Up (to be a Man)

Bob Dylan, When the Ship Comes In

Clancy Bros., When the Ship Comes In

Laura Nyro, And When I Die

Percy Sledge, When a Man Loves a Woman

Bob Dylan, When I Paint My Masterpiece

The Band, When I Paint My Masterpiece

Bob Dylan, When the Deal Goes Down

Colander Girl

With apologies to Neil Sedaka, Calendar Girl. 

A 'pastafarian' idiot was allowed to wear a colander in an official DMV photo in the Commonwealth of Massachusetts.  Bring on the hoodies, the sombreros, the ski masks . . . .  Story here.

Does this have anything to do with the decline of the West?  Something.  It is just another little indication of the abdication of those in positions of authority.  A driver's license is an important document.  The authorities should not allow its being mocked by a dumbass with a piece of kitchenware on her head.  But Massachusetts is lousy with liberals, so what do you expect?  A liberal will tolerate anything except common sense and good judgment.

A penne for her thoughts as she strains to find something to believe in.  If only she would use her noodle.

Pasta2

Saturday Night at the Oldies: ‘In’ Songs

Are you 'in' with the 'in crowd'?

Ramsey Lewis Trio, The 'In' Crowd

Dobie Gray, The 'In' Crowd

Glenn Miller, In the Mood

Beach Boys, In My Room

Beatles, In My Life

Suzi Quatro, Stumblin' In 

Bob Dylan, Blowin' in the Wind 

Kansas, Dust in the Wind

Bob Dylan, Stuck Inside of Mobile with the Memphis Blues Again

Bob Dylan, In My Time of Dyin'

Bob Dylan, Tangled Up in Blue

Five Satins, In the Still of the Night

Mungo Jerry, In the Summertime. That fabulous and far-off summer of 1970. I was unloading mail trucks at Terminal Annex, Los Angeles. 

Van Morrison, Into the Mystic

Saturday Night at the Oldies: More Messages, Letters, etc.

Marvelettes, Please Mr. Postman. 

Elvis Presley, Return to Sender

Joan Baez, Rock Salt and Nails. "The letters you wrote me were written in shame/And I know that your conscience still echoes my name."

Son House, Death Letter Blues

Elvis Presley, The U. S. Male

Larry Finnegan, Dear One. If you remember this one, I'll buy you a beer.

Hank Williams, Dear John. "That's all she wrote. I sent your saddle home."

Ricky Nelson, That's All She Wrote

Joe Cocker, The Letter

 

Saturday Night at the Oldies: Messages, Letters, Epistles, Novels and such

Bob Dylan,  Take a Message to Mary. I prefer it to the Everly Bros. effort. 

Boxtops, The Letter

R. B. Greaves, Take a Letter, Maria

Beatles, Paperback Writer

Dinah Washington, I Could Write a Book

Donovan, Epistle to Dippy

10,000 Maniacs, Hey Jack Kerouac

Simon and Garfunkel, I am a Rock. "I have my books and my poetry to protect me." 1960's teenage alienation at its finest.

Ketty Lester, Love Letters

Paul McCartney, I'm Gonna Sit Right Down and Write Myself a Letter. Original by Fats Waller.

How could I fail to include . . .

Monotones, The Book of Love.  I never did find out who wrote it.

Saturday Night at the Oldies: Varia

A mixed bag for your enjoyment, but mainly mine.  I post what I like and I like what I post. And I post what I've posted before. Links go bad, and even when they don't I never get tired of the old tunes I like. It's Saturday night, friends, pour yourself a stiff one and relax a little the bonds that tether us to the straight and narrow.  I am drinking the fermented juice of the agave cactus mixed with a little orange juice and ginger ale. What's your libation? Forget for a time the swine who have taken over our great country, and enjoy the moment.

Thelonious Monk, I'm Getting Sentimental Over You

Wes Montgomery, 'Round Midnight

Cannonball Adderley, 74 Miles Away. In 7/4 time.

Ry Cooder, I Think It's Going to to Work Out Fine

Jeff Beck, Sleepwalk. The old Santo and Johnny instrumental from 1959.

Danny Gatton, master of the Telecaster. Phenomenally good, practically unknown.

Bob Dylan, Cold Irons Bound. When your name is 'Bob Dylan' you have your pick of sidemen. A great band. "The walls of pride, they're high and they're wide. You can't see over, to the other side."

Joe Brown, Sea of  Heartbreak.  Nothing touches Don Gibson's original effort, but Brown's is a very satisfying version.

Elvis Presley, Little Sister 

Carole King, You've Got a Friend

Buddy Guy, et al., Sweet Home Chicago. Looks like everyone is playing a Strat except for Johnny Winter.

Ry Cooder, He'll Have to Go.  A fine, if quirky, cover of the old George Reeves hit from 1959.

Marty Robbins, El Paso. Great guitar work.

Saturday Night at the Oldies: September Songs

September already.  A transitional month leading from hot August to glorious October, Kerouac month in the MavPhil 'secular liturgy.'

Dinah Washington, September in the Rain

Rod Stewart, Maggie May. "Wake up Maggie, I think I got something to say to you/It's late September and I really should be back at school."

Carole King, It Might as Well Rain Until September

The 'sixties forever! We were young, raw, open, impressionable, experience-hungry; we lived intensely and sometimes foolishly.  We felt deeply, and suffered deeply. Youth has its truth. And our popular music put to shame the crap that came before and after. Or so we thought. Would I want to live though the 'sixties again? Hell no, I am having too good a time enjoying it memorially at a safe distance.  Youth has its truth, but if you can make it into old age with health and intellect intact, and a modicum of the lean green, you are winning the game. 

Django Reinhardt, September Song

George Shearing, September in the Rain

Walter Huston, September Song 

Van Morrison, September Night

Brothers Four, Try to Remember. I do remember when I was "a tender and callow fellow." 

Addendum

This from a London reader:

Thanks for linking to the George Shearing ‘September’. I had forgotten he grew up in London (in Battersea, just down the road from me). I love the Bird-like flights on the piano. Indeed I think he wrote ‘Lullaby of Birdland’. Another Londoner is Helen Shapiro who does a great version of ‘It might as well rain until September.’  Great alto voice, never made it in the US as far as I know. There is an  account of her conversion to Christianity here.

I was first hipped to Shearing by Kerouac who referred to him in On the Road.  I too love the 'Bird'-like flights on the piano. The allusion is to Charley 'Bird' Parker, also beloved of Kerouac.  Helen Shapiro is new to me, thanks. She does a great job with the Carole King composition.  Believe it or not, King's version is a demo. That's one hell of a demo. A YouTuber points out that Shapiro was not part of the 1964 'British Invasion.'  I wonder why.

Saturday Night at the Oldies: An Alternative Dylan Top Ten

As promised last week. 

Baby Let Me Follow You Down, 1962. From Bob's first album. Lord almighty it is good to hear this again. Dylan played better guitar and harmonic in the early days.  The surging, full-throated harp beats the sometimes-annoying tweets and toots of his later harmonic playing.  Dylan opens by telling us that he learned this song from Rick [Eric] von Schmidt when he met him one day in "the green pastures of Harvard University." Was he thinking of Woody Guthrie's Pastures of Plenty, 1944? Dylan's effort  apparently derives from von Schmidt's Baby Let Me Lay it on You. 

Here is a real gem of a find: Bob Dylan Jamming with Eric von Schmidt, May, 1964.  Eric von Schmidt, Envy the Thief. Back to the Dylan top ten.

Blowin' in the Wind. From the Freewheelin' album, Bob's second. His best civil rights anthem. Topical but allusive.

A Hard Rain's A-Gonna Fall. Also from The Freewheelin' Bob Dylan.  Said to have been written during the Cuban Missile Crisis, October 1962. I remember it like it was yesterday.  Joan Baez's transcendently beautiful cover. Forgive me if I gush a bit. I'm enjoying a Saturday night cocktail: Tequila + Aperol. Straight up.

Positively Fourth Street. The ultimate put-down song.

With God on Our Side. From the third album.

Spanish Harlem Incident. Fourth album, We'll make do with the Byrds' cover. Not that it isn't good.

Its All Over Now, Baby Blue. Fifth album, probably my favorite.  This one goes out to Charaine H., and our bittersweet relationship.

Leave your stepping stones behind, something calls for you
Forget the dead you've left, they will not follow you
The vagabond who's rapping at your door
Is standing in the clothes that you once wore
Strike another match, go start anew
And it's all over now, baby blue.

It's Alright Ma, I'm Only Bleeding. Going to a Dylan concert in those days was like going to church. Absolute silence except for the man on stage standing alone singing his own songs and accompanying himself on guitar and harp. We hung on every word.

It Take a Lot to Laugh, It Takes a Train to Cry. From Dylan's 6th album, Highway 61 Revisited.

I Want You. Blonde on Blonde, Dylan's 7th.

All Along the Watchtower, John Wesley Harding.

Saturday Night at the Oldies: My Bob Dylan Top Ten

Hector C. asked me to name my top ten favorite Dylan songs. With pleasure.

Don't Think Twice.  I first heard this in the Peter, Paul, and Mary version circa 1962 or '63. Deeply moved by it, I bought the 45 rpm single and noted that the song was written by one B. Dylan. I pronounced the name to myself as 'Dial in' and had a sense that this songwriter was about to speak to me and my life.  And here he is still speaking to my 'lived experience' 60 years later.

She Belongs to Me

Chimes of Freedom.  With Joan Osborne, NOT Joan Baez!  Byrds' version.  No Dylan, no folk rock.

My Back Pages

It's All Over Now, Baby Blue

Farewell Angelina. Joanie's version. No Baez, no Dylan. She took the scruffy kid under her wing and introduced him to her well-established audience.  

Visions of Johanna

Just Like a Woman.  Better than the Blonde on Blonde version.  

Tambourine Man

Few songs capture the 'magic' of the '60s like this one. But you had to have been there, of a certain impressionable age, with the right disposition, with an open mind, and an open heart, idealistic, a seeker, and at least a little alienated from the larger society and the quiet desperation and dead usages of parents and relatives . . . .

YouTuber comment:  "This Bob Dylan song brings me to tears and I don't know why. I'm 76 years old and remember when it was new. It still is." Comment on the comment:  "This is a nostalgic feeling for the passing of the time. A saudade of a time whose dreams seem  real. I know about it. I'm 71."

Not Dark Yet. YouTuber comment: "All my life, Dylan has been able to touch my soul. This is undoubtedly one of his best."

An alternative Dylan top ten next week.

Saturday Night at the Oldies: More Musical Duos and Some Duets

Richard and Mimi Farina, Pack Up Your Sorrows

Mimi and Richard Farina, Reno, Nevada

Ian and Sylvia, Early Morning Rain

Ian and Sylvia, You Were on My Mind

Joan Baez and Mimi Farina, Catch the Wind

Joan Baez and Bob Dylan, Blowin' in the Wind

Dick and Dee Dee, The Mountain High, 1961

Dick and Dee Dee, Tell Me, 1962. Where were you in '62?

Santo and Johnny, Sleep Walk. Every garage band from here to Cucamonga did a version of this tune.

Joe and Eddie, There's a Meeting Here Tonight. I'll bet you don't remember this one, Dave Bagwill.

Les Paul and Mary Ford, Vaya con Dios, 1953

Saturday Night at the Oldies: Musical Duos

Saturday night, time to punch the clock and pour yourself a stiff one. Me, I'm drinking a  Jack and Coke. How about you?

Mickey and Sylvia, Love is Strange, 1956

Nino Tempo and April, Deep Purple, 1963. The lyrics are pure sweet kitsch. But what's wrong with a little kitsch and sentimentality? Up yours, Theodor Adorno.

Everly Brothers, When Will I be Loved?

Righteous Brothers, Little Latin Lupe Lu

Simon and Garfunkel, I am a Rock.  I have my books and my poetry to protect me!

Ike and Tina Turner, It's Gonna Work Out Fine, 1961. I went to see the preacher man.

Sonny and Cher, I Got You, Babe, 1965.  Don't let them say you hair's too long!

Jan and Dean, Dead Man's Curve, 1963. Walk not back from Dead Man's Curve.

Lester Flatt and Earl Scruggs, Foggy Mountain Breakdown, 1949. This one goes out to Hillary Clinton.

Peter and Gordon, I Go to Pieces

Peter and Gordon, Summer Song

Chad and Jeremy, Yesterday's Gone

Doc Holliday and Johnny Ringo, Last Tango

Saturday Night at the Oldies: Some California Tunes from a Happier Time

Sir Douglas Quartet, Mendocino, 1969. This one goes out to Mendocino Joe.

Eric Burdon and the Animals, Monterey. This one goes out to Monterey Tom. 

Eagles, Hotel California.  Some of finest guitar-slinging of the '70s.

Creedence Clearwater Revival, Lodi

GG Kettel, San Francisco Bay Blues. Ferrara, Italy, 2007

Scott Mackenzie, San Francisco

Johnny Bond, Hot Rod Lincoln. San Pedro, Grapevine Hill. 

Doors, L. A. Woman

Beach Boys, California Girls

Mamas and Papas, California Dreamin'

Dave Bagwill comments (4 July):

Bill, listening to that Beach Boys tune tonight brought back a vivid memory.
 
Back when I lived in the Bay Area, and the Oakland A's were winning lots of ball games – Catfish Hunter, Sal Bando, Reggie Jackson (who made a throw from deep right field, at the fence, on a line to third base -on the base, in fact – catching a runner who had tagged at second base), Rick Monday et. al. – I attended a Saturday afternoon double-header with a friend from the bank.
 
It was a perfect day for baseball, and the stands were sold out; it felt great, until the first music pumped out of that stupendous sound system – and then it felt even better. 'California Girls' started playing, and just the first two or three beats was enough to electrify the crowd into a spontaneous rising and a thunderous roar of happiness.
 
It was just great to be an American, and that song was a huge part of the 'gestalt' = weather, a ball game, hot dogs, friendship, the flag, a sense of security and fellowship. And Sal Bando hit two home runs in the first game.

Bob Dylan at 80: A Sober Assessment

Graham Cunningham:

It pains me a little to say it, given my own past devotion, but some cold perspective is needed here. Bob Dylan was—from 1962 to the early 1980s—an extraordinary singer-songwriter and, in terms of quantity of great material, simply without equal. For the last 40 years, though, he has mostly been trading on the reputation he built in those years. There are exceptions to this judgment, yes, but not many: the 1983 Infidels album, a few tracks on the 1997 Time Out of Mind, and “Things Have Changed” from the soundtrack of the 2000 film Wonder Boys, for example.

Did Dylan deserve the Nobel Prize for Literature that he won in 2016? I’m not sure; he’s probably not sure, either. He was consistently good for about 20 years, an amazingly long time for a rock star. And he can take credit for spawning a whole musical genre. Many other songwriters in the same musical territory, such as Paul Simon or Bruce Springsteen, have, at their best, been as good or almost as good—but not nearly so often, or for so long.

The truth is, Bob Dylan, now 80, will never get “back on form.” Aging rock stars don’t do that; no one does. One of the most quoted lyrics of “Murder Most Foul” informs us that “It’s 36 hours past Judgment Day.” Dylan has been unquestionably the most influential songwriter of his era; no one can take that away from him. But as a long-time fan, I can’t help but wish that he had hung up his songwriting boots decades ago. His musical stature could then have remained closer to that of artists who die young, unsullied by the inevitable failures that must come to all careers—even one as extraordinary as his.

Holy Saturday Night at the Oldies

Herewith, six definite decouplings of rock and roll from sex and drugs.

Norman Greenbaum, Spirit in the Sky

Johnny Cash, Personal Jesus. This is one powerful song.

Clapton and Winwood, Presence of the Lord. Why is Clapton such a great guitarist? Not because of his technical virtuosity, his 'chops,' but because he uses them to say something.

George Harrison, My Sweet Lord

George Harrison, Hear Me Lord

George Harrison, All Things Must Pass.  Harrison was the Beatle with depth. Lennon the radical, McCartney the romantic, Starr the regular guy.