Seldom Seen Slim on ‘Tautologies’ That Ain’t

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Seldom Seen Slim in a characteristic back-to-the-camera pose evaluates the shooting skills of the man we call 'Doc' (in allusion to Doc Holliday).  Slim writes:

Whilst I'm mulling over your thoughts on souls and salvation, here's a trifle you might agree with.

You write "There are many examples of the use of tautological sentences to express non-tautological propositions."


Indeed, my favorite ordinary language example is the use of the double identity "a=a and b=b"   to assert that a and b are quite different (in some salient respect under discussion), and to imply that the listener is rashly ignoring this obvious fact!

 
"Why did she do that?"  Men are men and women are women. 

"The hell they are!" does not reject the identities, but the salient difference.

An exercise I used to give to my (brighter) logic students was to formalize what "men are men and women are women" is trying to assert in the Predicate Calculus.
……………
 
 'Men are men and women are women,' which appears to be a conjunction of two tautologies and thus a tautology, is, however,  typically used to express the non-tautological proposition that men and women are different as Slim suggests. The idea is not that each man is numerically different from each woman, but that there are properties had by men, but not by women, which render men and women  qualitatively different.  So perhaps we can symbolize the intended non-tautological proposition as follows using second-order predicate logic:
 
There is a property P such that for every x and every y, if x is a man, then x has P, and if y is a woman, then y does not have P.  Symbolically:
 
(EP)(x)(y)[(Mx –>Px) &  (Wy –>~Px)]
 
where 'E' is the existential quantifier, 'x' and 'y' are individual variables, 'M' and 'W' are predicate constants, 'P' is a predicate variable, '&' is the sign for truth-functional conjunction, and '–>' denotes the material or Philonian conditional.
 
But on second thought, this doesn't seem right.  For when we say that men are men and women women, we do not mean that there is one particular property that all men have and all women lack that renders them qualitatively different; what we we mean is that there are some properties which render them different, allowing that these could be different properties for different men and women.  To illustrate:  consider a universe consisting of  just two men and two women: Al, Bill, Carla, and Diana.  The property of having lousy social skills might be had by both Al and Bill and lacked by both Carla and Diana.  But it might also be that there are two properties, the property of being ornery and the property of being highly unemotional such that Al is highly unemotional but not ornery and Bill is ornery but not highly unemotional while neither of the ladies has either.  In that case there would be no one propery that distinguishes the men from the women.
 
So let's try:
 
(x)(y)[(Mx & Wy –> (EP) (Px & ~Py)] 

 
What say you, Slim?

 
 

Lycan, Rationality, and Apportioning Belief to Evidence

Is William G. Lycan rational? I would say so. And yet, by his own admission, he does not apportion his (materialist) belief to the evidence. This is an interesting illustration of what I have suggested (with no particular originality) on various occasions, namely, that it is rational in some cases for agents like us to believe beyond the evidence. (Note the two qualifications: 'in some cases' and 'for agents like us.' If and only if we were disembodied theoretical spectators whose sole concern was to 'get things right,' then an ethics of belief premised upon austere Cliffordian evidentialism might well be mandatory. But we aren't and it isn't.)

More on Alienans Adjectives: Relative Truth and Derived Intentionality

I am sitting by a pond with a child. The child says, "Look, there are  three ducks." I say, "No, there are two ducks, one female, the other  male, and a decoy."

The point is that a decoy duck is not a duck, but a piece of wood  shaped and painted to appear (to a duck) like a duck so as to entice  ducks into range of the hunters' shotguns. Since a decoy duck is not a duck, 'decoy' in 'decoy duck' does not function in the way 'male' and   'female' function in 'male duck' and 'female duck,' respectively. A   male duck is a duck and a female duck is a duck. But a decoy duck is not a duck.

'Decoy' is an alienans adjective unlike 'male' and 'female' which are specifying adjectives. 'Decoy' shifts or alienates the sense of 'duck' rather than adding a specification to it. The same goes for 'roasted' in 'We are having roasted duck for dinner.' A roasted duck is not a  duck but the cooked carcass of a duck. Getting hungry?

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How Joan Baez Got Politicized

Dylan baez David Hajdu, Positively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Farina and Richard Farina, 2001, p. 147:

Dylan nestled his guitar on his lap and began strumming a C chord in three-quarter time. He repeated it until the small room hushed, then he slid into the opening of "With God on Our Side." By the end of the song's nine verses, Joan Baez was no longer indifferent to Bob Dylan or irked by his crush on her sister Mimi. She was startled by the music she heard and fascinated with the fact that the enigma in the filthy jeans had created it. "When I heard him sing 'With God on Our Side,' I took him seriously," said Joan. "I was bowled over. I never thought anything so powerful could come out of that little toad. It was devastating. 'With God on Our Side' is a very mature song. It's a beautiful song. When I hear that, it changed the way I thought of Bob. I realize that he was more mature than I thought. He even looked a little better." Social consciousness as an aphrodisiac? [. . .]

Dylan played a few more of his topical songs, including "The Death of Emmett Till," "A Hard Rain's a-Gonna Fall," and "Masters of War." They astounded Spoelstra, who had not kept up with his old Village cohort's development as a songwriter, and they seemed to overwhelm Baez. (In one interview, Baez recalled "The Death of Emmett Till," not "With God on Our Side," as the Dylan song that changed her view of him and prompted her to take up protest music; "I was basically a traditional folksinger," she said. "I was not 'political' at that time. When I heard 'Emmett Till' I was knocked out. It was my first political song. That song turned me into a political folksinger."

Analogies, Souls, Harm to Souls, and Murder

Peter Lupu comments:

Bill has argued that my murder-argument relies upon a faulty analogy. I have a very general response to this charge: while the murder-argument indeed relies upon an analogy, the analogy upon which it relies is one employed by the soul-theorists themselves. Thus, I contend that if the soul-theorists are entitled to a certain analogy, then I am entitled to use the very same analogy in order to marshal an argument against this or that aspect of the soul-hypothesis. And conversely, if I am not entitled to use a certain analogy, then the soul-theorists are not entitled to it either. But, as I shall show, if the soul-theorists are not entitled to the relevant analogy, then there is an even more direct argument than the murder-argument I have given to the conclusion that according to soul-theorists murder is not a grave moral wrongdoing. [What Peter means to say is not that soul-theorists officially maintain as part of their theory that murder is not a grave moral wrongdoing, but that, whether or not soul theorists realize it, soul-theory entails that murder is not a grave moral wrongdoing.]

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Is There a ‘No God’ Delusion?

A certain popular writer speaks of a God delusion.  This prompts the query whether there might be a 'No God' delusion.  Is it perhaps the case that atheism is a delusion?  Bruce Charlton, M. D. , returns an affirmative answer in Is Atheism Literally a Delusion?  In this post I will try to understand his basic argument and see if I should accept it.  The following is my reconstruction of  the core of Charlton's argument:

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Generic and Specific Problems of Evil

(A reader requested a post on evil.  I am happy to oblige.  The following has some relevance to the recent soul thread.  So I'll leave the ComBox open in case Peter L. or others care to comment.  As usual, the default setting for cyberpunk tolerance = 0.)

Suppose we define a 'generic theist' as one who affirms the existence of a bodiless person, a pure spirit, who is omnipotent, omniscient, and omnibenevolent, and who in addition is perfectly free, the creator and sustainer of the universe, and the ground of moral obligation. This generic theism is common to the mainstream of the three Abrahamic religions. Most theists, however, are not 'generic' but adopt a specific form of theism. Christians, for example, add to the divine attributes listed above the attribute of being triune and others besides. Christianity also includes doctrines about the human being and his ultimate destiny in an afterlife. Generic theism is thus an abstraction from the concrete specific theisms that people accept and live.

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The Jockstrap Bomber

That's what I call him.  Michael Medved call hims the ding-a-ling bomber.  Whatever he and his ilk are called, they need to be stopped, and political correctness be damned.  Alan Dershowitz makes some suggestions in Stopping the Next Underwear Bomber.  Here is one of his excellent points:

Nor have we learned enough from the near successes of the shoe and underwear bombers. In both cases, we should have acted as if they had succeeded. That they did not had absolutely nothing to do with our security, but rather with a factor over which the would-be terrorists had complete control, namely improving the effectiveness of their explosive triggers. Imagine what the reaction would have been if hundreds of Detroit-bound passengers had been murdered. That is what the reaction should now be to this near-catastrophe.

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A Quiz on Alienans Adjectives

First read study the post Alienans Adjectives.  Then take the quiz.  Answers below the fold.  Classify the adjectives in the following examples as either specifying (S), alienans (A), or neither (N).  Much of course depends on the context in which the phrase is used.  So imagine a plausible and common context.

1. Deciduous tree. 2. Alleged assailant. 3. Imaginary friend. 4. Material implication. 5. Contemptible leftist. 6. Infrared radiation. 7. Hypothetical medium of the transmission of electromagnetic signals. 8. Postal service. 9. Imaginary number.  10. Male chauvinist. 

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J. P. Moreland on Human Persons and the Failure of Naturalism (Part One)

(The following review will be crossposted shortly at Prosblogion.  Comments are closed here, but will be open there.)

Apart from what Alvin Plantinga calls creative anti-realism, the two main philosophical options for many of us in the West are some version of naturalism and some version of Judeo-Christian theism. As its title indicates, J. P. Moreland’s The Recalcitrant Imago Dei: Human Persons and the Failure of Naturalism (SCM Press, 2009) supports the theistic position by way of a penetrating critique of naturalism and such associated doctrines as scientism. Moreland briefly discusses creative anti-realism in the guise of postmodernism on pp. 13-14, but I won’t report on that except to say that his arguments against it, albeit brief, are to my mind decisive. Section One of this review will present in some detail Moreland’s conception of naturalism and what it entails. Sections Two and Three will discuss his argument from consciousness for the existence of God. Section Four will ever so briefly report on the contents of the rest of the book. In Part Two of this review I hope to discuss Moreland’s critique of Thomas Nagel’s Dismissive Naturalism. Numbers in parentheses are page references. Words and phrases enclosed in double quotation marks are quotations from Moreland. Inverted commas are employed for mentioning and ‘scaring.’

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Alienans Adjectives

A reader inquires:

I find your blog interesting and educational.  A while ago you mentioned that there is a term for an adjective which is used not to specify a particular sort of the noun which it modifies, but rather a thing which does not meet the definition of that noun.  (I've likely somewhat mangled the description of this term in trying to recall it.)  For example 'polished leather' and 'red leather' are kinds of leather, but 'artificial leather' refers to things which aren't leather at all.  I have tried to find the post that talked about this but I forgot what the topic was when you mentioned it.  Can you please tell me the name for this?

'Artificial' in 'artificial leather' functions as an alienans adjective.  It 'alienates' the sense of the noun it modifies.  In the case of specifying adjectives,  an FG is a G, where F is an adjective and G a noun. Thus a nagging wife is a wife, a female duck is a duck, cow's leather  is leather, and a contingent truth is a truth. But if 'F' is alienans,   then either an FG is not a G, or it does not follow from x's being an  FG that x is a G. For example, your former wife is not your wife, a   decoy duck is not a duck, artificial leather is not leather, and a   relative truth is not a truth. Is an apparent heart attack a heart   attack? It may or may not be. One cannot validly move  from 'Jones had an apparent heart attack' to 'Jones had a heart attack.' So 'apparent' in  'apparent heart attack' is alienans.

Note that I was careful to say 'artificial' in 'artificial leather' is an alienans adjective.  For it does not function as such in every context.  'Artificial' in 'artificial insemination' is not alienans: you are just as inseminated if it has come about artificially or naturally.

Two more examples of alienans adjectives that I borrow from Peter Geach: 'forged' in 'forged banknote' and 'putative in 'putative father.'  If x is a forged banknote it does not follow that x is a banknote.  And if x is the putative father of y, it does not follow that x is the father of y. Here is an example I got from the late Australian philosopher Barry Miller:  'negative' in 'negative growth.'  If my stock portfolio is experiencing negative growth,  then it is precisely not experiencing growth.

Of course, I am not suggesting that every adjective (as employed in some definite context) can be classified as either specifying or alienans.  Consider the way 'mean-spirited' functions in 'mean-spirited Republican.'  In most contexts, the implication is not that some Republicans are mean-spirited and some are not; the implication is that all are.  To be a Republican is just to be mean-spirited.  Is there a name for that sort of adjective?  I don't know.  But there ought to be, and if I ever work out a general theory of adjectives, I'll give it one.

Now consider 'Muslim terrorist.'  A politically correct idiot might take offense at this phrase  as implying that all Muslims are terrorists or even that all and only Muslims are terrorists.  But no intelligent person would take it this way.  If I say that Hasan is a Muslim terrorist , then the plain meaning to anyone with his head screwed on properly is that Hasan is a Muslim and a terrorist, which obviously does not imply that all Muslims are terrorists. 

Kitsch and Cliché

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To the left is an example of kitsch from that master of kitsch, Thomas Kinkade.  Is there no visual cliché that he will not avail himself of?  Note the wisps of smoke emanating from the chimneys.  Just as we are annoyed by those who thoughtlessly retail platitudes, we are also annoyed by the analogous thoughtlessness of those artists who serve up what the average Joe 'knows' to be art and expects.  This, I take it, is part of what we object to in kitsch, and part of what we mean by kitsch.  (But there is a lot more to it than this, and your humble correspondent has only begun to think hard about these questions.) What is offensive in kitsch is the thoughtless purveyance of visual cliché's, the pandering to the viewer, the 'pushing of his buttons,' and in some cases the cynical attempt to elicit a stock emotional response in order sell the stuff.  Wholesome schlock for the masses  mass-produced for a tidy profit.  Art for the overfed denizens of Dubuque and Fargo who, wallowing in complacency, want to be reinforced in their tastes and prejudices.  Art for the malls of  'fly-over country.'  None of my discerning readers, I trust, could be paid to hang such a thing in their homes.  Well, if you paid me, and I had an empty wall needing a splash of color, then I might display it for didactic and ironic purposes.

But clichés, by definition, are true and meaningful, albeit flattened by overuse, and this is the other side of the coin.  Kitsch is offensive, but so is what might be called anti-kitsch, the mannered result of trying to be far-out and avant-garde. Isn't a boring truth better than an 'original' falsehood?  Doesn't truth trump novelty in a sane scale of values?   Isn't beauty, even of a conventional sort, better than ugliness? The febrile and adolescent attempt to to be original and avant-garde at all costs has led in the 20th century to a crapload of art and music without human meaning.  It is at least arguable that wholesome schlock that has some human meaning is superior to decadent junk like this from the house-painting brush of Mark Rothko:

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