{"id":9161,"date":"2012-12-08T16:49:01","date_gmt":"2012-12-08T16:49:01","guid":{"rendered":"https:\/\/maverickphilosopher.blog\/index.php\/2012\/12\/08\/saturday-night-at-the-oldies-dave-brubeck\/"},"modified":"2012-12-08T16:49:01","modified_gmt":"2012-12-08T16:49:01","slug":"saturday-night-at-the-oldies-dave-brubeck","status":"publish","type":"post","link":"https:\/\/maverickphilosopher.blog\/index.php\/2012\/12\/08\/saturday-night-at-the-oldies-dave-brubeck\/","title":{"rendered":"Saturday Night at the Oldies: Dave Brubeck"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"font-family: georgia,palatino;\">Dave Brubeck has passed beyond time signatures and time itself, ending his earthly sojourn last Wednesday a day shy of his 92nd birthday.&#0160;&#0160;My old college buddy &#0160;Monterey Tom writes,<\/span><\/p>\n<blockquote>\n<p style=\"text-align: justify;\"><span style=\"font-family: georgia,palatino;\"><br \/>\nI don&#39;t think that you have to be either a Jazz aficionado or a musician to note Brubeck&#39;s importance in both the music world itself and in the broader culture of the 50&#39;s and 60&#39;s.&#0160; His compositions, and those of his alto sax player Paul Desmond, inspired other musicians to experiment with non-traditional time signatures and tonal structures.&#0160; Ironically, by performing often in college auditoria instead of night clubs and by clearly connecting his music to classical music, he put a coat-and-tie respectability to Jazz and thereby made huge numbers of young Americans aware of both the broader worlds of Jazz and modern art in general.&#0160; His music was often as charming and soothing as chamber music, as joyous as that of the 1930&#39;s swingers, and as intriguing&#0160; as that of the supposedly more serious innovators of the 20th Century.<\/span><\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\"><span style=\"font-family: georgia,palatino;\">Tom is much more the jazz aficionado than me, but we were both and still are Kerouac aficionados.&#0160; Here is a 30 second reading, &quot;<a href=\"http:\/\/www.youtube.com\/watch?v=0GtHEGghSh4\" target=\"_self\">Dave Brubeck<\/a>,&quot; from Kerouac&#39;s <em>Poetry&#0160;for the Beat Generation<\/em>.&#0160; That&#39;s Steve Allen on piano.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: georgia,palatino;\">The title of <a href=\"http:\/\/www.youtube.com\/watch?v=B4M9hUr8FV8\" target=\"_self\">Take Five<\/a> alludes to its 5\/4 time signature.&#0160; It was from the 1959 album <em>Time Out<\/em>.&#0160;<a href=\"http:\/\/en.wikipedia.org\/wiki\/Take_Five\" target=\"_self\"> Wikipedia<\/a>: &quot;While &quot;Take Five&quot; was not the first jazz composition to use the quintuple <a href=\"\/wiki\/Metre_(music)\" title=\"Metre (music)\">meter<\/a>, it was one of the first in the United States to achieve mainstream significance, reaching #25 on the <a href=\"\/wiki\/Billboard_Hot_100\" title=\"Billboard Hot 100\">Billboard Hot 100<\/a> and #5 on <a href=\"\/wiki\/Billboard_(magazine)\" title=\"Billboard (magazine)\"><em>Billboard<\/em><\/a>&#39;s <a href=\"\/wiki\/Easy_Listening\" title=\"Easy Listening\">Easy Listening<\/a> chart in 1961, two years after its initial release.&quot;&#0160; I remember hearing it in &#39;61 from my brother-in-law Ken&#39;s car radio somewhere in the Mojave desert. Old Ken liked it. Who could <em>not<\/em> like it?<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: georgia,palatino;\">Also very accessible is <a href=\"http:\/\/www.youtube.com\/watch?v=PD21CBN6KkE\" target=\"_self\">Blue Rondo \u00e0 la Turk<\/a> in 9\/8 and 4\/4 time, also from <em>Time Out<\/em>.&#0160; Based on a melody Brubeck heard in the streets of Istanbul.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: georgia,palatino;\"><a href=\"http:\/\/www.youtube.com\/watch?v=GJzHrttrzB0\" target=\"_self\">St. Louis Blues<\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: georgia,palatino;\"><a href=\"http:\/\/www.youtube.com\/watch?v=pJ1h_M5v8t4\" target=\"_self\">Legacy of a Legend<\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: georgia,palatino;\">Brubeck composed sacred music and<a href=\"http:\/\/www.ncregister.com\/daily-news\/remembering-jazz-legend-dave-brubeck\/\" target=\"_self\"> became a Roman Catholic<\/a> in 1980.&#0160;<\/span><\/p>\n<fieldset class=\"zemanta-related\">\n<legend class=\"zemanta-related-title\"><span style=\"font-family: georgia,palatino;\">Related articles<\/span><\/legend>\n<div class=\"zemanta-article-ul zemanta-article-ul-image\" style=\"margin: 0px; padding: 0px; overflow: hidden;\">\n<div class=\"zemanta-article-ul-li-image zemanta-article-ul-li\" style=\"list-style: none; margin: 2px 10px 10px 2px; padding: 0px; width: 84px; text-align: left; font-size: 11px; vertical-align: top; float: left; display: block;\"><span style=\"font-family: georgia,palatino;\"><a href=\"http:\/\/www.sfgate.com\/music\/article\/Dave-Brubeck-Death-of-a-jazz-giant-4094460.php\" style=\"padding: 2px; border-radius: 2px; text-decoration: none; display: block; box-shadow: 0px 0px 4px #999;\" target=\"_blank\"><img decoding=\"async\" alt=\"\" src=\"http:\/\/i.zemanta.com\/130378731_80_80.jpg\" style=\"margin: 0px; padding: 0px; border: 0px currentColor; width: 80px; display: block; max-width: 100%;\" \/><\/a><a href=\"http:\/\/www.sfgate.com\/music\/article\/Dave-Brubeck-Death-of-a-jazz-giant-4094460.php\" style=\"padding: 5px 2px 0px; height: 80px; line-height: 12pt; overflow: hidden; text-decoration: none; display: block;\" target=\"_blank\">Dave Brubeck: Death of a jazz giant<\/a><\/span><\/div>\n<\/div>\n<\/fieldset>\n","protected":false},"excerpt":{"rendered":"<p>Dave Brubeck has passed beyond time signatures and time itself, ending his earthly sojourn last Wednesday a day shy of his 92nd birthday.&#0160;&#0160;My old college buddy &#0160;Monterey Tom writes, I don&#39;t think that you have to be either a Jazz aficionado or a musician to note Brubeck&#39;s importance in both the music world itself and &hellip; <a href=\"https:\/\/maverickphilosopher.blog\/index.php\/2012\/12\/08\/saturday-night-at-the-oldies-dave-brubeck\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Saturday Night at the Oldies: Dave Brubeck&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[],"class_list":["post-9161","post","type-post","status-publish","format-standard","hentry","category-music"],"_links":{"self":[{"href":"https:\/\/maverickphilosopher.blog\/index.php\/wp-json\/wp\/v2\/posts\/9161","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/maverickphilosopher.blog\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/maverickphilosopher.blog\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/maverickphilosopher.blog\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/maverickphilosopher.blog\/index.php\/wp-json\/wp\/v2\/comments?post=9161"}],"version-history":[{"count":0,"href":"https:\/\/maverickphilosopher.blog\/index.php\/wp-json\/wp\/v2\/posts\/9161\/revisions"}],"wp:attachment":[{"href":"https:\/\/maverickphilosopher.blog\/index.php\/wp-json\/wp\/v2\/media?parent=9161"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/maverickphilosopher.blog\/index.php\/wp-json\/wp\/v2\/categories?post=9161"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/maverickphilosopher.blog\/index.php\/wp-json\/wp\/v2\/tags?post=9161"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}