Top o' the Stack.
And top o' the season to my readers.
Top o' the Stack.
And top o' the season to my readers.
Political pathologies are not to be multiplied praeter necessitatem, but given the praeter-natural lunacy of the Left, a certain amount of quasi-psychiatry is tolerable, and perhaps even helpful unto political salvation and national sanitation. Move over, TDS.
I now hand off to Roger Kimball.
Some of us are old enough to remember John Profumo and his entanglement with sex kitten Christine Keeler, which eventually lead to Prime Minister Harold Macmillan's resignation in October of 1963:
At a party at the country estate of Lord Astor on July 8, 1961, British Secretary of State for War John Profumo, then a rising 46-year-old Conservative Party politician, was introduced to 19-year-old London dancer Christine Keeler by Stephen Ward, an osteopath with contacts in both the aristocracy and the underworld. Also present at this gathering was a Russian military attaché, Eugene (Yevgeny) Ivanov, who was Keeler’s lover. Through Ward’s influence, Profumo began an affair with Keeler, and rumours of their involvement soon began to spread. In March 1963 Profumo lied about the affair to Parliament, stating that there was “no impropriety whatsoever” in his relationship with Keeler. Evidence to the contrary quickly became too great to hide, however, and 10 weeks later Profumo resigned, admitting “with deep remorse” that he had deceived the House of Commons. Prime Minister Macmillan continued in office until October, but the scandal was pivotal in his eventual downfall, and within a year the opposition Labour Party defeated the Conservatives in a national election.
Seven made top ten in October of '63, but I only like six. Here they are:
Ray Charles, Busted. "I'm broke, no bread, I mean like nothin', forget it."
Roy Orbison, Mean Woman Blues. A great live version featuring the great James Burton and his Telecaster.
Dion, Donna the Prima Donna
April Stevens and Nino Tempo, Deep Purple
I liked this number when it first came out, and I've enjoyed it ever since. A while back I happened to hear it via Sirius satellite radio and was drawn into it like never before. But its lyrics, penned by Mitchell Parish, are pure sweet kitsch:
When the deep purple falls over sleepy garden walls
And the stars begin to twinkle in the night
Through the mist of a memory you wander back to me
Breathing my name with a sigh.In the still of the night once again I hold you tight
Though you're gone, your love lives on when moonlight beams
And as long as my heart will beat, sweet lover we'll always meet
Here in my deep purple dreams.
Kitsch is bad art, but what is the essence of kitsch, and why is it bad? Presumably it is sentimentality that makes kitsch kitsch, and it is this sentimentality that makes kitsch aesthetically and perhaps even morally dubious. One self-indulgently 'wallows' in a song like this, giving into its 'cheap' emotions. The emotions are 'false' and 'faked.' The melody and lyrics are formulaic and predictable, 'catchy.' The listener allows himself to be manipulated by the songwriter who is out to 'push the listener's buttons.' The aesthetic experience is not authentic but vicarious. And so on. Theodor Adorno would not approve.
There is great art and there is kitsch. I partake of both, enjoy both, and know the difference. What is wrong with a little kitsch in moderation? No, I don't collect Hummel figurines and my stoa is not carpeted with astroturf. What is sentimentality and what is wrong with it? There is a literature on this, but I've read almost none of it. Who has time?
Peter, Paul, and Mary, Don't Think Twice, It's All Right. There have been countless covers. The original.
This brings me to Bob Dylan who was awarded the 2016 Nobel Prize in Literature. Now I've been a Dylan fan from the early '60s. In the '60s I was more than a fan; I was a fanatic who would brook no criticism of his hero. And I still maintain that in the annals of American popular music no one surpasses him as a songwriter.
But the Nobel Prize for Literature? That's a bit much, and an ominous foreshadowing of the death of the book and of quiet reading in this hyperkinetic age of tweets and sound bites. A large theme. Get to it conservative bloggers. Why do I have to do all the work?
Dylan's most sentimental song? I don't know, but Forever Young is in serious contention.
A long, long way from It's Alright Ma, I'm Only Bleeding and Visions of Johanna (Marianne Faithful) and Desolation Row. Here is the original of Visions of Johanna.
Village Stompers, Washington Square
Back to Profumo and Keeler: Bob Seger, The Fire Down Below. Take 'below' in two senses, and 'fire' too. There is something demonic about sex obsession.
Both Brentano and Wittgenstein advise philosophers to take their time. Ludwig Wittgenstein, Culture and Value (University of Chicago Press, 1980), p. 80:
Der Gruss der Philosophen unter einander sollte sein: "Lass Dir Zeit!"
This is how philosophers should greet one another: "Take your time!"
A similar thought is to be found in Franz Brentano, though I have forgotten where he says this:
Wer eilt, bewegt sich nicht auf dem Boden der Wissenschaft.
One who hurries is not proceeding on a scientific basis.
But how much time does one have? One does not know. It is later than one thinks. So get on with it!
"Take your time!" does not apply to the jotting of notes or to blogosophy. It applies to what one writes 'for the ages.'
One's best writing ought to be written 'for the ages' even if one is sure that one will not be read beyond one's time or even in one's time. The vast majority of us are mediocrities who will be lucky to end up footnotes. Don't let that bother you. Just do your level best and strive for the utmost. Do the best you can, with what you've got, for as long as you can. Then let the cards fall where they may.
Habent sua fata libelli. (Terentianus Maurus.) "Books have their fates." What their fates are is unknown to their toiling authors.
Who knows whom you will instruct, inspire, engage, enrage?
Worldly success can easily ensnare, and most will fall into the trap. But for some, worldly success has the opposite effect: it reveals the vanity, the emptiness, of worldly success, and thus subserves spiritual advance. One is therefore well-advised to strive for a modicum of success as defined in the worldly terms of property and pelf, name and fame, status and standing, love and sex, the pleasures of the flesh.
The successful are in a position to see through the goods of this life, having tasted them; the failures are denied this advantage, and may persist in the belief that if only they could get their hands on some property and pelf, etc. then they would achieve the ultimate in happiness.
A corollary is that a young person should not be too quick to renounce the world. Experience it first to appreciate the reasons for renunciation. Contemptus mundi is best acquired by mundane experience, not by reading books about it or following the examples of others. Better a taste of the tender trap before joining the Trappists. (Have I spoiled this little homily with the concluding cleverness?)
An intellectual may become a handwringer. But he whose will is strong may become willful and obstinate. Intellect and will need to check and balance each other.
The wonder of it. I stroke the cat. His pleasure is apparent. But where in a physical thing, even a living physical thing, is its pleasure, its surprise, its fear, and the rest of its sentient states?
A philosopher is one who is open to the strangeness of the ordinary. The strangeness elicits his lust to conceptualize, to rationalize, to understand.
In the end, however, the mystery of sentience, along with the other mysteries, darkly feminine, resists his advances. His log0-phallic thrust is no match for her chastity belt.
"You may approach, but you shall never penetrate!"
Walk the line. Don't back down. It's going to be a long twilight struggle against the forces of darkness, my friends. (Wo)Man up, gear up, but be of good cheer. Long live the Republic!
JFK Inaugural Speech, 1961:
Now the trumpet summons us again–not as a call to bear arms, though arms we need — not as a call to battle, though embattled we are — but a call to bear the burden of a long twilight struggle, year in and year out, 'rejoicing in hope, patient in tribulation'–a struggle against the common enemies of man: tyranny, poverty, disease and war itself.
Of the four, tyranny is greatest threat at the present time, the tyranny of the deep state operatives who control the Democrat Party and pull the strings of the puppet-in-chief, Joe Biden, and who desperately tried, but failed, to replace him with the puppet Kamala Harris. Despite the stinging rebuke visited upon the anti-democratic Dem cadre, they will not give up. Their nihilism has deep and mephitic sources.
I was hoping to uncover an etymological connection between mephitic and Mephistopheles, but I found no evidence of one.
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UPDATE (12/18). Further political 'infusions' to 'get your blood up' in this season of peace and joy. Si vis pacem, para bellum.
Why They Hate Kash Patel. They hate a 'person of color'? What racists they are!
After Penny. Excerpt:
Instead, the left and the weaponized government institutions under its control used Penny’s race, gender, and courage to try to make him a national pariah and a living symbol of its twisted ideas of “white privilege” and “systemic racism.” He had to entertain daily the possibility that he could spend up to 20 years in prison for protecting himself and others, and then live out the remainder of his life as an ex-con whose alleged crimes were rooted in purported racism. He had to live in the knowledge that the elected judicial authorities of our country’s largest and supposedly greatest city—with the unreserved support of many civic leaders, criminal justice theorists, and major leaders of one of our country’s two major political parties—did everything in their power to impose just that outcome on him. He likely realized that if they succeeded—and even if they failed, as they did—they would be emboldened to punish others with the same process.
Last week, I noted with alarm that House Republicans were shrugging off—or even approving of—Donald Trump wanting to jail some of their past and current colleagues who served on the January 6th Committee. As it turns out, I underestimated their bloodthirstiness.
Apparently these embittered losers are incapable of distinguishing between revenge/vengeance and retributive justice. Are these two-bit Bulwark journos unaware that 'retribution' has two importantly different senses in English?
I am not able [not able, Rod, or not willing?] to tell you where this idea comes from, but I can assure you that, from my sources, it’s not idle speculation. Thesis: the drones are from China.
China is taunting us, showing us how advanced its technology is, and that it can violate US airspace with impunity. We don’t have the ability to detect these things before they arrive, and they can cloak themselves from our radar. I had wondered why China or any nation would reveal its advanced technology in this silly way. A possible answer: it could be a display of power in advance of an invasion of Taiwan, as a kind of “Are you sure you want to mess with us, Yanks?” way. Doing this could be a shrewd way of firing a warning shot.
Is Dreher suggesting that Alejandro Mayorkas, Director of Homeland (In?)Security, has been lying to us, along with the rest of the Dementocrat regime about the provenience of drones? Dreher's thesis is the most plausible explanation I can think of.
Money, power, sex, and recognition form the Mighty Tetrad of human motivators, the chief goads to action here below. But none of the four is evil or the root of all evil. People thoughtlessly and falsely repeat, time and again, that money is the root of all evil. Why not say that about power, sex, and recognition? The sober truth is that no member of the Mighty Tetrad is evil or the root of all evil. Each is ambiguous: a good liable to perversion.
Read the rest at Substack.
Out of sight
Out of mind
Out of range
Of the ill
Will and thought
Of others.
Based on the provided search results, here’s a comprehensive answer:
The Maverick Philosopher’s Saturday Night series focuses on nostalgic music reviews, often tied to a specific theme or month. The titles within this series include:
These articles demonstrate the Maverick Philosopher’s eclectic approach to music criticism, blending personal nostalgia, philosophical insights, and literary flair.
…………………….
BV: How could any reasonable, fair-minded person disagree with that? A couple of inaccuracies: I have never linked to the Electric Prunes, and I have never even heard of the band United States of America.
Group Mind having praised me, I must now offer up some more content for appropriation. There are questions here I don't even know how to formulate properly. Future shock is upon us. Remember Alvin Toffler's book?
MUSICAL COMMENTARY ON NEWSWORTHY PERSONS
Luigi Mangione: I Fought the Law (and the Law Won). No one is above the law! (Nancy Pelosi) Luigi, Luigi.
Donald J. Trump: Do you love me? You put me down 'cause I couldn't dance; you didn't even want me around. But I'm BACK to let you know, I can really shake 'em down. Contours, 1961? Daddy's Home. And he's home TO STAY. That's the way it is with dictators. Shep and the Limelites, 1961.
Joe Biden: A Fool Such as I. PARDON ME, if I'm sentimental . . . He is indeed fool, and a plagiarist, and the third black president. See here.
Kamala Harris: Born to Lose. Joy to the World. Kamala was a bullshitter, was a good friend of mine; never understood a single word she said, but I helped her drink her wine. Joy to the world! Kamala the commie-clown in action!
Alejandro Mayorkas: the most brazen of the brazen liars of the corrupt-to-the core Biden administration Lies!
But The Times They Are a' Changin'. (Byrds)
Denied by Lukasiewicz!
Top o' the Stack.
What Lukasiewicz might have said to Leśniewski: Logically, we are poles apart!
Here:
In short, the political battle between the Left and Right is best understood as an existential fight over what America will be. The Left pushes for a metanoic transformation, while the Right tries to catalyze an epistrophic one.
Metanoia is a forward-looking change — a recognition that one’s past way of life was flawed in some fundamental way. Regret precipitates a self-rejection that drives the transformation, which is a deliberate turning away from one’s previous identity. In contrast, epistrophe is a backward-looking change — a realization that at some point one betrayed the true self and embraced a false mode of being. Epistrophic transformation, then, is a return to one’s essential identity — a return to a previous (and more authentic) way of life.
Under the second Trump administration, America will be transformed — and it will be an epistrophic transformation. The citizens of the country have unmistakably rejected the Left’s claim that our traditional identity was morally untenable.
Very good over all, but is the last quoted sentence true?
The concept democracy includes at least four sub-concepts: majority rule, universal franchise, equality before the law, and consent of the governed. Consider the first and the fourth. They are in tension with each other. Trump won both the Electoral College and the popular vote, but he won the latter only by about 2%. So almost half of the voters did not give their consent to be governed by Trump and his entourage and to be subjected to his and their agenda.
As a citizen and a patriot, I am very happy with the outcome: I want to see our political enemies soundly defeated and demoralized. As a philosopher, however, one who values truth above all else, and along with it, the ancillary virtues of precision in thought and speech, I must point out that that it is false that the citizens have unmistakably rejected the depredatory Left's signature allegation.
The false claim is being thoughtlessly repeated by too many media pundits on our side. Widely bruited as it is, it may have the negative effect of causing complacency. We are in a war with the Left and it won't be over soon, if ever. The National Sanitation Project, as I have been calling it, may take a generation or more. All of our institutions need the political equivalent of fumigation. That includes, of course, the RCC which, though not part of the state apparatus, is an institution that affects the course of the ship of state.
Remember Dr. John Jay Ray? He is a like-minded blogger buddy of mine from the early days. I received some traffic today from one of his sites, Dissecting Leftism. Over there, I found this:
The following quotation is reproduced verbatim from Michael Gilleland's classics blog, Laudator Temporis Acti:
Augustine, Sermons 241.2 (Patrologia Latina, vol. 38, col. 1134; tr. Edmund Hill):
They could see their bodies, they couldn't see their souls. But they could only see the body from the soul. I mean, they saw with their eyes, but inside there was someone looking out through these windows. Finally, when the occupant departs, the house lies still; when the controller departs, what was being controlled falls down; and because it falls down, it's called a cadaver, a corpse. Aren't the eyes complete in it? Even if they're open, they see nothing. There are ears there, but the hearer has moved on; the instrument of the tongue remains, but the musician who used to play it has withdrawn. (emphasis added by BV)
Videbant corpus, animam non videbant. Sed corpus nisi de anima non videbant. Videbant enim per oculum, sed intus erat qui per fenestras aspiciebat. Denique discedente habitatore, iacet domus: discedente qui regebat, cadit quod regebatur: et quoniam cadit, cadaver vocatur. Nonne ibi oculi integri? Etsi pateant, nihil vident. Aures adsunt; sed migravit auditor: linguae organum manet; sed abscessit musicus qui movebat.
Read uncharitably, Augustine is anthropomorphizing the soul: he is telling us that the soul is a little man in your head. This uncharitable eisegesis is suggested by inside there was someone looking out through these windows. A couple of sentences later the suggestion is that the open eyes of a dead man see nothing because no one is looking through these un-shuttered windows — as if there had to be someone looking through them for anything to be seen.
The uncharitable reading is obviously false. The one who sees when I see something cannot be a little man in my head. There is obviously no little man in my head looking through my eyes or hearing through my ears. Nor is there any little man in my head sitting at the controls, driving my body. Neither the thinker of my thoughts nor the agent of my actions is a little man in my head. And even if there were a little man in my head, what would explain his seeing, hearing, controlling etc.? A second homunculus in his head?
A vicious infinite explanatory regress would then be up and running. Now not every infinite regress is vicious; some are, if not virtuous, benign. The homuncular regress, however, is vicious. It doesn't get the length of a final explanation, which is what we want in philosophy.
Charitably read, however, the Augustinian passage raises legitimate and important questions.
Who are the seers when we see something? Who or what is doing the seeing? Not the eyes, since they are mere instruments of vision. We see with our eyes, says Augustine, likening the eyes to windows through which we peer. There is something right about this inasmuch as it is not my eyes that see the sunset, any more than my glasses see the sunset. Put eyeglasses on a statue and visual experiences will accrue neither to the glasses nor to the statue. Eyeglasses, binoculars, telescopes, etc., are clearly instruments of vision, but they themselves see nothing.
But then the same must also be true of the eyes in my head, their parts, the optic nerve, the neural pathways, the visual cortex, and every other material element in the instrumentality of vision. None of these items, taken individually or taken collectively, taken separately or taken in synergy, is the subject of visual experience. Similarly for ears and tongue. He who has ears to hear, let him hear. But it is not these auditory transducers that hear; you hear and understand — or else you don't. You cannot speak without a tongue, but it is not the tongue that speaks. You speak using your tongue.
Question is: what does 'you' refer to in the immediately preceding sentence? Who are you? Who or what am I? Substituting a third-person designator for the first-person singular pronoun won't get us anywhere. I am BV. No doubt. But 'BV' refers to a publicly accessible animated body who (or rather that) instantiates various social roles. You could of course say that the animal bearing my name is the subject of my experiences. That would involve no violation of ordinary language. And it makes sense from a third-person point of view (POV). It does not, however, make sense from a first-person POV. I see the sunset, not the animal that wears my clothes or bears my name.
And please note that the first-person POV takes precedence over, since it is presupposed by, the third-person POV. For it is I who adopts the third-person POV. The third-person POV without an I, an ego, who adopts it is a view from nowhere by nobody. There is no view of anything without an I whose view it is.
So I ask again: who or what is this I? Who or what is the ultimate subject of my experience? Who or what is the seer of my sights, the thinker of my thoughts, the agent of my actions, the patient of my pleasures and pains? Two things seem clear: the ultimate subject of my experience, the transcendental subject, is not this hairy beast sitting in my chair, and the ultimate subject, the transcendental subject, is not an homunculus.
Should we therefore follow Augustine and postulate an immaterial soul substance as the ultimate subject of visual and other experiences? Should we speak with Descartes of a thinking thing, res cogitans, as the source and seat of our cogitationes? Is the res cogitans literally a res, a thing, or is this an illicit reification ('thingification')? On this third approach, call it Platonic-Augustinian-Cartesian, there is a thing that is conscious when I am conscious of something, but it is not a little man in my head, nor is it my body or my brain or any part of my brain. It cannot be my body or brain or any part thereof because these items one and all are actual or possible objects of experience and therefore cannot be the ultimate subject of experience. And so one is tempted to conclude that, since it cannot be anything physical, the ultimate subject of experience must be something meta-physical.
This third approach, however, has difficulties of its own. The dialectic issues in the thought that the ultimate subject of experience, the transcendental ego, is unobjectifiable. But if so, how could it be a meta-physical thing? Would that not be just another object, an immaterial, purely spiritual, object? Are we not, with the meta-physical move, engaging in an illicit reification just as we would be if we identified the ultimate subject with the brain or with an homunculus? And what would a spiritual thing be if not a subtle body composed of rarefied matter, ghostly matter, geistige Materie. Reification of the ultimate subject appears to terminate in 'spiritual materialism,' which smacks of contradiction.
But maybe there is no contradiction. There may well be ghosts, spooks made of spook stuff. I told you about my eldritch experience in the Charles Doughty Memorial Suite in which, one night, someone switched on my radio and tuned it to the AM band that I never listened to. Maybe it was the ghost of the bitter old man who had recently had a heart attack and who had threatened to kill me. But who was the seer of that ghost's sights and the agent of his actions?
Do you see the problem? The regress to the ultimate subject of experience is a regress to the wholly unobjectifiable, to 'something' utterly un-thing-like composed of no sort of matter gross or subtle.
Should we adopt a fourth approach and say, instead, that the ultimate subject of experience is no thing at all whether physical or meta-physical? If we go down this road, we end up in the company of Jean-Paul Sartre and Panayot Butchvarov.
But there is fifth approach, homuncular functionalism, which cannot be explained here. The idea is that there is a regress of stupider and stupider homunculi until we get to a level of homunculi so stupid that they are indistinguishable from mindless matter. See here and here.